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This is a study of the 10th-century Blickling homiliary, one of the most important and least-studied collections of Latin/Anglo-Saxon sermon literature.
The Blickling Homilies date from the end of the tenth century and form one of the earliest extant collections of English vernacular homiletic writings. The homiletic texts survive in a composite codex consisting of Municipal Entries for the Council of Lincoln (14th - 17th century), a Calendar (mid 15th century), Gospel Oaths (early 14th century), and the eighteen homiletic texts that are based on the yearly liturgical cycle. The Blickling Homilies are an important literary milestone in the early evolution of the English prose. The manuscript, in the collection of William H. Scheide housed in Princeton University Library (MS. 71, s.x/xi), was published in facsimile by Rudolph Willard in 1960 as Volume 10 of Early English Manuscripts in Facsimile, Copenhagen. It is the only Anglo-Saxon MS still in private ownership, and together with The Blickling Psalter are the only two Anglo-Saxon MSS in the Americas. The only previous edition of The Blickling Homilies is by Richard Morris, published in three volumes in 1874, 1876, & 1880 (reprinted as one volume in 1967). This new edition makes a number of corrections where Morris's manuscript reading is in error. The English translations are modernized and made more accurate. The original text and facing-page translation have been formatted into paragraphs, which are hoped to further and aid comprehension. Finally, the text and translation are accompanied by a general introduction, textual notes on each homiletic text, tables and charts, and a select bibliography.
The articles in this volume explore from diverse but complementary perspectives the sources of Anglo-Saxon homilies, the homilies themselves, and their impact. The volume examines the anonymous homilies, as well as those by AElfric and Wulfstan.
The essays in this volume challenge prevailing views on the way in which apocalyptic concerns contributed to larger processes of social change at the first millennium. They should provoke new interest in and debate on the nature and causes of social change in early medieval Europe.
This is a study of the 10th-century Blickling homiliary, one of the most important and least-studied collections of Latin/Anglo-Saxon sermon literature.
This volume illustrates some of the exciting paths of enquiry in Anglo-Saxon studies.
The Anglo-Saxon Literature Handbook presents an accessible introduction to the surviving works of prose and poetry produced in Anglo-Saxon England, from AD 410-1066. Makes Anglo-Saxon literature accessible to modern readers Helps readers to overcome the linguistic, aesthetic and cultural barriers to understanding and appreciating Anglo-Saxon verse and prose Introduces readers to the language, politics, and religion of the Anglo-Saxon literary world Presents original readings of such works as Beowulf, The Battle of Maldon, The Wanderer, The Seafarer, and The Anglo-Saxon Chronicle
Between earth and heaven examines the teaching of the theology of Christ’s ascension in Anglo-Saxon literature, offering the only comprehensive examination of how patristic ascension theology is transmitted, adapted and taught to Anglo-Saxon audiences. This book argues that Anglo-Saxon authors recognise the Ascension as fundamentally liminal in nature, as concerned with crossing boundaries and inhabiting dual states. In their teaching, authors convert abstract theology into concrete motifs reflecting this liminality, such as the gates of heaven and Christ’s footprints. By examining a range of liminal imagery, Between earth and heaven demonstrates the consistent sophistication and unity of Ascension theology in such diverse sources as Latin and Old English homilies, religious poetry, liturgical practices, and lay popular beliefs and rituals. This study not only refines our evaluation of Anglo-Saxon authors’ knowledge of patristic theology and their process of source adaptation, but also offers a new understanding of the methods of religious instruction and uses of religious texts in Anglo-Saxon England, capturing their lived significance to contemporary audiences.
The late tenth-century Vercelli Book (Vercelli, Biblioteca Capitolare CXVII) contains one of the earliest surviving collections of homilies and poetry in the English language. The manuscript's combination of poetry and homiletic prose has generated intense scholarly debate, and there is no consensus concerning the original purpose of the compiler. New Readings in the Vercelli Book addresses central questions concerning the manuscript's intended use, mode of compilation, and purpose, and offers a variety of approaches on such topics as orthography, style, genre, theme, and source-study. The contributors include some of the foremost Vercelli experts, as well as the two most recent editors of the homilies. The remarkable essays in this volume offer the first sustained literary analysis of both the poetry and prose texts of the Vercelli Book, providing important new perspectives on a dynamic and valuable historical document.
The Vercelli Book is one of the oldest surviving collections of Old English homilies and poems, compiled in England in the tenth century. Preaching the Converted provides a sustained literary analysis of the book's prose homilies and demonstrates that they employ rhetorical techniques commonly associated with vernacular verse. The study argues that the dazzling textual complexity of these homilies rivals the most accomplished examples of Old English poetry. Highlighting the use of word play, verbal and structural repetition, elaborate catalogues, and figurative language, Samantha Zacher's study of the Vercelli Book fills a gap in the history of English preaching by foregrounding the significance of these prose homilies as an intermediary form. Also analyzing the Latin and vernacular sources behind the Vercelli texts to reveal the theological and formal interests informing the collection as a whole, Preaching the Converted is a rigorous examination of Old English homiletic rhetoric and poetics.