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Originated in 1919 to showcase the works of exceptional American poets under the age of forty, the Yale Series of Younger Poets prize is the oldest annual literary award presented in the United States. Ansel Elkins’s poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her “arresting use of persona,” calling her poems “razor-edged in their intelligence, Southern Gothic in their sensibility.” In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose “otherness” has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.
Laugh-out-loud observations from “America’s foremost humorist” (Chicago Tribune). What Men Don’t Tell Women: Well, that’s just for starters. Roy Blount Jr. realized that nearly all of his writing involved things people don’t tell people: what Southerners don’t tell Northerners, what the sick don’t want to hear from the well, what no one would ever tell their mother, and what authors rarely admit to their readers. That all changes in this “honest . . . funny” collection of confessional essays about sex, friendship, marriage, male bonding, female patience, and Elvis (The Boston Globe). One Fell Soup: A deliciously funny stew of reviews, diatribes, investigations, meditations, assorted grumblings, and verse about the absurdities of American life, death, fears, and ambition. Included in these fifty-nine easy pieces: the truth (as Blount sees it) about nudism, cricket-fighting, bowling, macaroni and cheese, black holes and black socks, nuclear holocausts, the CIA, domesticated fowl, pork bellies, God, and more. The whole shebang from “one of the most clever (see sly, witty, cunning, nimble) wordsmiths cavorting in the English language” (Carl Hiaasen). Camels Are Easy, Comedy’s Hard: Flesh-eating piranha! Synchronized swimming! Rubber chickens! Edith Wharton! Crossword puzzles! All and then some in this giddy compendium of essays, celebrity profiles, silly games, and side trips. Parts sports journalism, literary criticism, travel writing, and aborted novel, tossed with a few poems and a neo-Biblical one-act play, this is an uproarious—and sometimes heartening—anthology of adventures from “one writer who never fails to please” (The Village Voice).
A collection of essays, written in celebration of the fiftieth anniversary of the Grand Ole Opry, that provides portraits of the personal lives and careers of nineteen country music stars, with a chapter devoted to early pioneers such as Fiddlin' John Carson, and Carl T. Sprague.
Yodel-Ay-Ee-Oooo is the first book to address the question: How did a centuries-old, Swiss mountain tradition make its way into American country music? Along the way, the reader discovers that yodeling is not just a Swiss thing--everyone from Central African pygmies, Nashville hunks-in-hats, avant-garde tonsil-twisters like Meredith Monk, hiphop stars De La Soul, and pop stars like Jewel have been known to kick back and release a yodeling refrain. Along the way, we encounter a gallery of unique characters, ranging from the legendary, such as country singer Jimmie Rodgers, to the definitely different, including Mary Schneider (the Australian Queen of Yodeling) who specializes in yodeling Mozart, Beethoven, and Brahms, and the Topp Twins, a yodeling lesbian duo who employ the sound in their songs aimed at battling homophobia. The book is both a serious study of the history of yodeling around the world and a fun look at how this unique sound has worked its way into popular culture. Yodel-Ay-Ee-Oooo promises to be a classic for fans of music and popular culture.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes--sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to such a broad public and set the stage for the stars who followed him. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew-not as an historical figure, but as a vibrant, immediate force.
A hilarious exploration of male-female communication and other momentous topics Men don’t tell women things for various reasons. 1. The things in question may not be true.2. It is better to keep one’s mouth shut and be thought a pig than to open it and oink.3. There is a certain pleasure in holding certain considerations close to the chest.4. When there is a topic that might complicate a situation in which a woman is pleased for a man to hold her close to his chest, a man does not want to mess with it.5. It is hard to be manly while making pained moaning sounds.6. Men, whether or not they have the Right Stuff, have never quite gotten a secure grip on the concept of the Wrong Thing. The more Roy Blount Jr. thought about what men don’t tell women, the more he began to realize that nearly all of his writing involved things people don’t tell people. Things the sick don’t tell the well, things southerners don’t tell northerners, things authors don’t tell readers, things all too few of us tell anyone at all. But especially the things men don’t tell women. This riotous collection of classic Blount humor is chock full of those gender trade secrets—and plenty of yodeling too.
There are many biographies and histories of early country music and its creators, but surprisingly little attention has been given to the actual songs at the heart of these narratives. In this groundbreaking book, music historian Tony Russell turns the spotlight on seventy-eight original 78rpm discs of songs and tunes from the 1920s and 1930s, uncovering the hidden stories of how they came to be recorded, the musicians who sang and played them, the record companies that marketed them, and the listeners who absorbed them. In these essays, based upon new research, contemporary newspaper accounts, and previously unpublished interviews, and copiously illustrated with rare images, readers will find songs about home and family, love and courtship, crime and punishment, farms and floods, chain gangs and chain stores, journeys and memories, and many other aspects of life in the period. Rural Rhythm not only charts the tempos and styles of rural and small-town music-making and the origins of present-day country music, but also traces the larger rhythms of life in the American South, Southwest, and Midwest. What emerges is a narrative that ingeniously blends the musical and social history of the era.
George-Warren offers the first serious biography in which Gene Autry the legend becomes a flesh-and-blood man--with all the passions, triumphs, and tragedies of a flawed icon.