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Blood and Concrete: 21st Century Conflict in Urban Centers and Megacities provides a foundation for understanding urban operations and sustaining urban warfare research. This Small Wars Journal (SWJ) Anthology documents over a decade of writings on urban conflict. In addition to essays originally published at SWJ it adds new content including an introduction by the editors, a preface on "Blood and Concrete" by David Kilcullen, a foreword "Urban Warfare Studies" by John Spencer, a postscript "Cities in the Crossfire: The Rise of Urban Violence" by Margarita Konaev, and an afterword "Urban Operations: Meeting Challenges, Seizing Opportunities, Improving the Approach" by Russell W. Glenn. These essays frame the discussion found in the collection's remaining 49 chapters. Blood and Concrete continues the legacy of Small Was Journal's coverage of urban operations, conflict and combat.
Offers readers a comprehensive reference to the world of film, including more than ten thousand DVD titles, along with information on performers, ratings, running times, plots, and helpful features.
Shortlisted for the The Great Outdoors Awards – Outdoor Book of the Year 2020 Shortlisted for the Boardman Tasker Award for Mountain Literature 2020 There are strange relics hidden across Scotland's landscape: forgotten places that are touchstones to incredible stories and past lives which still resonate today. Yet why are so many of these 'wild histories' unnoticed and overlooked? And what can they tell us about our own modern identity? From the high mountain passes of an ancient droving route to a desolate moorland graveyard, from uninhabited post-industrial islands and Clearance villages to caves explored by early climbers and the mysterious strongholds of Christian missionaries, Patrick Baker makes a series of journeys on foot and by paddle. Along the way, he encounters Neolithic settlements, bizarre World War Two structures, evidence of illicit whisky production, sacred wells and Viking burial grounds. Combining a rich fusion of travelogue and historical narrative, he threads themes of geology, natural and social history, literature, and industry from the places he visits, discovering connections between people and place more powerful than can be imagined.
In Blood and Capital: The Paramilitarization of Colombia, Jasmin Hristov examines the complexities, dynamics, and contradictions of present-day armed conflict in Colombia. She conducts an in-depth inquiry into the restructuring of the state’s coercive apparatus and the phenomenon of paramilitarism by looking at its military, political, and legal dimensions. Hristov demonstrates how various interrelated forms of violence by state forces, paramilitary groups, and organized crime are instrumental to the process of capital accumulation by the local elite as well as the exercise of political power by foreign enterprises. She addresses, as well, issues of forced displacement, proletarianization of peasants, concentration of landownership, growth in urban and rural poverty, and human rights violations in relation to the use of legal means and extralegal armed force by local dominant groups and foreign companies. Hristov documents the penetration of major state institutions by right-wing armed groups and the persistence of human rights violations against social movements and sectors of the low-income population. Blood and Capital raises crucial questions about the promised dismantling of paramilitarism in Colombia and the validity of the so-called demobilization of paramilitary groups, both of which have been widely considered by North American and some European governments as proof of Colombian president Álvaro Uribe’s advances in the wars on terror and drugs.
Detective Harry Bosch was sure he'd shot the serial killer responsible for a string of murders in LA . . . but now, a new crime makes him question his convictions. The Dollmaker was the name of the serial killer who had stalked Los Angeles ruthlessly, leaving grisly calling cards on the faces of his female victims. Now with a single faultless shot, Detective Harry Bosch thinks he has ended the city's nightmare. But the dead man's widow is suing Harry and the LAPD for killing the wrong man-- an accusation that rings terrifyingly true when a new victim is discovered with the Dollmaker's macabre signature. So for the second time, Harry must hunt down a death-dealer who is very much alive, before he strikes again. It's a blood-tracked quest that will take Harry from the hard edges of the L.A. night to the last place he ever wanted to go-- the darkness of his own heart. With The Concrete Blonde, Edgar Award-winning author Michael Connelly has hit a whole new level in his career, creating a breathtaking thriller that thrusts you into a blistering courtroom battle-- and a desperate search for a sadistic killer.
What does it mean to live out the theology presented in the Great Commandment to “love God above all and to love your neighbor as yourself”? In Blood and Fire, Poloma and Hood explore how understandings of godly love function to empower believers. Though godly love may begin as a perceived relationship between God and a person, it is made manifest as social behavior among people. Blood and Fire offers a deep ethnographic portrait of a charismatic church and its faith-based ministry, illuminating how religiously motivated social service makes use of beliefs about the nature of God's love. It traces the triumphs and travails associated with living a set of rigorous religious ideals, providing a richly textured analysis of a faith community affiliated with the “emerging church” movement in Pentecostalism, one of the fastest-growing and most dynamic religious movements of our day. Based on more than four years of interviews and surveys with people from all levels of the organization, from the leader to core and marginal members to the poor and addicts they are seeking to serve, Blood and Fire sheds light on the differing worldviews and religious perceptions between those who served in as well as those who were served by this ministry. Blood and Fire argues that godly love— the relationship between perceived divine love and human response— is at the heart of the vision of emerging churches, and that it is essential to understand this dynamic if one is to understand the ongoing reinvention of American Protestantism in the twenty-first century.
The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture.
Journalist Michael Wilde—his world recently shattered by tragedy—has come to the South Pole looking for solace and a new lease on life. But what he finds on a routine dive in the polar sea is something else entirely: the bodies of a young man and a young woman, bound with chains and sealed forever in a block of ice. Beside them is an ancient chest filled with a sinister cargo. Wilde’s search to unravel the mystery of this doomed couple will lead from the battlefields of the Crimean War to the unexplored depths of the Antarctic Ocean, where an age-old curse survives to this day. And as the ice around the lovers begins to melt, Wilde will witness what may be a miracle—or a nightmare—in the making. What is dead, it turns out, is not always gone.
The captivating story of how The Sheik captured the imagination of a generation, conquered the wrestling business, and lost it all in a blaze of flame and glory He was the most vicious, bloodthirsty, reviled villain in the history of the ring. During the 1950s, 1960s, and 1970s, he drew record crowds everywhere he went and left a trail of burned and bloody opponents in his wake. He was The Sheik: the mysterious and terrifying madman from Syria whose wanton destruction and mayhem are the stuff of wrestling legend. But what those legions of fans screaming for his head never knew was that The Sheik was really Eddie Farhat. From Lansing, Michigan, and the son of Arab immigrants, Farhat served his country proudly in World War II and was fulfilling the American dream through hard work and tireless dedication to his craft. And when he wasn’t screaming unintelligibly and attacking his enemies with sharp objects, he was busy being the owner and operator of World Wide Sports, one of the most successful wrestling companies in North America. This is Blood and Fire: The Unbelievable Real-Life Story of Wrestling’s Original Sheik.
Between 1946 and 1966a surge of violence in Colombia left 200,000 dead in one of the worst conflicts the western hemisphere has ever experienced. the first seven years of this little-studied period of terror, known as la Violencia, is the subject of Blood and Fire. Scholars have traditionally assumed that partisan politics drove La Violencia, but Mary Roldán challenges earlier assessments by providing a nuanced account of the political and cultural motives behind the fratricide. Although the author acknowledges that partisan animosities played an important role in the disintegration of peaceful discourse into violence, she argues that conventional political conflicts were intensified by other concerns. Through an analysis of the evolution of violence in Antioquia, which at the time was the wealthiest and most economically diverse region of Colombia, Roldán demonstrates how tensions between regional politicians and the weak central state, diverse forms of social prejudice, and processes of economic development combined to make violence a preferred mode of political action. Privatization of state violence into paramilitary units and the emergence of armed resistance movements exacted a horrible cost on Colombian civic life, and these processes continue to plague the country. Roldan’s reading of the historical events suggests that Antioquia’s experience of la Violencia was the culmination of a brand of internal colonialism in which regional identity formation based on assumptions of cultural superiority was used to justify violence against racial or ethnic "others" and as a pretext to seize land and natural resources. Blood and Fire demonstrates that, far from being a peculiarity of the Colombians, la Violencia was a logical product of capitalist development and state formation in the modern world. This is the first study to analyze intersections of ethnicity, geography, and class to explore the genesis of Colombian violence, and it has implications for the study of repression in many other nations.