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Formerly: Misery Express When a fellow lawman falls ill, Sam Burrack—better known as the Ranger—agrees to take the reins of the territory’s infamous jail wagon. Driving straight across the territory, the Ranger must keep tabs on a motley group of prisoners, including the younger brother of JC McLawry, leader of the dreaded Blue Star Tattoo Gang. McLawry’s gang will stop at nothing to free one of their own. And riding among them is Lawrence Shaw, known as the fastest gun alive, whose isolated existence in the desert has affected his mind —but not his trigger finger . . . .
"Based on historical records, including the letters and diaries of Oatman's friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois including the massacre, her captivity, and her return to white society - to her later years as a wealthy banker's wife in Texas."--BOOK JACKET.
Winner, 2021 Glenda Laws Award given by the American Association of Geographers The first lesbian and queer historical geography of New York City Over the past few decades, rapid gentrification in New York City has led to the disappearance of many lesbian and queer spaces, displacing some of the most marginalized members of the LGBTQ+ community. In A Queer New York, Jen Jack Gieseking highlights the historic significance of these spaces, mapping the political, economic, and geographic dispossession of an important, thriving community that once called certain New York neighborhoods home. Focusing on well-known neighborhoods like Greenwich Village, Park Slope, Bedford-Stuyvesant, and Crown Heights, Gieseking shows how lesbian and queer neighborhoods have folded under the capitalist influence of white, wealthy gentrifiers who have ultimately failed to make room for them. Nevertheless, they highlight the ways lesbian and queer communities have succeeded in carving out spaces—and lives—in a city that has consistently pushed its most vulnerable citizens away. Beautifully written, A Queer New York is an eye-opening account of how lesbians and queers have survived in the face of twenty-first century gentrification and urban development.
After being forced to leave her ship in 1803, Jacky Faber finds herself attending school in Boston, where, instead of learning to be a lady, she roams the city in search of adventure, and learns to ride a horse.
"Based on the hit TNT television series"--Front cover.
"While disguised as a boy, Jacky Faber experiences adventure and romance on the high seas"--
From the first light of dawn till long after dark, these sparkling tattoos will shine on brightly. Twelve heavenly images includes rising suns, snoozing moons, and twinkling stars.
Drug dealers are commonly presented as 'dealing in death', preying on the young and innocent and spreading addiction with little care or regard for those they entangle. Drug markets are commonly depicted as being hierarchically organized and riddled with unscrupulous practices and chaotic violence. While a strong case has been made in recent years that the powers of particular drugs have often led to an unreasonable demonization of drug users, there has been little by way of understanding drug dealers as part of that same process. Who is a drug dealer? How does the dealer operate in the drug market? What if many common perceptions, both about dealers themselves and drug markets more generally, are either incorrect or unreasonably distorted? Reviewing recent research into the minutiae of drug dealing and drug market operations, Pusher Myths suggests that these overly simplistic characterizations of who the drug dealer is, what drug dealers do, and the context within which they operate serve to perpetuate unhelpful ideas of what the drug problem is and, thus ultimately, how it should be resolved. Focusing on issues such as dangerous drug adulteration, the pushing of street drugs onto the young and innocent, the provision of free drugs to hook new clients, and the legend of the Blue Star LSD Tattoo, this book goes in the direction of recasting our understanding of the drug dealer as one that has been unreasonably demonized and de-humanized. This book also provides a contemporary analysis of how the various myths (untruths) surrounding drug dealers may be understood within the broader conceptual analysis of the place of myth in modern society.
“Parents with or without tattoos will be touched by [this] heartwarming tale about sharing your past with your children—it leaves a mark” (Real Simple). It’s after dinner and a little boy wants a story from his father. It’s story he’s heard many times before, one etched all over his father’s body. So, dad once again tells his little son the story behind each of his tattoos, and together they go on a beautiful journey through family history. There’s a tattoo from a favorite book his mother used to read him, one from something his father used to tell him, and one from the longest trip he ever took. And there is a little heart with numbers inside—which might be the best tattoo of them all. Tender pictures by the New York Times–bestselling illustrator Eliza Wheeler complement this lovely ode to all that's indelible—ink and love.
A richly illustrated exploration of the history, art, and design of printed LSD blotter tabs. Blotter is the first comprehensive written account of the history, art, and design of LSD blotter paper, the iconic drug delivery device that will perhaps forever be linked to underground psychedelic culture and contemporary street art. Created in collaboration with Mark McCloud’s Institute of Illegal Images, the world’s largest archive of blotter art, Davis’s boldly illustrated exhibition treats his outsider subject with the serious, art-historical respect it deserves, while also staying true to the sense of play, irreverence, and adventure inherent in psychedelic exploration. Davis weaves together two main stories: first, the largely unknown history of blotter paper’s development in the 1960s and its later flowering in the 1970s and 1980s; and second, the story of how San Francisco artist, professor, and “freak” McCloud began collecting blotter and ultimately became embroiled with the LSD trade. The book closes with a unique discussion of the market for “vanity blotter”—more recent perforated papers produced as collectible art objects never meant to be dipped in LSD. While vanity blotters are intimately related to the underground blotters of the LSD trade, they effectively open up their own visual world. As the ultimate document of this ephemeral artform, Blotter represents an exceptional contribution to the scholarship of art and psychedelics that will entertain older readers with lysergic nostalgia and younger readers with its image-driven journey through a colorful and scandalous corner of psychedelic lore.