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Los Angeles -- the fabled "City of Angels," home to the rich and famous, to palm trees, sandy beaches, orange groves, and most of all, to that wonderful, almost magical place known as Hollywood. But beneath the shiny surface of glitz and glamour in America's movie capital is a dark side of crime and corruption and behind the doors of the lavish homes, luxury hotels, and magnificent mansions are tales of spirits who do not rest in peace. There are many unsolved mysteries connected to Hollywood, as well as tales of scandal, depravity, murder, and, of course, ghosts! In this installment of the best-selling "Dead Men Do Tell Tales" Series, author Troy Taylor takes you behind the scenes of Hollywood noir in a way that no other book ever has. This is not your typical Hollywood ghost book, but a unique perspective on how crime, murder, sin, sex, scandal, and unsolved mysteries have shaped the haunted landscape of Tinseltown. From the bloody history of L.A. & Hollywood to the myriad of scandals, sin & gore-soaked crime of the film colony's Golden Age, this is a chilling look at the haunted underbelly of Hollywood - and the dark side of the American dream!
These new essays comprise a critical analysis of present-day crime fiction and nonfiction works set in Italy (all of which are available in English). The writers discussed range from Donna Leon and Michael Dibdin to Leonardo Sciascia and Andrea Camilleri. Essays also deal with nonfiction by Roberto Saviano and Douglas Preston. An emerging theme is the corruption of Italian police and judiciary officials and the frustration of officers and politicians trying to work ethically within a flawed system. Many of the works discussed show the struggle of the honest characters to find at least a limited justice for the victims.
Silent film starlet Mary Margaret is alone in her Hollywood bungalow, about to kill herself. A former Shakespearean stage actor, now a drunken silent movie leading man with a bad reputation, calls on her and tries to convince her to face life. In the course of their hilarious conflict, images of the actor's past emerge. His efforts to help Mary Margaret live force him to deal with his own demons and find a way to cope with the terrible secret that eats away at him like the cannibal Laestrygonians in Homer's Odyssey. Funny and rich in character and language, this powerful and unusual love story, part of the Pendragon series of plays, is rich with great audition monologues and scenes. Don Nigro's followers will recognize some of the characters from Chronicles, Anima Mundi, Beast with Two Backs, Autumn Leaves and Dramatis Personae--all plays from his series Pendragon Plays
Now in his 85th year, Hollywood legend Michael Caine shares wisdom and stories from his remarkable career in this "engrossing" memoir that "shines with positive energy" (Library Journal, starred review). One of our best-loved actors, Michael Caine has starred in over 100 films in his six-decade career, spanning classic movies like Alfie, Zulu, and The Italian Job (the inspiration for the book title) to playing Alfred opposite Christian Bale's Batman in Christopher Nolan's blockbuster Dark Knight trilogy. Caine has excelled in every kind of role--with a skill that's made it look easy. Caine knows what success takes. He's made it to the pinnacle of his profession from humble origins. But as he says, "Small parts can lead to big things. And if you keep doing things right, the stars will align when you least expect it." Still working and more beloved than ever, Caine now shares everything he's learned-and "his fans will be rewarded, as will anyone seeking an enjoyable, inspirational read" (Library Journal).
They all met again at the Drama School Reunion: the Hollywood celebrity, the out-of-work soap star, the understudy, the Shakespearian hero. Thirty-six years ago, they dreamed of the great parts awaiting them. What they did not know was that the parts would soon dry up, for the actresses. Because they had stopped being young. But: once an actress, always an actress and on this hot, summer's day it becomes clear that age does not wipe out ambition. Or desire. Or memory. Or love. So when the Reunion culminates in an accusation of rape that dominates every newspaper in the country, the past – sweet, cruel, tragic – comes flooding back, and the actresses become the stars of the story. Perceptive, shocking, gripping and wise, this could only have been written by somebody who has been there.
The entire town of Hazard covered up the brutal murder of Chemist Bill Clutter. No one was talking and daily life continued on as usual. That is, until Clutter returned from the grave to seek revenge on everyone involved in his early demise. Once the towns people began dying, one by one, it didn't take long for paranormal investigator and police Detective Darryl Roberts to come face to face with Bill Clutter now called, "BLOODY BONES". This is book two of the paranormal investigator and police detective Detective Darryl Roberts series.
Fired with her passion for life, food and challenge, Cowrie and her friends take on multinational corporations and the New Zealand government over the issue of genetically modified crops. As they grapple with concerns ranging from sick children to genetic engineering, they encounter corruption, politics and power.
Hollywood and Africa - recycling the ‘Dark Continent’ myth from 1908–2020 is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge, especially in history, literature and film. Hollywood and Africa identifies the ‘colonial mastertext’ of the Dark Continent mythos by providing a historiographic genealogy and context for the term’s development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood–Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical, neoclassical and new wave Hollywood–Africa phases in order to illustrate how Hollywood productions about Africa recycle, revise, reframe, reinforce, transpose, interrogate — and even critique — these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood’s whitewashing of African history.
Chester Milosz, a very minor American poet who teaches at a very minor American college and aspires to win the Nobel, receives an invitation to a meeting of global high-flyers at the Otto Nabokov Foundation’s Ardor Haus estate in Caravaggio, Italy. The organizers are Dickey Lemon, a British billionaire who made his fortune in hamster bedding, and Joe Zsasz, an ex-communist functionary-turned-international consultant. The participants are a sundry collection of business people, policymakers, journalists, and academics involved in shady dealings with a corrupt Eastern European president who closely resembles Ukraine’s Viktor Yanukovych. Chester decides to go in the hope that a trip to northern Italy will help overcome his writer’s block. While at Ardor Haus, he experiences cultural misunderstandings, comic misadventures, near-encounters with inspiration, and three earthquakes. It eventually dawns on Chester that he’s been confused with the Nobel Prize winner, Czes?aw Mi?osz, and that the conference is an elaborate scam. After a major earthquake destroys Caravaggio, Chester finds his Muse on the rooftop of the Duomo in Milan.
No one would ever regard the insignificant muddy watercourse that wanders through the eastern suburbs of Melbourne, Australia, as iconic, or mystical. There is nothing of the Ganges, or the Thames or the Mississippi about the Yarra. Most people barely notice it's there and those who do tend to disparage its effluence. Yet, for the two men who have spent most of their lives keeping the Yarra channels flowing, there is a kind of divine power there. From a family tradition of riverboat men, identical twins, Jay and Vic Walker, see their almost religious respect for the river confirmed, when their dredge brings up a small fortune, the river's gift. The gift however is conditional, it comes with responsibility, one that consumes them and changes their otherwise humdrum simple lives indelibly. Birthdays mark the significant steps in the Walkers' story, and on his 50th birthday, looking back, Jay attempts to make sense of his journey. From the temporary sanctuary of his hospital room, gently impelled forward by his psychiatrist, he records the events as a birthday present for the eight year old boy in his family. Steadily unravelling the Walker history into a tape recorder, he narrates their trajectory, from the dredge's revelation, purchasing their identical Honda Gold Wings and then encountering the homeless Mo Heany on her beaten-up Yamaha. When they invite her to become their housekeeper, their lifestyle changes irrevocably. At the same time, their dredging days give way to a very different kind of craft, all fuelled by the secret stash under the barbecue in their backyard. However, as Jay comes to understand ever more deeply, the river has its price and ultimately the price must be paid. What is dredged up must be accounted for. Who is responsible for the mysterious and deadly explosion on the tourist boat? Who in fact is the real father of the child? The tape recording narrator's portrayal of his own world may be rather different from how the world really is.