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The story of Amy of Eddybrook, a medieval girl.
Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. In this book, Michael Marder illuminates the elaborate vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, he recasts the development of philosophy through the evolution of human and plant relations. A philosophical history for the postmetaphysical age, The PhilosopherÕs Plant reclaims the organic heritage of human thought. With the help of vegetal images, examples, and metaphors, the book clears a path through philosophyÕs tangled roots and dense undergrowth, opening up the discipline to all readers.
The Blossom Which We Are traces the emergence of a distinctly modern form of human vulnerability—our intimate dependence on the fragile and time-bound cultural frameworks that we inhabit—as it manifests in the realm of the novel. Nir Evron juxtaposes seminal works from diverse national literatures to demonstrate that the trope of cultural extinction offers key insights into the emotional and ideological work performed by the realist novel. With an analysis that ranges from the works of Maria Edgeworth and Walter Scott, Edith Wharton's Age of Innocence and Joseph Roth's Radetzky March and Yaakov Shabtai's Past Continuous, and finally to the current state of the humanities, this book seeks to recover literary criticism's humanistic mission, bringing the best that has been thought and said to bear on urgent contemporary concerns.
"Forget cheesy fairytales and outdated advice, "Heartstrings: A Relationship & Love Field Guide" is your down-to-earth guide to navigating the wild world of love in the 21st century. Think of it as a mix tape of juicy insights from psychology, relatable stories from literature, and real-world tips for tackling modern relationship challenges. This book doesn't promise a picture-perfect ending, but it equips you with the tools to write your own love story – from mastering communication to spicing things up in the bedroom and navigating the ever-present glow of your phone. So, grab a cup of coffee, curl up, and get ready to unlock the secrets to deeper connections, personal growth, and a whole lot of love."
Sebastian Rödl's Self-Consciousness and Objectivity is one of the most original and thought-provoking books in analytic philosophy for the last several years. An ambitious defence of absolute idealism, Rödl rejects the idea that we as thinking beings can position ourselves within a given, mind-independent reality, and instead advances the position that the very idea of an ‘objective reality’ coincides with the self-consciousness of thought. In this outstanding collection, a roster of international contributors critically examine the significance of Rödl's arguments and develop them in new directions. Their contributions are organised into the following six sections: Self-Consciousness and Objectivity and naturalism Self-Consciousness and Objectivity and formal idealism Self-Consciousness and Objectivity and quietism Self-Consciousness and Objectivity and absolute idealism Self-Consciousness and Objectivity and the power of judgment Self-Consciousness and Objectivity and the determinacy of the individual The volume concludes with an extensive response by Sebastian Rödl to his critics. This book constitutes essential reading for anyone interested in contemporary debates at ther intersection of analytic philosophy and philosophical idealism.
In 1892, unrepentant anarchists Alexander Berkman, Henry Bauer, and Carl Nold were sent to the Western Pennsylvania State Penitentiary for the attempted assassination of steel tycoon Henry Clay Frick. Searching for a way to continue their radical politics and to proselytize among their fellow inmates, these men circulated messages of hope and engagement via primitive means and sympathetic prisoners. On odd bits of paper, in German and in English, they shared their thoughts and feelings in a handwritten clandestine magazine called “Prison Blossoms.” This extraordinary series of essays on anarchism and revolutionary deeds, of prison portraits and narratives of homosexuality among inmates, and utopian poems and fables of a new world to come not only exposed the brutal conditions in American prisons, where punishment cells and starvation diets reigned, but expressed a continuing faith in the "beautiful ideal" of communal anarchism. Most of the "Prison Blossoms" were smuggled out of the penitentiary to fellow comrades, including Emma Goldman, as the nucleus of an exposé of prison conditions in America’s Gilded Age. Those that survived relatively unrecognized for a century in an international archive are here transcribed, translated, edited, and published for the first time. Born at a unique historical moment, when European anarchism and American labor unrest converged, as each sought to repel the excesses of monopoly capitalism, these prison blossoms peer into the heart of political radicalism and its fervent hope of freedom from state and religious coercion.
Visionary artist and New York Times bestselling author of The Wild Unknown Kim Krans returns with a decadently illustrated and incredibly raw graphic memoir that chronicles her multi-layered search for truth and recovery from an eating disorder and infertility in the throes of a health and wellness-obsessed culture, touching on the healing potentials of creativity and spirituality. With pen and paper as her trusted allies, revered visionary artist, spiritual seeker, and bestselling author of The Wild Unknown, Kim Krans chronicles her deeply personal journey of recovery through drawing. After cancelling her flight home to wellness-obsessed Los Angeles, where Krans had been secretly experiencing a debilitating eating disorder, she finds her way to an ashram and seeks spiritual and creative refuge. For forty days she relies on “drawing the feeling” as a way to realign her relationship to food, addiction, fertility, perfectionism, and the endless messaging of “never enough” echoing throughout current culture. She makes the ashram her home and embarks on the healing process through intricately hand-drawn narration of both her inner and outer worlds, cancelling forthcoming high-profile teaching obligations and international travel. Radical simplification, meditation, community, and creativity bring her through the darkest chapter of her life. What emerges from Krans’ deeply personal undertaking is a raw and beautiful never-before-seen artists’ document that explores what it means to prioritize truth and self-discovery in a world of relentless expectations and distractions. A memoir at its heart, Blossoms and Bones is a lifeline of light and beauty, a call to embrace our creative power, and a courageous example of realigning with one’s destiny.