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Imprints of Culture: Block Printed Textiles of India outlines the chronological evolution of block printing in India, analysing and discussing the various processes involved and the regional variations. It also portrays how this craft helped India create a global visual identity for itself.
Design enthusiasts and armchair travelers will love circling the globe with celebrated textile designer John Robshaw. From batiks in Java to ikats in Thailand and indigo printing in India, Robshaw reveals the lush inspiration behind his signature style while highlighting step-by-step block printing techniques from local artisans and masters. Robshaw provides a rare glimpse into his creative process, wherein he blends traditional methods with his own painterly style for entirely unique creations, and shares tips for incorporating textiles into any space. Brimming with beautiful photographs of covetable textiles, far-flung destinations, and eye-catching interiors, this luxe fabric-covered book is an eclectic visual tour of the rich tradition of textile printing.
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
This vibrant volume showcases a stunning collection of Indian textiles from the V&A, and explores in depth their history, production techniques, and designs. Textiles have a long and distinguished history on the Indian subcontinent, from the dazzling woven silks worn by royalty to the simple block-printed patterns worn by the masses. Drawing from the Victoria and Albert Museum’s world-class collection, this beautiful and informative reference features breathtaking and varied textile designs, techniques, and colors. Each piece is examined in detail through close-up shots of the fabric and patterns, and demonstrates different weaving techniques, allowing readers to see precisely how the textile was made. Divided into three chapters by pattern style—“Floral,” “Figurative,” and “Geometric”—each chapter comprises an introduction to the style’s history along with its intended use. This authoritative volume overflows with distinctive colors and patterns to inspire and inform the reader about the history of Indian textiles and patterns, their intended use, and the methods by which they were made.
Create bold block prints for a completely custom wardrobe--print fabrics, customize patterns, and sew garments that truly express your own style. This book offers: • Clear how-to instructions for carving motifs from soft blocks, plus 13 designs to get you started • A guide to printing on fabric and construct repeating patterns • 13 projects and full-size patterns for garments and accessories for a complete hand-printed wardrobe Infuse your everyday style with more color, more pattern, and more personality. Printmaker and textile designer Jen Hewett presents her distinctive process for block-printing yards of fabric with garment sewing in mind. Explore the process of designing and printing fabric through step-by-step instruction on carving blocks and printing pattern repeats. Hewett makes creating custom, hand-printed fabric approachable and doable. Inspired by her California home, Hewett's designs reference the plants and landscape around her through botanical motifs, organic shapes, and a bold graphic quality. Paired with a playful use of color, the pattern designs here offer the perfect place to start with block-printing. Once you've printed your fabric, it's time to sew. With sewing patterns for simple garments and accessories, you'll discover the play between fabric and finished project and work toward building a highly customizable wardrobe. With step-by-step photos, clear instructions, and full-size sewing patterns this is a complete guide to sewing clothes that truly reflect your style and personality.
Brigitte Singh first came to Sanganer, Jaipurs hand blockprinting centre, as a student of miniatures, and today, 30 years later, the visual almanac of her work gives us a truly alternate way to read medieval and modern civilisational encounters through the evolution and transmission of motifs and craft techniques over centuries. Singhs exquisite work with blockprints is a form of re-enacted design history, rendered in visual rather than textual terms. Uncovering and reaching down to the purer forms, to the composite aesthetic of the 18th century, it offers a singular source of access to a seminal epoch in design. This volume illustrates how Singh has approached her craft with an archaeological devotion, peeling off dusty layers from the long-obscured story of blockprinting in the subcontinent. Her work yields a truly Indian aesthetic, fully formed and yet open to influences, full of grand narratives but so dense with detail and meaning that in every telling, something new and essential is revealed both to the raconteur and the audience. With Introduction by Laila Tyabji, and contributions by Jasleen Dhamija, Rosemary Crill, Jacqueline Thom� Jacqu�, Michel Biehn, Sheela Reddy, Paola Manfredi, Chandramani Singh, Sunil Menon and Aleta Bartel.
* Features Indian textiles pieces from the Karun Thakar Collection, and The Textile Museum and Cotsen Textile Traces Study Collection in Washington, DC* Published to accompany an exhibition at The Textile Museum at George Washington University in Washington, DC, opening January 2022The book features items from one of the world's foremost private collections of Indian textiles, the Karun Thakar Collection, together with key pieces from two recently united American collections, The Textile Museum and the Cotsen Textile Traces Study Collection in Washington, DC. The book and accompanying exhibition offer a unique approach to understanding Indian textile culture through reference to three distinct traditions: abstract, floral and figurative design.With essays by three leading international Indian textile curators, the publication's focus on textile ornament rather than date, region, usage, or technique provides new perspective and scholarship on this ancient artistic tradition. The book highlights the tradition's remarkable diversity, with objects ranging from folk embroideries to Mughal courtly weavings, and from early textiles traded to Egypt and Southeast Asia to 18th-century chintzes exported to Europe.