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This book traces the origins of modern varieties of Yiddish and presents evidence for the claim that, contrary to most accounts, Yiddish only developed into a separate language in the 15th century. Through a careful analysis of Yiddish phonology, morphology, orthography, and the Yiddish lexicon in all its varieties, Alexander Beider shows how what are commonly referred to as Eastern Yiddish and Western Yiddish have different ancestors. Specifically, he argues that the western branch is based on German dialects spoken in western Germany with some Old French influence, while the eastern branch has its origins in German dialects spoken in the modern-day Czech Republic with some Old Czech influence. The similarities between the two branches today are mainly a result of the close links between the underlying German dialects, and of the close contact between speakers. Following an introduction to the definition and classification of Yiddish and its dialects, chapters in the book investigate the German, Hebrew, Romance, and Slavic components of Yiddish, as well as the sound changes that have occurred in the various dialects. The book will be of interest to all those working in the areas of Yiddish and Jewish Studies in particular, and historical linguistics and history more generally.
Originally published in 1951, this book explores the development in England of the Sephardi branch of the Jewish community, the co-heirs, with their kinsmen in Holland, in Italy, in North America and in the Middle East, of the Golden Age of Jewish history in Spain. Based on archival history from within the community, it was the first full-length history of the Sephardi community in England and describes how this little Jewish community, the first in England since the Middle Ages, grew, prospered and contributed the wealth and influence of London, and eventually producing in Disraeli one of England’s greatest Prime Ministers.
Where do East European Jews – about 90 percent of Ashkenazi Jewry – descend from? This book conveys new insights into a century-old controversy. Jits van Straten argues that there is no evidence for the most common assumption that German Jews fled en masse to Eastern Europe to constitute East European Jewry. Dealing with another much debated theory, van Straten points to the fact that there is no way to identify the descendants of the Khazars in the Ashkenazi population. Using a multidisciplinary approach, the author draws heavily on demographic findings which are vital to evaluate the conclusions of modern DNA research. Finally, it is suggested that East European Jews are mainly descendants of Ukrainians and Belarussians. UPDATE: The article “The origin of East European Ashkenazim via a southern route” (Aschkenas 2017; 27(1): 239-270) is intended to clarify the origin of East European Jewry between roughly 300 BCE and 1000 CE. It is a supplement to this book.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks, as well as studies that provide new insights by approaching language from an interdisciplinary perspective. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Samuel Usque, an exile from the expulsion of the Jews from Spain and Portugal, offers an answer to the question, "Does suffering have any purpose?" Translated from the Portuguese with an Introduction by Martin A. Cohen.
Shows more than sixty watercolors by various Amerian artists, describes the background of each work, and discusses the technique of Homer and Sargent