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Parallel Lives is the definitive biography of Blondie, the iconic New York band led by singer Debbie Harry and guitarist Chris Stein. One of the most iconic groups of their generation, Blondie experienced an unparalleled rise to global superstardom during the late 1970s, topping charts and breaking moulds. This Omnibus Enhanced edition includes a Digital Timeline of Blondie's career packed with audio, video and images of tour nights, memorabilia, music videos and interviews. Additionally, throughout the book are links to curated playlists allowing you to hear Blondie's finest gems, their early influences and more. Beginning with their childhoods, backgrounds and influences, Parallel Lives charts the development of Blondie towards their global success and fractured break-up; followed by their 1997 reformation, critical renaissance and controversial induction into the Rock n’ Roll Hall of Fame. Drawing upon extensive and revealing interviews with Debbie Harry, Chris Stein and other significant players, the Omnibus Enhanced Blondie: Parallel Lives is the definitive, eye-witness account of the group’s long and tumultuous existence. Co-author Kris Needs had established a friendship with Harry, Stein and the rest of the band that endures to this day. Now, as a trusted confidante, he finally reveals the full story.
Blondie's Parallel Lines mixed punk, disco and radio-friendly FM rock with nostalgic influences from 1960s pop and girl group hits. This 1978 album kept one foot planted firmly in the past while remaining quite forward-looking, an impulse that can be heard in its electronic dance music hit “Heart of Glass.” Bubblegum music maven Mike Chapman produced Parallel Lines, which was the first massive hit by a group from the CBGB punk underworld. By embracing the diversity of New York City's varied music scenes, Blondie embodied many of the tensions that played out at the time between fans of disco, punk, pop and mainstream rock. Debbie Harry's campy glamor and sassy snarl shook up the rock'n'roll boy's club during a growing backlash against the women's and gay liberation movements, which helped fuel the “disco sucks” battle cry in the late 1970s. Despite disco's roots in a queer, black and Latino underground scene that began in downtown New York, punk is usually celebrated by critics and scholars as the quintessential subculture. This book challenges the conventional wisdom that dismissed disco as fluffy prefab schlock while also recuperating punk's unhip pop influences, revealing how these two genres were more closely connected than most people assume. Even Blondie's album title, Parallel Lines, evokes the parallel development of punk and disco-along with their eventual crossover into the mainstream.
Blondie's Parallel Lines mixed punk, disco and radio-friendly FM rock with nostalgic influences from 1960s pop and girl group hits. This 1978 album kept one foot planted firmly in the past while remaining quite forward-looking, an impulse that can be heard in its electronic dance music hit “Heart of Glass.” Bubblegum music maven Mike Chapman produced Parallel Lines, which was the first massive hit by a group from the CBGB punk underworld. By embracing the diversity of New York City's varied music scenes, Blondie embodied many of the tensions that played out at the time between fans of disco, punk, pop and mainstream rock. Debbie Harry's campy glamor and sassy snarl shook up the rock'n'roll boy's club during a growing backlash against the women's and gay liberation movements, which helped fuel the “disco sucks” battle cry in the late 1970s. Despite disco's roots in a queer, black and Latino underground scene that began in downtown New York, punk is usually celebrated by critics and scholars as the quintessential subculture. This book challenges the conventional wisdom that dismissed disco as fluffy prefab schlock while also recuperating punk's unhip pop influences, revealing how these two genres were more closely connected than most people assume. Even Blondie's album title, Parallel Lines, evokes the parallel development of punk and disco-along with their eventual crossover into the mainstream.
Tom Petty: Rock 'n' Roll Guardian is the first intimate portrait of one of rock’s most enduring figures. Songs like American Girl, The Waiting and I Won’t Back Down have touched people from all walks of life because he sung about what he knew – love won, love lost and hardship overcome. Tom Petty’s predisposition to find trouble was always matched by his steely determination to overcome it. After shaky beginnings with his first band, Tom Petty steered his way through bankruptcy, drama and personal loss – including the deaths of his bandmates Roy Orbison, George Harrison and Heartbreakers bassist Howie Epstein – to forge a lasting impact on the world, selling more than 80 million records worldwide. In the wake of his death, this celebratory Omnibus Enhanced edition now features curated Spotify playlists of his early influences, his collaborations and his greatest songs. Additionally, an interactive Digital Timeline of his life charts his uncertain path with video footage of interviews, live performances and more. Born too late to be in the vanguard of rock ’n’ roll first time round, he has nonetheless proved a truly memorable keeper of the flame. This is his remarkable story...
“1977 is the Queen's jubilee year, well let's make it our year as well. Let's get out and do something. Chuck away the f•••••g stupid safety-pins, think about people's ideas instead of their clothes. This "scene" is not just a thing to do in the evening. It's the only thing around that's honest...” Omnibus Press presents the definitive collection of Sniffin' Glue… And Other Rock ‘n’ Roll Habits, the most vital and cutting edge punk fanzine of its time. This book features both a digital recreation of every issue and all the original prints in their entirety. Danny Baker, who wrote for the original fanzine over four decades ago, provides a full-length interview on its impact. During its brief existence Sniffin' Glue… chronicled the birth, rise and demise of punk rock in the UK. Starting with a print run of a mere 50 copies, by Issue 3 the circulation was into the thousands. Interviews and reviews of all the key punk artists - The Damned, The Ramones, The Sex Pistols, Generation X, Chelsea, Blondie, The Jam, Iggy Pop and more - alongside news, editorials and gig reviews depict the grassroots punk scene from the inside. Its authentic voice made it a cult classic of its time and a much sought-after historical artefact to this day. On the 40th anniversary of the magazine’s final publication, Omnibus Press are providing the definitive edition of Sniffin Glue…. This is the best possible way to experience the counter-cultural revolution of the ‘70s that spread anarchy throughout the UK.
“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.
From rank outsiders to pop stardom a decade later, The Damned blazed an anarchic trail through punk rock to achieve massive chart success. A beacon for the Sex Pistols and The Clash to follow, they flung down the musical gauntlet in 1976 with Britain’s first punk single ‘New Rose’. Smashing It Up: A Decade of Chaos with The Damned is their definitive biography, drawing on new, in-depth research and interviews with associates and band members – including founders Brian James, Chris Millar (Rat Scabies), Raymond Burns (Captain Sensible) and David Lett (David Vanian). Conflict was rife: managers and labels came and went; bridges were burnt; opportunities squandered; and Kieron Tyler reveals how – and why – the wayward, wild and wilful Damned are the punk band that survived, and why they truly led the British Punk movement and outshone their contemporaries.
Wolfgang Flür was vital cog in the Kraftwerk machine, galvanising the group’s electric drum sound throughout the 1970’s and propelling the rhythmic backbone of iconic albums such as Autobahn and Electric Café. I Was A Robot is a detailed, evocative account, written in Flür’s no-nonsense style. It takes us from his youth into the band’s formation and touring of their influential works, laying bare the acrimonious break-up and court cases that later followed. This book is the final word on Kraftwerk, their continued influence and what it felt like to be a Man-Machine. ”This is a first-hand account of human life inside the robot factory. A world that I could barely have imagined as a 16-year-old Kraftwerk fan stranded in a suburb on the wrong side of the river from Liverpool. A window into a world that I could never have imagined.” Andy McCluskey, OMD ”Kraftwerk is a myth. Wolfgang is for real. Thus handsome elder statesman of Electronic Music gives a lot of useful inside information about the Men-Machines.” Rudi Esch, ELECRI_CITY
What happened to the Bay City Rollers is one of the greatest scandals in music industry. When The Screaming Stops reveals the dark truth behind 'rollermania', the pioneering boy band fad which gripped the UK in the seventies, exposing the sinister undercurrents which underpinned the band's phenomenal success. Dazzled by sudden global fame and under the grip of their Svengali manager Tom Paton, the Bay City Rollers descended into a world of depravity, victimhood, crime and psychosis. Whilst promoting his young lads as clean-living teetotalers, Tom Paton subjected them to various forms of sexual abuse; band members became hooked on drugs and their fall was almost as rapid as their rise, leaving them penniless and emotionally destroyed. In 1979, Paton was finally convicted of gross indecency with teenage boys. That such exploitation could have happened to one of the world's most famous boy bands is a brutal reminder that conspiracies of silence about sexual exploitation were once the norm in the music and entertainment business. The Dark History Of The Bay City Rollers is a no-holds-barred expose of sex, drugs and financial mismanagement based on over 500 hours of interviews with many of the band's closest associates, including former members. When The Screaming Stops includes curated music. Whilst you read the book, hear the classic songs of the Bay City Rollers and surround yourself with the music that surrounded them.