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First published in hardcover by Viking, 2014.
Excerpt from Blind: A Story of These Times Late on a warm cloudy night in April, 1919, upon a hill in Connecticut a few miles inland from the Sound, a large capacious spreading old house of brick and frame loomed like a great squat shadow there. Upstairs were many people asleep. Below there was not a light nor a sound - except in one room, where in the darkness the click of a typewriter was heard. So this narrative was begun: ... 1. I am blind - but no blinder than is the mind of the world, these days. The long thin splinter of German steel which struck in behind my eyes did no more to me than the war has done to the vision of humanity. In this year of deep confusion - clutching, grabbing, spending, wasting, and in Europe plague and famine, desperation and revolt - mankind is reeling in the dark. And in these long queer crowded nights, half waking and half sleeping, it has seemed to me at times as though the bedlam of it all were pounding, seething into me. I was once a playwright - and vividly there comes to me a memory of the Broadway crowds on a big rush Saturday night. A sightless beggar stood by the curb, and in a harsh shrill piercing voice he kept repeating, "Help the blind!" The Soul of Man is like him now. But this is against doctor's orders. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A NEW YORK TIMES EDITOR'S CHOICE Sixty years after the publication of his first novel, Cat Man, Edward Hogland is publishing his twenty-fifth book at the age of eighty-three. This capstone novel, set in Vermont’s Northeast Kingdom, introduces Press, a stockbroker going blind. Press has lost his job and his wife and is trying to figure out his next move, holed up in his Vermont cabin surrounded by a hippy commune, drug runners, farmers-gone-bust, blood-thirsty auctioneers, and general ne’er-do-wells. Solace and purpose come from the unlikeliest sources as he learns to navigate his new landscape without sight. Hoagland, himself, is going blind, and through this evocative, unsentimental novel, we experience the world closing in around Press, the rising panic of uncertainty, the isolation of exile, the increasing dependence upon the kindness of strangers, and a whole new appreciation of the world just beyond sight. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A New York Times Editors' Choice A Washington Independent Review of Books Favorite Book of 2021 A writer’s humorous and often-heartbreaking tale of losing his sight—and how he hid it from the world. At age sixteen, James Tate Hill was diagnosed with Leber’s hereditary optic neuropathy, a condition that left him legally blind. When high-school friends stopped calling and a disability counselor advised him to aim for C’s in his classes, he tried to escape the stigma by pretending he could still see. In this unfailingly candid yet humorous memoir, Hill discloses the tricks he employed to pass for sighted, from displaying shelves of paperbacks he read on tape to arriving early on first dates so women would have to find him. He risked his life every time he crossed a street, doing his best to listen for approaching cars. A good memory and pop culture obsessions like Tom Cruise, Prince, and all things 1980s allowed him to steer conversations toward common experiences. For fifteen years, Hill hid his blindness from friends, colleagues, and lovers, even convincing himself that if he stared long enough, his blurry peripheral vision would bring the world into focus. At thirty, faced with a stalled writing career, a crumbling marriage, and a growing fear of leaving his apartment, he began to wonder if there was a better way.