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The definitive book on Gertrude Stein
A quirky literary mystery from the iconic modernist writer known for her Jazz-Age Paris salon and bestselling book The Autobiography of Alice B. Toklas. Gertrude Stein was a distinctly unique talent who penned many novels, essays, and poems. And on one occasion, during a bout of writer’s block, she decided to play with the popular genre of mystery fiction. The book that resulted, Blood on the Dining-Room Floor, is not your typical whodunit, just as Stein was not your typical author. With elements of her trademark avant-garde style, the story revolves around the mysterious passing of Madame Pernollet, who is found dead in the courtyard of a hotel owned by her husband. Incorporating some autobiographical details from events at her own French country house, Stein invites the reader to play detective—and offers a glimpse into one of the early twentieth century’s most interesting and challenging literary minds.
This wide-ranging and provocative study traces Gertrude Stein's production of avant-garde texts that radically disrupted traditional notions of how fiction should be defined, valued, and read. The book combines feminist and postmodern perspectives to illuminate new facets of Stein's novels and to situate them within an expanded definition of the postmodern. The author argues that if we fail to consider the contexts within which postmodern innovations occur, and if we subsume all formal disruptions under a generalized postmodern mode, we obscure important differences among authors and distort the notion of the postmodern itself. The study expands our understanding of Stein as a novelist and a narrative theorist, repositions her work within a revised notion of literary history, and thus clarifies points of relation and divergence between modernism and postmodernism. It also assists in the historicizing of the postmodern literary emergence by insisting on the centrality of gender as a category of analysis. Finally, it argues for the importance of constructing definitions of postmodernism that will allow space to consider the complexity and diversity of its cultural practices. Curved Thought and Textual Wandering will be welcomed by scholars of modernism, of Gertrude Stein, and of feminist and narrative theory and postmodern culture.
American Hybrid Poetics explores the ways in which hybrid poetics—a playful mixing of disparate formal and aesthetic strategies—have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets—Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine—use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions—consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness—these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.
A Stanford University Press classic.
Forensic science has become increasingly important within contemporary criminal justice, from criminal investigation through to courtroom deliberations, and an increasing number of agencies and individuals are having to engage with its contribution to contemporary justice. This Handbook aims to provide an authoritative map of the landscape of forensic science within the criminal justice system of the UK. It sets out the essential features of the subject, covering the disciplinary, technological, organizational and legislative resources that are brought together to make up contemporary forensic science practice. It is the first full-length publication which reviews forensic science in a wider political, economic, social, technological and legal context, identifying emerging themes on the current status and potential future of forensic science as part of the criminal justice system. With contributions from many of the leading authorities in the field it will be essential reading for both students and practitioners.
Crime Scene Processing and Investigation Workbook, Second Edition is the only workbook which directly supports and cross-references methodology and terminology presented in Ross Gardner and Donna Krouskup’s perennial best-seller Practical Crime Scene Processing and Investigations, Third Edition. The workbook serves as supporting material offering hands-on activities to supplement theories and methodologies within the text as well as updated activities to support the new material presented in the Third Edition. As the number of forensic academic programs within the United States continue to grow—and the textbook continues to be a go-to standard in the field—the workbook remains an invaluable reference for academics, forensic training providers, and law enforcement training programs. The detailed Instructor’s Manual (IM) lends itself not only to experts who have utilized these procedures before but also to the novice and student who may be introduced to these topics in a classroom setting for the first time. The workbook conducts over 30 activities with detailed instructions, concept overviews, and reflective post-lab questions. Crime Scene Processing and Investigation Workbook, Second Edition, continues to stand as the best workbook on the market, addressing foundational principles in a hands-on manner while directly correlating to the concepts addressed in the Gardner and Krouskup textbook.
"The Unmasking is smart, irreverent, and wickedly tender."--Jesse Lee Kercheval, author of My Life as a Silent Movie: A Novel