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In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
(Piano/Vocal/Guitar Songbook). A comprehensive collection of over 120 folk favorites, including: All Night, All Day * The Banana Boat Song * Cotton Eyed Joe * Down by the Sally Gardens * Frere Jacques (Are You Sleeping?) * How Can I Keep from Singing * John Henry * Man of Constant Sorrow * O Happy Day * Pop Goes the Weasel * Somebody's Knockin' at Your Door * Three Blind Mice * and many more.
A collection of traditional songs from across the English-speaking world.
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
The Gig Book returns again with the chords an lyrics to over one hundred traditional songs; songs of hard travellin’, booze, the wild country and broken hearts. Presented with melody line arrangements in standard notation, with guitar chord boxes and complete lyrics, this is the perfect reference for guitarists, keyboard players and all other musicians, allowing you to quickly understand and learn every one of these historical pieces – how to sing it and what chords to play. The setlist includes: - Abide With Me - Amazing Grace - Barbara Allen - Battle Hymn Of The Republic - Cotton Fields - Dixie - Down By The Riverside - Down In The Valley - Four Drunken Nights - House Of The Rising Sun - John Brown's Body - John Henry - Midnight Special - Scarborough Fair - Shortnin' Bread - Streets Of London - The Blue Bells Of Scotland - The Camptown Races - Where Have All The Flowers Gone? - Auld Lang Syne - The Bells Of Rhymney - Black Is The Colour Of My True Love's Hair - Nobody Knows The Trouble I've Seen - Frankie And Johnny And many, many more!
What were you doing when the lights went out on 16th March 2020? John Griffiths was about to step out on stage at the Waterside, Aylesbury, in The Mousetrap by Agatha Christie. But, with less than an hour to curtain up, the curtain fell. Who dunnit? Why, Covid, of course. The Write Escape takes up the story from there… Early in the first Lockdown John had domestic chores to distract him, but they couldn’t fill the artistic hole the loss of performing had left behind. Thus John decided to start each morning with three Ps – nothing to do with a weak bladder. Every day kicked off with a prayer, a poem and a psalm. All this reading got the creative juices going, and he began to write a daily blog. When several people said he should put these pieces in a book, he succumbed to the flattery and decided it was a good idea. This is the result. The book spans the Ides of March to the Ides of September, and covers a variety of subjects and styles. It includes epigrams, limericks, haikus, obituaries, anecdotes, recipes and sports reports. We meet, among others, Her Majesty the Queen, Florence Nightingale, Nelson Mandela, Louis Pasteur, Ben Stokes, Kenny Dalglish; and writers including Shakespeare, Byron, Oscar Wilde, Ogden Nash, Dylan Thomas, Wordsworth, Masefield, Betjeman and Duffy; and mark schooldays, holidays, festivals, anniversaries, weddings and, sadly, funerals. But the overall tone is one of hope, and faith in the human spirit to adapt, to persevere and survive.
anthology of excerpts of forthcoming fiction and non-fiction books