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Becoming a vampire was easier than she had ever dreamed. Ardeth Alexander surrendered her mortal life in a night of despair and desire—initiated into a new existence by the five-hundred-year-old vampire, Dimitri Rozokov. Living as a vampire was more complicated than she had ever expected. Fleeing Toronto, Ardeth and Rozokov settle in the tourist town of Banff, Alberta. While she tests her new strength against the mountains by climbing, Rozokov returns to astronomy, the science of his youth. Together they hunt the dark reaches of the park, preying on the animals they find there, upholding an unspoken agreement not to taste human blood. Yet all their activity cannot disguise their restlessness and soon their fragile happiness is shattered by bitter conflict and inevitable betrayal. Angry and unhappy, Ardeth returns to Toronto to try to recatpure the life she believed she had left behind forever. Understanding what it means to be a vampire would prove harder than she had ever imagined. What Ardeth and Rozokov do not know is that they are being hunted. A member of the yakuza, the Japanese underworld, is on their trail, seeking the fulfillment of his most secret ambition. So is his employer, Sademori Fujiwara—a vampire whose extraordinary history is revealed to Rozokov through his diary. From the seductive nights in the imperial court of the eleventh century to the horror and tragedy of the darkest days of the twentieth, Fujiwara’s story is a tale of poetry and violence, of delight and despair. In his life, Ardeth and Rozokov see the promise of the answers to the questions of love, mortality and morality that have torn them apart. Fujiwara’s power draws them back together to face those questions again—but the price that they all have to pay for the answers will be higher than any of them expected. Blood and Chrysanthemums is a tantalizing tale of modern horror, with a twist of Japanese gothic, certain to leave an indelible mark on the imagination.
For fans of Lisa Wingate’s Before We Were Yours and Min Jin Lee’s Pachinko, a deeply moving novel that follows two Korean sisters separated by World War II. Korea, 1943. Hana has lived her entire life under Japanese occupation. As a haenyeo, a female diver of the sea, she enjoys an independence that few other Koreans can still claim. Until the day Hana saves her younger sister from a Japanese soldier and is herself captured and transported to Manchuria. There she is forced to become a “comfort woman” in a Japanese military brothel. But haenyeo are women of power and strength. She will find her way home. South Korea, 2011. Emi has spent more than sixty years trying to forget the sacrifice her sister made, but she must confront the past to discover peace. Seeing the healing of her children and her country, can Emi move beyond the legacy of war to find forgiveness? Suspenseful, hopeful, and ultimately redemptive, White Chrysanthemum tells a story of two sisters whose love for each other is strong enough to triumph over the grim evils of war.
Vampire horror from the author of A Terrible Beauty. “Riveting . . . her compromised heroine . . . is a strikingly drawn and hauntingly memorable figure.” —USA Today Dependable grad student Ardeth Alexander finds herself trapped in a nightmare as the unwilling blood source for a captive vampire named Dimitri Rozokov. “Baker’s engrossing debut alternates the present-day story with the 1898 diary of obsessed businessman Ambrose Dale, who drove Rozokov into hiding and a 100-year sleep . . . Learning his story, Ardeth gradually loses her horror of Rozokov and begins to see their human jailers as the real monsters. Their only hope of salvation is to trace the links to Rozokov’s Victorian nemesis and discover the person behind his 20th-century captivity . . . In prose studded with passages of dark luster, Baker offers a truly original scenario” (Publishers Weekly). “It’s almost impossible not to finish The Night Inside in one frenzied, chocolate donut munching sitting. It’s also impossible not [to] root for its feisty, feminist vampiress heroine.” —Charles Busch, author of Vampire Lesbians of Sodom “Terrific . . . The unrelenting tension between the monstrous and the human propels this unique tale of gripping suspense.” —Katherine Ramsland, author of The Vampire Companion “The metamorphosis is achieved in a highly charged ritual as sensuous as any written: this is consummation as bloodbath, as mutual blood-letting and blood-sucking . . . breathless, lingering, erotic . . .” —The Globe and Mail (Toronto) “Baker has obviously thought about what surrendering to the dark side means that lifts this book up above the vast . . . morass of romantic vampire fiction.” —Quill & Quire
Hanna is what you'd call mentally ill. She'd call it being totally crazy. After running away to Portero, Texas to find her estranged mother, Hanna thinks this new town can't be any crazier than she is. She's wrong. Portero is haunted with doors to dimensions of the dead, and protected by demon hunters called Mortmaine. Hanna soon falls for a young Mortmaine named Wyatt, but when her mother is possessed by a murdering ghost, Hanna decides to do whatever it takes to save her, even if it means betraying the boy she loves. In the end no one will be left unscarred.
A fairy tale with bite—vampire-style. “Don’t hold your breath waiting for Disney to film this very adult and erotic version of Beauty and the Beast.” —Winnipeg Free Press “Will you give me your blood to drink, though you die of it?” In an unexpected twist on a fairy tale, an artist goes into the wilderness to fulfill his father’s debt and finds himself the prisoner of a dangerously beautiful inhuman monster. “A Terrible Beauty is modern Canadian Gothic . . . Nancy Baker shows her mastery of the form—the mysterious letter, the journey into the wilderness, the shadows that hide from the flickering firelight—and her real affection for a good ol’ fashioned vampire yarn.” —The Telegraph Journal (Saint John) “Baker’s narrative is seductive and compelling. Like Rice, she transcends the horror genre.” —Province Showcase (Vancouver) “A polished and enchanting tale . . . It is, in a word, breathtaking.” —Ottawa Citizen “Baker’s prose is lush and sensual . . . she has a real gift for making the fantastic seem plausible and investing the mundane with eerie significance.” —Toronto Sun “A very interesting and unique take on Beauty and the Beast.” —SFFP Romance
Horváth's setting for this black political farce is a seedy hotel in Central Europe in the 1920s where the only guest is a drunken, ageing nymphomaniac - wealthy and despotic. Under her sole occupancy the hotel is falling apart and sliding even deeper into decadence. There is no future and no hope until a young woman arrives with a fortune to spend. What follows is a riot of confusion and mistaken identities, satirising the despair and futility of a continent poised on the brink of fascism. Horváth (1901-1938) was accidentally killed in Paris after fleeing from the Nazis. The Belle Vue, one of 16 plays, was not performed until 1969. This translation marked the British premiere, in a production by the Actors Touring Company.
Cancers are on the rise across the world. Except for viral-based cancers, overall cancers are diseases that may be preventable. This book looks at the many levels of determined, probable, and possible causation for several common cancers. These causes include realities found in culture, anthropology, sociology, politics, the environment, agriculture and food, beliefs, and the modern lifestyle. These realities are filtered through the perennial science of Chinese medicine — an ecological system of knowing and understanding the human body as it relates to the world around us.The book covers lung, colorectal, breast, prostate, and virally-caused cancers. It interweaves conventional medical knowledge of these cancers with modern realities of everyday life we all live, and with Chinese medicine interpretations and strategies for treating probable pre-cancerous conditions. This makes it a book that is useful for the practitioner of Chinese medicine. It is also useful for the patient suffering a cancer diagnosis in terms of survivorship and for other medical practitioners who wish to understand how integrated care for cancerous diseases and conditions may relate to Chinese medicine and prevention.The final chapters of the book are dedicated to finding answers for a cure for cancer through making connections between how we live, what we believe, the environment we are creating based on those beliefs, and the social and political mechanisms we now have in place that keep us from change and, therefore, from the cure for cancer.
A journal of horticulture, landscape art, and forestry.
In this sequel to The Night Inside, a vampire couple’s relationship is tested by the modern world as a mysterious stranger hunts them down. With a dark embrace from five-hundred-year-old vampire Dimitri Rozokov, Ardeth Alexander left behind her mortal life in Toronto. Now they are attempting to forge a new life in Banff, Alberta.—and They share an unspoken agreement not to feed on humans and hunt wild animals off the beaten paths of the national park instead. However, their new reality is far from easy, and elk blood can never fully satisfy their hunger. Angry and unhappy, Ardeth longs for the life she left behind and returns to Toronto. But the machinations of a century-old Japanese vampire soon reunite the couple. Once a feudal lord, now a yakuza boss, Sademori Fujiwara shares his extraordinary life story. It is a tale that can answer the questions of love, mortality, and morality threatening to tear Ardeth and Dimitri apart for good. But the price for those answers is dangerously high . . . “Baker writes about the vampires next door . . . they bicker over petty, everyday things. They are jealous when a partner flirts with someone. They worry about paying the rent . . . ‘They’re Canadian,’ she says.” —The Vancouver Sun “Baker evokes the various figures from Japanese culture familiar in the West—yakuza, samurai and medieval court ladies and their pillow books—but she goes beyond clichés and invests these characters with a solidity and poignancy that contrast sharply with the simpler Canadian horror of The Night Inside. This is a more contemplative offering.” —Paragraph