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You can’t tell the story of how it all began for supernatural cops Ivy Tamwood and Rachel Morgan without telling how it all nearly ended. The fiery living vampire and erstwhile earth witch never asked to be paired up in the first place. And having to work Inderland Security’s crummiest beat—busting two-bit paranormal street punks—sure didn’t sweeten the deal. But when it counts, Ivy and Rachel always have each other’s backs. They’d better—because someone just hung targets on both of them. It doesn’t take a hotshot homicide detective to know that nearly getting flattened by a falling gargoyle or impaled by a lead pipe aren’t on-the-job accidents. But it doesn’t seem possible that the class of crooks Ivy and Rachel routinely collar could kill anything but brain cells. So who put Cincinnati’s tough and tender twosome on their “to do in” list? Is Ivy’s vampire master, the powerful and seductive Piscary, jealous of her growing bloodlust (and just plain lust) for Rachel? Or have forces unknown—living or undead—made the partners prey in a deadly witch (and vampire) hunt? Before this case is cracked, Ivy and Rachel will face down vicious dogs, speeding locomotives, rogue bloodsuckers, and their own dark desires; spells will be cast and blood will be spilled; and Kim Harrison’s hair-raising, heart-racing, dark urban world of magic and monsters will leap howling from the pages of her second electrifying, full-color graphic novel.
When Ivy met Rachel, the result wasn’t exactly love at first sight. Sparks flew as the living vampire and the stubborn witch learned what it meant to be partners. Now Kim Harrison, the acclaimed author of Pale Demon and Black Magic Sanction, turns back the clock to tell the tale—in an original full-color graphic novel. Hot-as-hell, tough-as-nails detective Ivy Tamwood has been demoted from homicide down to lowly street-crime detail. As if rousting trolls and policing pixies instead of catching killers wasn’t bad enough, she’s also been saddled with a newbie partner who’s an earth witch. It’s enough to make any living vampire bare her fangs. But when a coven of murderous witches begins preying on werewolves, Rachel Morgan quickly proves she’s a good witch who knows how to be a badass. Together, Ivy and Rachel hit the mean streets to deal swift justice to the evil element among Cincinnati’s supernatural set. But there’s more to their partnership than they realize—and more blood and black magic in their future than they bargained for.
It is 1936, and Barcelona burns as the Spanish Civil War takes over. The city is a bloodbath. Yet in all this death, the murders of a Marist monk and a young boy, drained of their blood, are strange enough to catch a police inspector's attention. The Marist brothers of the murdered monk are being persecuted; meanwhile, a convent of Capuchin nuns hides in plain sight, trading favours with the military police to stay alive. In their midst is a thirteen-year-old novice who stumbles into the clutches of the murderer. Can she escape in this city of no happy endings?
“I wouldn’t miss a Kim Harrison book for anything.” —Charlaine Harris There’s nothing more darkly satisfying than time spent in the Hollows—New York Times bestseller Kim Harrison’s alternate urban fantasy Cincinnati where vampires, pixies, and werewolves roam free. Harrison takes us back in A Perfect Blood, as former bounty hunter witch-turned-reluctant daywalking demon Rachel Morgan investigates a series of ritual murders, only to discover to her horror that whomever—or whatever—is responsible is actually seeking her blood. Rachel’s sexy, supernatural adventures have consistently landed atop bestseller lists from coast-to-coast, and A Perfect Blood is no exception—another supremely satisfying excursion to a deliciously eerie fantasy realm that’s certain to delight Kim Harrison’s voracious army of fans…not to mention Laurell K. Hamilton, Charlaine Harris, Jim Butcher, Kelley Armstrong, Patricia Briggs, and Stephanie Meyers aficionados, and any reader who craves a walk on the wild, dark side.
Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.
REVENGE IS A TOWN CALLED SWEETHEART. In the early 1970s, Ethel Grady Lane returns to her hometown of Sweetheart, Arizona with one thing on her mind: killing the man who murdered her family. But first, she'll have to find him. As Ethel navigates the eccentric town and its inhabitants, she learns that the quaint veneer hides a brewing darkness. She has no choice but to descend into a ring of depravity and violence, with her only ally an Old West novel that follows famed gunslinger Solomon Eaton. As both stories unfold simultaneously, a love of fiction informs choices in reality, for better or worse. From the minds of Zac Thompson and Lonnie Nadler (The Dregs, X-Men, HER INFERNAL DESCENT) and artist Sami Kivelä (Abbot, Tommy Gun Wizards) comes a neo-western that depicts the hard truth of seeking vengeance in the real world.
Raised from her grave and armed with cold-blooded hatred and a few deadly weapons, Iris hunts down her killers one by one. But if exacting ultimate pain is the goal, when does vengeance cross the line to brutality? And what is the price to the soul?
A high-octane crime thriller from Christa Faust (Bad Mother, Redemption) and Priscilla Petraites (Chariot). Lulu has a very unique profession: She gets paid by the bruise. When she is witness to the execution of one of her regular clients, she escapes into the night with a briefcase filled with diamonds and a pack of killers on her trail. Navigating the dark underbelly of decaying, early-90’s Atlantic City, one step ahead of her pursuers, Lulu must call upon every one of her street-born instincts and underworld connections in what will be the longest – and possibly last – night of her life.
Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company’s other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called “preachies,” socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works—sensationally-titled comics such as “Hate!,” “The Guilty!,” and “Judgment Day!”—and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC’s better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC’s social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.
This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British and American comics and Gothic, summarizing the development of both their creative content and critical models, and discussing censorship, allusion and self-awareness. Part Two brings together some of the gothic narrative strategies of comics and reinterprets critical approaches to the comics medium, arguing for an holistic model based around the symbols of the crypt, the spectre and the archive. Part Three then combines cultural and textual analysis, discussing the communities that have built up around comics and gothic artifacts and concluding with case studies of two of the most famous gothic archetypes in comics: the vampire and the zombie.