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"The Marriage of Heaven and Hell" is a collection of sketches touching on the subject of Good versus Evil and examining the biblical idea of "Hell" the place of eternal suffering for those who reject God. Author and poet William Blake seems to repudiate the idea of such a place and seeks to show that in fact Hell is a place of freedom for as he puts it, "The ancient tradition that the world will be consumed in fire at the end of six thousand years is true, as I have heard from Hell. For the cherub with his flaming sword is hereby commanded to leave his guard at [the] tree of life, and when he does, the whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt. This will come to pass by an improvement of sensual enjoyment."
Urizen rose from the bright Feast like a star thro' the evening sky Exulting at the voice that calld him from the Feast of envy First he beheld the body of Man pale, cold, the horrors of death Beneath his feet shot thro' him as he stood in the Human Brain And all its golden porches grew pale with his sickening light No more Exulting for he saw Eternal Death beneath Pale he beheld futurity; pale he beheld the Abyss.
Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. William Blake is a Romantic poet who remains popular today, in part because his exceptional insight into psychological, political and social issues remains powerfully relevant. The Reader's Guide begins by introducing Blake's major themes including religious, political and social issues and then moves on to reading key works, including Songs of Innocence and Experience and The Marriage of Heaven and Hell. It offers an invaluable introduction to reading Blake's poetry and includes sections on its contexts, language and style, critical reception and adaptation and influence and finally an annotated guide to further reading.
The supposed collapse of Roman civilization is still lamented more than 1,500 years later-and intertwined with this idea is the notion that a fledgling religion, Christianity, went from a persecuted fringe movement to an irresistible force that toppled the empire. The “intolerant zeal” of Christians, wrote Edward Gibbon, swept Rome's old gods away, and with them the structures that sustained Roman society. Not so, argues Douglas Boin. Such tales are simply untrue to history, and ignore the most important fact of all: life in Rome never came to a dramatic stop. Instead, as Boin shows, a small minority movement rose to transform society-politically, religiously, and culturally-but it was a gradual process, one that happened in fits and starts over centuries. Drawing upon a decade of recent studies in history and archaeology, and on his own research, Boin opens up a wholly new window onto a period we thought we knew. His work is the first to describe how Christians navigated the complex world of social identity in terms of “passing” and “coming out.” Many Christians lived in a dynamic middle ground. Their quiet success, as much as the clamor of martyrdom, was a powerful agent for change. With this insightful approach to the story of Christians in the Roman world, Douglas Boin rewrites, and rediscovers, the fascinating early history of a world faith.
The classic book on William Blake as prophet of the New Age William Blake (1757–1827) inhabited a remarkable inner world, one that he brought vividly to life in his poetry, painting, and printmaking. Blake and Antiquity situates this brilliant and enigmatic artist within the Western esoteric canon, revealing his indebtedness to Neoplatonism, the Gnostics, alchemy, and astrology. In this book, Kathleen Raine demonstrates how Blake rejected conventional orthodoxy and went in search among the occult traditions of antiquity for symbols that might expand the mind’s awareness into a spiritual state where space, time, and even death are transcended.