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""You are cordially invited to the beheading of your worthy friend, Edina Bleake, for the crimes of incitement, conspiracy and treason. Your fellow dignitary's last exit shall take place this Wednesday at two in the afternoon in the market square. Thereafter, her corpse and head shall be paraded through the streets in her honour."" Bleake Rebellion is a captivating fantasy roleplaying game where you create a band of rebels seeking to overthrow the corrupt authorities that rule their beloved city. With its unique system for resolving challenges and building stories, Bleake Rebellion is the must have game for anyone who wants a fair, even-handed and emotionally fulfilling roleplaying experience. This book contains essential rules to get you started on your first story, advanced rules for when you have become an expert and a guide to life in the rebels' city. For 3 to 6 players aged 16 or older. (Customers who buy this product will receive a free PDF version of the game).
At the time of independence, few believed that a country made up of over 500 princely states and British provinces could survive as a nation, even for a few years. That a land stripped of its riches, wracked by disease and famine and divided along tense communal lines, could thrive in its ambition and aspirations. Yet, in 75 years since independence, India has grown beyond anyone's expectation. Today it's an Asian powerhouse, poised to become the third largest economy in the world. In many ways, this is one of the greatest underdog-beating-the-odds stories in world history. How did India get this far? What were the sweeping social, cultural, scientific, political, military, environmental and economic developments it witnessed along the way? Interspersed with personal anecdotes, illustrations, infographics, informative timelines and pull quotes, After Midnight gives a powerful context to the present and revels in the diverse and remarkable ideas that have come to shape this great nation. It attempts to provide young readers with perspective, meaning, and food for thought as they try to comprehend the many facets of this fascinating country. This well-researched, accessible and definitive handbook tells the story of India like never before.
“The best novel I know of on the subject of writing, or on the condition of being a writer.” —Richard Yates Widely recognized as R. V. Cassill’s masterpiece, Clem Anderson is the story of an author whose astonishing talents are outmatched only by his capacity for self-destruction. Arrogant, untrustworthy, moody, and narcissistic, Clem is also a brilliant artist capable of astonishing feats of alchemy: His pen magically transforms real life into the stuff of great literature. But the rising tide of literary success is dangerous ground for a personality as unstable as Clem’s, and when he dies at the age of forty, alone and disgraced, it is up to his few remaining friends to pick up the pieces. The most steadfast and empathetic of these survivors is Dick Hartsell, a former classmate and fellow writer who has long walked in Clem’s shadow. Commissioned by a movie studio to publish a memorial article about his doomed friend, Hartsell struggles to capture the man’s unruly existence in this tidy format. So he sets out to write a novel called Clem Anderson, detailing his eponymous hero’s epic rise and fall. From a rural midwestern childhood to early fame as an undergraduate poet to the intoxicating expatriate literary scene in post–World War II Paris and an unhappy romance with a Hollywood starlet, Hartsell tells the story of Anderson’s life. The result is a work of art as singular and unforgettable as its ill-fated subject.
" Reading and digesting the lessons in this book can be of greater value to an aspiring dramatist than years in an MFA program. Whether you are writing for the stage, screen or audio, this book is an invaluable teacher and guide to have by your side throughout the development and revision process." Frances Ya-Chu Cowhig "This book does what no other playwriting book in my experience has done, it offers a new way of seeing and conceiving how theatre makes meaning and carries emotional impact in performance." Suzan Zeder, Professor Emerita and former Head Of Playwriting at University of Texas at Austin, USA Combining a step-by-step analysis of the technique of writing for stage and screen with how the mystery, poetry, and emotional momentum is achieved for the audience, Sherry Kramer offers an empowering, original guide for emerging and established writers. In this structured look at the way audience members progress through a work in real time, Sherry Kramer uses plain-spoken vocabulary to help you discover how to make work that will mean more to your audiences. By using examples drawn from plays, film, and streaming series, ranging from A Streetcar Named Desire to Fleabag to Pirates of the Caribbean, this study makes its concepts accessible to a wide range of artists who work in timebound art. The book also features multiple exercises, developed with MFA writers in The Iowa Playwrights Workshop and The Michener Center for Writers, where Kramer taught for the past 25 years, which provide entrance points to help you consider and create your work.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1866 edition. Excerpt: ... man family. I think the Cotton States would have been dearly paid for at half the amount of money that has been expended, throwing every other consideration out of the question. Here, however, is my lctter to Mr. Bates: THE BATES LETTEES. Eichmond, April 19,1861. My Dear Sir, --Your lctter of yesterday has been received. Before this you will have learned through the press all that has occurred at Norfolk and at this place; but I can not begin to give you a just conception of the excitement created, not only here but throughout the whole Southern country, by the proelamation of the 15th, which in many respects may be regarded as the most unfortunate document that ever issued from tho government. In the absence of that paper, this state could not have been carried out of the Union; with it, the Union party and the Union feeling has been almost entirely swept out of existence. You can not mect with one man in a thousand who is not influenced with a passion for war; and every one seems to regard the proelamation as a deelaration of war for the subjugation of the entire South, and for tho extermination of slavery. Reason (with them on this point) would as soon arrest the motion of the Atlantic as it would check the current of their passions. When I saw you in Washington some ten days since, I had the honor to lay before you and other members of the Cabinct, as well as before Mr. Lincoln himself, a plan for the scttlement of our troubles through the medium of a national convention, to give to tho seceded states leave to withdraw. I thought then, as I do now, that the plan then suggested was the only solution to the dreadful crisis which was upon us. Since that time matters have assumed a far more frightful aspect, and I now venture to make one..