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When Lynn's criminal employer shows up with a piece of her broken past, she will do anything to get it back. And as Iridan city's foremost thief, 'anything' means an impossible heist. But stealing magic crystals from one of the most regulated facilities in the world is only the start of her problems; which includes a team she doesn't trust or like, a runaway with magic abilities, an ex who still makes her weak in the knees, and family drama that could change Lynn's whole world. Brimming with action, adventure and intrigue, readers will be gripped by this imaginative tale of a magic-filled world on the cusp of change. Intended for readers 13+. May contain moderate violence, language, and drug use. Nominated for the 2019 Epic Fantasy Fanatics Readers Choice Award
Ridge, Sardelle, and their comrades may have rescued Tolemek’s sister and freed the dragon, but trouble awaits at home. The king is missing, a secret organization is hunting sorcerers, and the capital is more vulnerable than ever to enemy attack. Worst of all, at least from Ridge's point of view, someone put that jackass Colonel Therrik in charge of the flier battalion. Ridge and his allies have a lot of problems to fix, but they can’t show their faces in the capital without being arrested or shot. This time, it’s going to take a lot more than magic to save the country. The Blade’s Memory is the fifth installment in the Dragon Blood series.
Spencer Ellsworth's Starfire space opera trilogy, a gritty, adult science-fiction adventure, concludes with Starfire: Memory's Blade At the heart of the Dark Zone, a duel for the universe rages. In an ancient Jorian temple, Jaqi faces John Starfire, the new ruler of the Empire. He has set all the worlds aflame in his quest to destroy humankind. Jaqi has sworn to stop him. Problem is, Jaqi isn't much of a fighter. Meanwhile, the sun-eating cosmic spiders, the Shir, have moved out of the Dark Zone and are consuming the galaxy. Araskar knows that he must hold them back, but to do that, he has to give himself over to the Resistance, under the command of John Starfire's wife. And she wants him dead more than she wants the stars to live. If Jaqi and Araskar can fight their way out, they can use a secret at the heart of the Dark Zone to free the galaxy, and end John Starfire's new tyranny. They lose, and every star in the sky will go dark. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Well I’ve always liked to write since high school. Back then I read a lot of Clive Cussler. Yes Dirk Pitt is one of my favorite hero’s. It’s probably his collection of fine automobiles. When I to write adventure, even horror I found them to constricting. Fantasy on the other hand, you can say anything. It is very freeing.
Jane, a shapeshifting vampire-hunter-for-hire, crosses paths with a stranger who has arrived in New Orleans, enlisted to hunt vampires who have gone insane-or so he says...
A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World. A young woman, S.H., moves to New York City in 1978 to look for adventure and write her first novel, but finds herself distracted by her mysterious neighbor, Lucy Brite. As S.H. listens to Lucy through the thin walls of her dilapidated building, she carefully transcribes the woman’s bizarre monologues about her daughter’s violent death and her need to punish the killer. Forty years later, S.H. stumbles upon the journal she kept that year and writes a memoir, Memories of the Future, in which she juxtaposes the notebook’s texts, drafts from her unfinished comic novel, and her commentaries on them to create a dialogue among selves over the decades. She remembers. She misremembers. She forgets. Events of the past take on new meanings. She works to reframe her traumatic memory of a sexual assault. She celebrates the legacy of the wild and rebellious Dada artist-poet, the Baroness Elsa von Freytag-Loringhoven. As the book unfolds, you witness S.H. write her way through vengeance and into freedom. Smart, funny, angry, and poignant, Hustvedt’s seventh novel brings together the themes that have made her one of the most celebrated novelists working today: the strangeness of time, the brutality of patriarchy, and the power of the imagination to remake the past.
Twenty-seven years ago, they said Hari Michaelson didn't have a chance. He was just a loser, a street criminal from a disgraced family. He'd never make anything of himself. They were wrong. He made himself into Caine: Killer. Superstar. Hero . . . THE BLADE OF TYSHALLE Six years ago, Ma'elkoth--a god of Overworld--held Pallas Ril in his merciless grip. Earth's ruling elite wanted her dead. Caine swore he would save her. They said he didn't have a chance. They were wrong. He sacrificed his career as Caine to crush Pallas Ril's enemies and bring her home. Now Hari Michaelson is the only man who stands between the soulless corporate masters of Earth and the green hills of Overworld. Caine's victory over Ma'elKoth opened a door between the worlds, and the faceless masses of Earth are killing everything he loves. Enemies old and new array themselves against him. And Hari's not even Caine anymore. He's just one man--alone, half-crippled, powerless. They say he doesn't have a chance. They are wrong . . .
She created the deadly shifter virus. Will he surrender or mate her? Hundreds of wolf shifters have died. From the shifter virus she created. But she calms his wolf. Blade cannot—will not—let her go. The WSSO stole her work, her husband’s life. Now they want her dead. One wolf shifter stands in their way. Opening her heart to another? No, not again, not in a million years. Fortunately, Blade is a very persistent shifter. ◆◆◆ Fight Hard. Love Harder. Blade’s Battle is the second book in a wolf shifter romance series full of romance, intrigue, and deadly heroes. If you like alpha males and smart women who fight for what they believe in, and you want a very HEA, then you’ll love Julie K. Cohen’s Broken Shifters series.
"One Shot at Forever is powerful, inspirational. . . This isn't merely a book about baseball. It's a book about heart." -- Jeff Pearlman, New York Times bestselling author of Boys Will Be Boys and The Bad Guys Won In 1971, a small-town high school baseball team from rural Illinois, playing with hand-me-down uniforms and peace signs on their hats, defied convention and the odds. Led by an English teacher with no coaching experience, the Macon Ironmen emerged from a field of 370 teams to represent the smallest school in Illinois history to make the state final, a distinction that still stands. There the Ironmen would play against a Chicago powerhouse in a dramatic game that would change their lives forever. In this gripping, cinematic narrative, Chris Ballard tells the story of the team and its coach, Lynn Sweet: a hippie, dreamer, and intellectual who arrived in Macon in 1966, bringing progressive ideas to a town stuck in the Eisenhower era. Beloved by students but not administration, Sweet reluctantly took over the ragtag team, intent on teaching the boys as much about life as baseball. Together they embarked on an improbable postseason run that buoyed a small town in desperate need of something to celebrate. Engaging and poignant, One Shot at Forever is a testament to the power of high school sports to shape the lives of those who play them, and it reminds us that there are few bonds more sacred than that among a coach, a team, and a town. "Macon's run at the title reminds us why sports matter and why sportswriting has such great power to inspire. . . [It's] one hell of a good story, and Ballard has written one hell of a good book." -- Jonathan Eig, Chicago Tribune
This volume explores the relationship between place, traumatic memory, and narrative. Drawing on cases from Africa, Asia, Europe, Oceania, and North and South America, the book provides a uniquely cross-cultural and global approach. Covering a wide range of cultural and linguistic contexts, the volume is divided into three parts: memorial spaces, sites of trauma, and traumatic representations. The contributions explore how acknowledgement of past suffering is key to the complex inter-relationship between the politics of memory, expressions of victimhood, and collective memory. Contributors take note of differing aspects of memorial culture, such as those embedded in war memorials, mass grave sites, and exhibitions, as well as journalistic, literary and visual forms of commemorations, to investigate how narratives of memory can give meaning and form to places of trauma.