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This compelling book argues that American patriotism is a civil religion of blood sacrifice, which periodically kills its children to keep the group together. The flag is the sacred object of this religion; its sacrificial imperative is a secret which the group keeps from itself to survive. Expanding Durkheim's theory of the totem taboo as the organizing principle of enduring groups, Carolyn Marvin uncovers the system of sacrifice and regeneration which constitutes American nationalism, shows why historical instances of these rituals succeed or fail in unifying the group, and explains how mass media are essential to the process. American culture is depicted as ritually structured by a fertile center and sacrificial borders of death. Violence plays a key part in its identity. In essence, nationalism is neither quaint historical residue nor atavistic extremism, but a living tradition which defines American life.
Blood Sacrifices contributors: - Dawn Perlmutter, Ph.D. - Robert J. Bunker, Ph.D. - Marc W.D. Tyrrell, Ph.D. - Paul Rexton Kan, Ph.D. - Lt.Col. Lisa J. Campbell, B.A., SME Beheadings - Tony M. Kail, B.A., SME Esoteric Religions - Pamela Ligouri Bunker, M.Litt., M.A. - Charles Cameron, B.A., SME Religious Violence - SA Andrew Bringuel, II, M.A., SME Criminal Extremism - Jo?se de Arimate?ia da Cruz, Ph.D. - Mark Safranski, M.A., M.Ed. - Alma Keshavarz, M.P.P., Ph.D. Student - Pauletta Otis, Ph.D. The acknowledgment that blood sacrifice, particularly human sacrifice, actively occurs in the 21st century is a pivotal triumph in scholarly research. Twenty years ago, this book could not have been published. In most universities, think tanks, and government research facilities, characterizing any type of murder as sacrificial was viewed at best as a secondary motive and at worst as junk science. - Dr. Dawn Perlmutter
"Blood Sacrifice" is the fifth book in Lima's critically acclaimed urban fantasy series. Original.
What would you give up in order to follow your dreams? In his thrilling debut author David Sullivan takes you along the journey of Corey, a man that has overcome the odds of his home life and realized his gift when it comes to music, but what will be the price of his pursuit of fame and fortune? Will everyone he knows and loves become collateral damage on his way to the top? Taking you into the studio and the streets and the homes of characters you won't be able to forget, BLOOD SACRIFICE is a reminder for all of us that our actions have consequences and sometimes the cost of what we say we want is more than we are really willing to pay.
The history of the Aztecs has been haunted by the spectre of human sacrifice. Reinvesting the Aztecs with a humanity frequently denied to them, and exploring their spectacular religious violence as a comprehensible element of life, this book integrates a fresh interpretation of gender with an innovative study of the everyday life of the Aztecs.
Publisher Description
A reprint of Loeb's 1923 book, including maps.
Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation—and American manhood—is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early–to–mid 1970s, the mid–to–late 1990s, and the mid–to–late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America’s most valuable citizens—and its noblest victims.
The first martyr to the cause of American liberty was Major General Joseph Warren, a well-known political orator, physician, and president of the Provincial Congress of Massachusetts. Shot in the face at close range at Bunker Hill, Warren was at once transformed into a national hero, with his story appearing throughout the colonies in newspapers, songs, pamphlets, sermons, and even theater productions. His death, though shockingly violent, was not unlike tens of thousands of others, but his sacrifice came to mean something much more significant to the American public. Sealed with Blood reveals how public memories and commemorations of Revolutionary War heroes, such as those for Warren, helped Americans form a common bond and create a new national identity. Drawing from extensive research on civic celebrations and commemorative literature in the half-century that followed the War for Independence, Sarah Purcell shows how people invoked memories of their participation in and sacrifices during the war when they wanted to shore up their political interests, make money, argue for racial equality, solidify their class status, or protect their personal reputations. Images were also used, especially those of martyred officers, as examples of glory and sacrifice for the sake of American political principles. By the midnineteenth century, African Americans, women, and especially poor white veterans used memories of the Revolutionary War to articulate their own, more inclusive visions of the American nation and to try to enhance their social and political status. Black slaves made explicit the connection between military service and claims to freedom from bondage. Between 1775 and 1825, the very idea of the American nation itself was also democratized, as the role of "the people" in keeping the sacred memory of the Revolutionary War broadened.