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Tamsin’s world is turned upside down after her mother’s death. Left to run Wolf Lodge on her own, she must come to terms with her grief and prepare for the spring season. To make matters worse, something is changing inside her. Rafe is the Alpha of the Cascade Pack. The Clan Meet is quickly approaching, and the location needs to be secured. He calls the lodge. A curt woman answers and informs him of her mother’s passing. Before he can respond, she disconnects. Mary never spoke of a daughter. Why would she keep such a secret from the Pack? If Tamsin was born a Shifter, a Blood Rite would be called. Challenge after challenge would take place, and the Alpha left standing would claim her as his. The Meet could quickly turn into a bloodbath. *This series changes POV's.
In 1925 Leonard Rhinelander, the youngest son of a wealthy New York society family, sued to end his marriage to Alice Jones, a former domestic servant and the daughter of a "colored" cabman. After being married only one month, Rhinelander pressed for the
This compelling book argues that American patriotism is a civil religion of blood sacrifice, which periodically kills its children to keep the group together. The flag is the sacred object of this religion; its sacrificial imperative is a secret which the group keeps from itself to survive. Expanding Durkheim's theory of the totem taboo as the organizing principle of enduring groups, Carolyn Marvin uncovers the system of sacrifice and regeneration which constitutes American nationalism, shows why historical instances of these rituals succeed or fail in unifying the group, and explains how mass media are essential to the process. American culture is depicted as ritually structured by a fertile center and sacrificial borders of death. Violence plays a key part in its identity. In essence, nationalism is neither quaint historical residue nor atavistic extremism, but a living tradition which defines American life.
The Hatfield-McCoy feud of the 1880s and some time thereafter is one of the noted stories of folklore in America. Today the causes of that family and friends war between the Hatfields and the McCoys will be considered-the events which led up to the tragedy. There were many causes, an accumulation of things, which finally touched off the feud, or private war, which it actually was, between two determined families. First cause I think can be attributed to the very natures of those concerned. Both families were people of nerve because blood of British origin pulsed in their veins. That blood bespoke stubborn resistance and unflinching determination, an unwavering set. Came the Civil War of 1861-65 and neighbor lined up against neighbor. In the Union corner was Randolph McCoy, leader of the McCoy clan. In the Confederate corner, "six feet of devil and 180 pounds of hell," according to Randolph McCoy, was Anderson ("Devil Anse") Hatfield, head of the Hatfield horde. When the war ended in 1865, the internecine feelings of these two neighboring families-only the narrow Tug River separated them-did not make for friendly relations. Indeed it had been rumored that "Devil Anse" Hatfield, in the course of his warfare sometime before the Civil War ended, had slain Harmon McCoy, a brother of Randolph McCoy. This rumor was never proven. In fact, some stated that Jim Vance, later to die in the feud as a friend of the Hatfields, was the one who murdered Harmon McCoy. Whoever killed Harmon McCoy is unknown for sure even to this day, but one thing is sure, his death created ill feeling between the McCoys and the Hatfields, from the McCoy corner, of course. A third cause of the feud was a family quarrel, which wound up in the court of a justice of the peace. That was eight years after the Civil War had ended. In those days in the rugged regions of the Tug, the people let their hogs run loose and fatten on the mast of nut-bearing trees, chestnut, acorn, hazel, and other trees. Hogs were marked, their ears being cut with definite earmarks. In fact, a farmer then had his own earmarks registered with the county court just as he put deeds to his real estate on record.
As rancorous debates over Confederate symbols continue, Robert Bonner explores how the rebel flag gained its enormous power to inspire and repel. In the process, he shows how the Confederacy sustained itself for as long as it did by cultivating the allegiances of countless ordinary citizens. Bonner also comments more broadly on flag passions--those intense emotional reactions to waving pieces of cloth that inflame patriots to kill and die. Colors and Blood depicts a pervasive flag culture that set the emotional tone of the Civil War in the Union as well as the Confederacy. Northerners and southerners alike devoted incredible energy to flags, but the Confederate project was unique in creating a set of national symbols from scratch. In describing the activities of white southerners who designed, sewed, celebrated, sang about, and bled for their new country's most visible symbols, the book charts the emergence of Confederate nationalism. Theatrical flag performances that cast secession in a melodramatic mode both amplified and contained patriotic emotions, contributing to a flag-centered popular patriotism that motivated true believers to defy and sacrifice. This wartime flag culture nourished Confederate nationalism for four years, but flags' martial associations ultimately eclipsed their expression of political independence. After 1865, conquered banners evoked valor and heroism while obscuring the ideology of a slaveholders' rebellion, and white southerners recast the totems of Confederate nationalism as relics of the Lost Cause. At the heart of this story is the tremendous capacity of bloodshed to infuse symbols with emotional power. Confederate flag culture, black southerners' charged relationship to the Stars and Stripes, contemporary efforts to banish the Southern Cross, and arguments over burning the Star Spangled Banner have this in common: all demonstrate Americans' passionate relationship with symbols that have been imaginatively soaked in blood.
A New York Times Critics’ Top Ten Book of the Year * 2021 Edgar Award Winner Best Fact Crime * A Lit Hub Best Book of The Year From a Pulitzer Prize–winning investigative reporter at the Charleston Gazette-Mail, a “powerful,” (The New York Times) urgent, and heartbreaking account of the corporate greed that pumped millions of pain pills into small Appalachian towns, decimating communities. In a pharmacy in Kermit, West Virginia, 12 million opioid pain pills were distributed in just three years to a town with a population of 382 people. One woman, after losing her brother to overdose, was desperate for justice. Debbie Preece’s fight for accountability for her brother’s death took her well beyond the Sav-Rite Pharmacy in coal country, ultimately leading to three of the biggest drug wholesalers in the country. She was joined by a crusading lawyer and by local journalist, Eric Eyre, who uncovered a massive opioid pill-dumping scandal that shook the foundation of America’s largest drug companies—and won him a Pulitzer Prize. Part Erin Brockovich, part Spotlight, Death in Mud Lick details the clandestine meetings with whistleblowers; a court fight to unseal filings that the drug distributors tried to keep hidden, a push to secure the DEA pill-shipment data, and the fallout after Eyre’s local paper, the Gazette-Mail, the smallest newspaper ever to win a Pulitzer Prize for investigative reporting, broke the story. Eyre follows the opioid shipments into individual counties, pharmacies, and homes in West Virginia and explains how thousands of Appalachians got hooked on prescription drugs—resulting in the highest overdose rates in the country. But despite the tragedy, there is also hope as citizens banded together to create positive change—and won. “A product of one reporter’s sustained outrage [and] a searing spotlight on the scope and human cost of corruption and negligence” (The Washington Post) Eric Eyre’s intimate portrayal of a national public health crisis illuminates the shocking pattern of corporate greed and its repercussions for the citizens of West Virginia—and the nation—to this day.
" West Virginia boasts an unusually rich heritage of ghost tales. Originally West Virginians told these hundred stories not for idle amusement but to report supernatural experiences that defied ordinary human explanation. From jealous rivals and ghostly children to murdered kinsmen and omens of death, these tales reflect the inner lives—the hopes, beliefs, and fears—of a people. Like all folklore, these tales reveal much of the history of the region: its isolation and violence, the passions and bloodshed of the Civil War era, the hardships of miners and railroad laborers, and the lingering vitality of Old World traditions.
A profound and timely examination of the moral underpinnings of the War Between the States The Civil War was not only a war of armies but also a war of ideas, in which Union and Confederacy alike identified itself as a moral nation with God on its side. In this watershed book, Harry S. Stout measures the gap between those claims and the war’s actual conduct. Ranging from the home front to the trenches and drawing on a wealth of contemporary documents, Stout explores the lethal mix of propaganda and ideology that came to justify slaughter on and off the battlefield. At a time when our country is once again at war, Upon the Altar of the Nation is a deeply necessary book.