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Focusing on the conquest of Mexico, the British onslaught on the Tasmanian Aborigines, the uprooting of the Apaches, and the German campaign against the tribes of southwest Africa, Cocker illuminates the fundamental experiences that underlie colonial expansion around the globe.
Reveals how new DNA technology helped police to solve the rape, torture and murder of restaurant manager Lisa Kimmel--a crime that had remained unsolved for 15 years--finally putting a twisted serial killer, driven by dark appetites, behind bars. Original.
Winner of the Cundill History Prize Winner of the Frederick Douglass Book Prize Named One of the Best Books of the Year by NPR A breathtakingly original work of history that uncovers a massive enslaved persons' revolt that almost changed the face of the Americas Named one of the best books of the year by NPR, Blood on the River also won two of the highest honors for works of history, capturing both the Frederick Douglass Prize and the Cundill History Prize in 2021. A book with profound relevance for our own time, Blood on the River “fundamentally alters what we know about revolutionary change” according to Cundill Prize juror and NYU history professor Jennifer Morgan. Nearly two hundred sixty years ago, on Sunday, February 27, 1763, thousands of slaves in the Dutch colony of Berbice—in present-day Guyana—launched a rebellion that came amazingly close to succeeding. Blood on the River is the explosive story of this little-known revolution, one that almost changed the face of the Americas. Michael Ignatieff, chair of the Cundill Prize jury, declared that Blood on the River “tells a story so dramatic, so compelling that no reader will be able to put the book down.” Drawing on nine hundred interrogation transcripts collected by the Dutch when the rebellion collapsed, and which were subsequently buried in Dutch archives, historian Marjoleine Kars has constructed what Pulitzer Prize–winning historian Eric Foner calls “a gripping narrative that brings to life a forgotten world.”
'Blood River' is a readable account of an African country now virtually inaccessible to the outside world and what is perhaps one of the most daring and adventurous journeys a journalist has made.
THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, written with great power and a diamondlike poetry. But whether Nasdijj is telling us about his son, about the chaotic, alternately harrowing and comical life he led with his own parents, or about the vitality and beauty of Native American culture, his voice is always one of searching honesty, wry humor, and a nearly cosmic compassion. While Nasdijj struggles with his impossible status as someone of two separate cultures, he also remains a contradiction in a larger sense: he cares for those who often shun him, he teaches hope though he often has none for himself, and he comes home to the land he then must leave. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness. This is a book that will touch your soul.
In the late 1930s, the federal government embarked on an unusual project. As a part of the Works Progress Administration's efforts to give jobs to unemployed Americans, government workers tracked down 3,000 men and women who had been enslaved before and during the Civil War. The workers asked them probing questions about slave life. What did they think about their slaveholders? What songs did they sing? What games did they play? Did they always think about escaping? The result was a remarkable compilation of interviews known as the Slave Narratives. This book highlights those narratives--condensing tens of thousands of pages into short excerpts from about 100 former slaves and pairs their accounts with their photographs, taken by the workers sent to record their stories. The book documents what slaves saw and remembered, and explains how they lived. It is an eye-opening account that details what it was like to be a slave--from everyday life to the overwhelming fear they harbored for their lives and for the lives of their family and loved ones. Their stories are clear and stirring. For some reason, the 700 photographs taken for the Slave Narrative Collection have been largely overlooked. The negatives are missing and the paperclip impressions used to attach the small prints to the typewritten interviews indicates that the photos were never valued or treated as art. By pairing 100 narratives and photographs, the material takes on a new life. Every word from every former slave comes alive when the reader can see exactly who told these accounts. The photographs--with the stories--are essential in helping us understand the humanity behind these stories. The words take on new meeting paired with the photographs. When you hear Bill Homer explain that he was given as a wedding present at the age of ten in 1860 and look at his photograph as a proud old man, the true meaning of slavery starts to sinks in. This book is designed so that all Americans will better understand this issue that plays such an important role in present day society. The words and the photographs are profound.
Twelve-year-old Samuel Collier is a lowly commoner on the streets of London. So when he becomes the page of Captain John Smith and boards the Susan Constant, bound for the New World, he can’t believe his good fortune. He’s heard that gold washes ashore with every tide. But beginning with the stormy journey and his first contact with the native people, he realizes that the New World is nothing like he imagined. The lush Virginia shore where they establish the colony of James Town is both beautiful and forbidding, and it’s hard to know who’s a friend or foe. As he learns the language of the Algonquian Indians and observes Captain Smith’s wise diplomacy, Samuel begins to see that he can be whomever he wants to be in this new land.
In the second half of the tenth century, Byzantium embarked on a series of spectacular conquests: first in the southeast against the Arabs, then in Bulgaria, and finally in the Georgian and Armenian lands. By the early eleventh century, the empire was the most powerful state in the Mediterranean. It was also expanding economically, demographically, and, in time, intellectually as well. Yet this imperial project came to a crashing collapse fifty years later, when political disunity, fiscal mismanagement, and defeat at the hands of the Seljuks in the east and the Normans in the west brought an end to Byzantine hegemony. By 1081, not only was its dominance of southern Italy, the Balkans, Caucasus, and northern Mesopotamia over but Byzantium's very existence was threatened. How did this dramatic transformation happen? Based on a close examination of the relevant sources, this history-the first of its kind in over a century-offers a new reconstruction of the key events and crucial reigns as well as a different model for understanding imperial politics and wars, both civil and foreign. In addition to providing a badly needed narrative of this critical period of Byzantine history, Streams of Gold, Rivers of Blood offers new interpretations of key topics relevant to the medieval era. The narrative unfolds in three parts: the first covers the years 955-1025, a period of imperial conquest and consolidation of authority under the great emperor Basil "the Bulgar-Slayer." The second (1025-1059) examines the dispersal of centralized authority in Constantinople as well as the emergence of new foreign enemies (Pechenegs, Seljuks, and Normans). The last section chronicles the spectacular collapse of the empire during the second half of the eleventh century, concluding with a look at the First Crusade and its consequences for Byzantine relations with the powers of Western Europe. This briskly paced and thoroughly investigated narrative vividly brings to life one of the most exciting and transformative eras of medieval history.
In this account, Rodney Barker tells the full and terrifying story of a microorganism popping up along the Eastern seaboard—far closer to home than the Ebola virus and equally frightening. In the coastal waters of North Carolina—and now extending as far north as the Chesapeake Bay area—a mysterious and deadly aquatic organism named Pfiesteria piscicida threatens to unleash an environmental nightmare and human tragedy of catastrophic proportions. At the very center of this narrative is the heroic effort of Dr. JoAnn Burkholder and her colleagues, embattled and dedicated scientists confronting medical, political, and corporate powers to understand and conquer this new scourge before it claims more victims.
A British journalist retraces the legendary 1874 expedition of H. M. Stanley in this “remarkable marriage of travelogue and history” (Max Hastings, author of Armageddon). When Daily Telegraph correspondent Tim Butcher was sent to Africa in 2000,. he quickly became obsessed with the Congo River and the idea of recreating H. M. Stanley’s nineteenth-century journey along the nearly three-thousand-mile waterway. Despite repeated warnings that his plan was suicidal, Butcher set out for the Congo’s eastern border with just a backpack and a few thousand dollars hidden in his boots. Making his way in an assortment of vehicles, including a motorbike and a dugout canoe, helped along by a cast of characters from UN aid workers to a pygmy rights advocate, he follows in the footsteps of the great Victorian adventurer. Butcher’s forty-four-day journey along the Congo River is an unforgettable story of exploration, survival, and history come to life. “Quite superb . . . a masterpiece.” —John le Carré, #1 New York Times–bestselling author “Do NOT try to repeat Tim Butcher’s audacious and terrifying Congo journey. If you do, you will probably die.” —The Guardian “[Blood River] keeps the heart beating and the attention fixed from beginning to end.”—Fergal Keane, international bestselling author of Wounds “It is the wit and passion of the writing that keeps you engrossed.”—Giles Foden, author of The Last King of Scotland