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Inside you will find 13 chilling campus mysteriesunsolved murders that occurred at U.S. and Canadian colleges. Youll get the most recent details of: the stabbing of a young co-ed in the stacks of the Penn State library, the gruesome ritualistic murder of a student at midnight in Stanfords Memorial Church, the controversial death of Suzanne Jovin on a New Haven street which threw Yale into a turmoil, and the mysterious death of Mrs. Jane Stanford, the co-founder of Stanford University. Was she poisoned, and, if so, why was it covered up? There are nine other unsolved murders for you to try to help to solve. Maybe one of you out there holds the final piece of the puzzle.
A delectable true-crime story of scandal and murder at America’s most celebrated university. On November 23rd of 1849, in the heart of Boston, one of the city’s richest men simply vanished. Dr. George Parkman, a Brahmin who owned much of Boston’s West End, was last seen that afternoon visiting his alma mater, Harvard Medical School. Police scoured city tenements and the harbor, and offered hefty rewards as leads put the elusive Dr. Parkman at sea or hiding in Manhattan. But one Harvard janitor held a much darker suspicion: that their ruthless benefactor had never left the Medical School building alive. His shocking discoveries in a chemistry professor’s laboratory engulfed America in one of its most infamous trials: The Commonwealth of Massachusetts v. John White Webster. A baffling case of red herrings, grave robbery, and dismemberment—of Harvard’s greatest doctors investigating one of their own, for a murder hidden in a building full of cadavers—it became a landmark case in the use of medical forensics and the meaning of reasonable doubt. Paul Collins brings nineteenth-century Boston back to life in vivid detail, weaving together newspaper accounts, letters, journals, court transcripts, and memoirs from this groundbreaking case. Rich in characters and evocative in atmosphere, Blood & Ivy explores the fatal entanglement of new science and old money in one of America’s greatest murder mysteries.
Rotting Man Goes to Town deals with an adult relationship; which is in deep trauma from the outset of the story. Its technique is predominately dual narration, going from him to her vantage points. There are two sides to every story. Some of the language is hard-hitting, with angry scenes or mindsets, including some swearing. Political incorrectness exists in parts. The emotions are raw. It is a compelling and authentic read. It begins badly. How will it end? The initial setting is in America, with flashbacks to Britain, meant to counter the: hurt, sadness and anger, by the use of the device of injecting past comedic episodes. Levity and tragedy are seen in animal antics. Thus, the humorous scenes are meant to bring a balance to the novel overall. With the exception of the animals’ names, which remain true, all human names have been changed.
For the first time in trade paperback: the fifth novel in the #1 New York Times bestselling series from Laurell K. Hamilton. When Branson, Missouri, is hit with a death wave 'four unsolved murders' it doesn't take an expert to realize that all is not well. But luckily for the locals, Anita Blake is an expert in the kinds of preternatural goings-on that have everyone spooked. And she's got an 'in' with the creature that can make sense of the slayings-the sexy master vampire known as Jean-Claude.
Alex Stone wants to pretend the supernatural doesn't exist. As the owner of a hot new clothing line, the only thing she's killing is her competition - until she gets a phone call from her past. As the Dagger, she was a member of the covert ops team tasked with hunting threats of the supernatural kind. For the super soldiers of Night Command, the rules were simple: take the pills, fight the bad guys, and live to tell no one. After putting a bad-ass vampire on ice landed her in a padded cell, Alex thought she'd left the hunting game for good. Now she's in the orbit of a handsome vampire with a problem. And sometimes keeping secrets bites. Jason Stavros has the best of everything and life eternal. To the human world, Jason was just a poor boy who made it to the top. For a human turned vampire, the fight for a place in the inner circle of the ruling class hinges on one task: convince the best ex-vampire hunting assassin to become his personal bodyguard and save them all. Join Alex, Jason and a new team of young hunters as two worlds unite against a common enemy. As the body count begins to rise, Alex and the Tracker Team fight friends and enemies to find the answers they seek. What's been happening in the dark will finally come to light.
In the second book in Thomas-Graham's critically acclaimed mystery series, Harvard professor Nikki Chase encounters a brutal murder and explosive racial conflict behind the Gothic stone walls of Yale University.
A collection of the first five novels in Laurell K. Hamilton's New York Times bestselling Anita Blake, Vampire Hunter series. • Guilty Pleasures • The Laughing Corpse • Circus of the Damned • The Lunatic Cafe • Bloody Bones
Only one thing stands between Sebastian and his revenge. He's falling in love with his prey… Ivy Kinley destroyed a young man, heart and soul. Now, she's the target of a cruel game where she is the prize. Wagers are placed: Survive her or win her. Sebastian Cain, the Earl of Ravenswood, is undaunted by Ivy's reputation. Returning to England, he means to avenge his cousin's tragic death and ruin the woman responsible. His plan-- lull her with an offer of friendship she cannot refuse. But until he has Ivy's heart bleeding and tattered in his pocket and the lady at his mercy and begging for more, he will pursue her. Can he tame her? Perhaps. Could he ruin her? Most definitely. Should Ivy trust his offer of friendship? Absolutely not. A quest for revenge becomes a mutual obsession for them both. Who will be ruined first? Who will be tamed? ***TAMING IVY contains sexual situations described in detail between the main characters as well as instances of dubious consent, strong language, references to suicide, abduction, and mental illness. If this type of subject matter disturbs you as a reader, please understand it is an integral part of the storyline and the characters' development. There are sexual interactions that some may consider dubious consent in nature as the characters fight their feelings for each other. My characters are flawed. They do awful things, behave even worse, make mistakes, apologize, stumble yet again, and still redeem themselves for the sake of true love. I also took generous liberty with the idea of Ivy being left mainly to her own devices with a grieving, frustrated father who is absent much of the time. ***
This graceful translation and bilingual edition, now in paperback, is the first to bring English readers a representative sampling of the poetry Delmira Agustini published before her untimely death on July 6, 1914 at the age of twenty-seven. Translated by native Uruguayan Alejandro Cáceres and including work from each of Agustini's four published books, Selected Poetry of Delmira Agustini: Poetics of Eros is a response to a resurgent interest not just in the poems but in the passionate and daring woman behind them and the social and political world she inhabited. Delmira Agustini was born in Montevideo, Uruguay, on October 24, 1886 to wealthy parents of German and Italian descent. She published her first volume of poetry when she was twenty-one and followed with two more in the next six years: the fourth volume was a posthumous publication. Her life was cut short in 1914, when Enrique Job Reyes, her ex-husband, shot her to death and then turned the gun on himself. Carefully selected for this bilingual, en face edition, the poems collected here track and highlight Agustini's development and strengths as an artist—including her methods of experimentation, first relying on modernista forms and later abandoning them—and her focus on the figure of the male, which she portrays as the crux of devotion and attention but deems ultimately unreachable. Cáceres's introduction presents biographical information and situates Agustini's work and life in a larger political, historical, and literary context, particularly the modernismo movement, whose followers broke linguistic and political ties with the pathos and excesses of romanticism.