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On the heels of Kathryn Maloney's first book Blackout Poetry, she has created a special version for fans of Herman Melville'sMoby Dick No more will Blackout Poetry and Moby Dickfans need to ruin their favorite copy! No! Fifty (50) randomly selected pages were plucked out to create this unique journal. Not literally plucked out, no books were harmed to create this journal. Look for other classic books created into Blackout Poetry Journals - and some just fun ones too! Bookworms:No books (or wales) were harmed during the creation of this journal.
Kathryn Maloney's book Blackout Poetry will become a classic in your poetry collection, because you create the poems! Using 44 randomly collected book pages along with images to inspire your drawing / art journal / mixed media / altered art creativity. Use this book for your own creativity, classroom lessons, therapy, or give it away to that eclectic creative person in your life. This book contains hours of relaxing and thought provoking enjoyment. See all Black Out Poetry Journals designs by clicking KATHRYN MALONEY (above) to find all of her Blackout Poetry Journals!
On the heals of Kathryn Maloney's first book Blackout Poetry, she has created a special version for fans of a journal using pages from the book Tin-Types: Street Sketches from 1890 New York. Fifty (50) randomly selected pages were plucked out to create this unique journal. Not literally plucked out, no books were harmed to create this journal. Look for other classic books created into Blackout Poetry Journals - and some just fun ones too! Bookworms: No books were harmed during the creation of this journal.
Create your own special poetry without the pain of finding the right words! On the heals of Kathryn Maloney's first book Blackout Poetry, she has created a special version for fans of Jane Austin's Emma! No more will Blackout Poetry and Emma fans need to ruin their favorite copy! No! Fifty (50) randomly selected pages were plucked out to create this unique journal. Not literally plucked out, no books were harmed to create this journal. Look for other classic books created into Blackout Poetry Journals - and some just fun ones too! Bookworms: No books were harmed during the creation of this journal.
On the heels of Kathryn Maloney's first book Blackout Poetry, she has created a special version for fans of Jane Austen's Emma! No more will Blackout Poetry and Emma fans need to ruin their favorite copy! ♕ No!♕ ☙Fifty (50) randomly selected pages were plucked out to create this unique journal.☙ ⚠Not literally plucked out, no books were harmed to create this journal.⚠ Look for other classic books created into Blackout Poetry Journals - and some just fun ones too!
On the heels of Kathryn Maloney's first book Blackout Poetry, she has created a special version for fans of Leo Tolstoy'sAnna Karenina No more will Blackout Poetry and Anna Karenina fans need to ruin their favorite copy! No! Sixty (60) randomly selected pages were plucked out to create this unique journal. Not literally plucked out, no books were harmed to create this journal. Look for other classic books created into Blackout Poetry Journals - and some just fun ones too! Bookworms:No books were harmed during the creation of this journal.
Foreword by Lester Laminack How do you choose mentor texts for your students? How do you mine them for the craft lessons you want your students to learn? In Craft Moves, Stacey Shubitz, cofounder of the Two Writing Teachers website, does the heavy lifting for you: using twenty recently published picture books, she creates more than 180 lessons to teach various craft moves that will help your students become better writers. Stacey first discusses picture books as teaching tools and offers ways to integrate them into your curriculum, and classroom discussions. She also shares routines and classroom procedures to help students focus on their writing during the independent writing portion of writing workshop and helps teachers prepare for small-group instruction. Each of the 184 lessons in the book includes a publisher's summary, a rationale or explanation of the craft move demonstrated in the book, and a procedure that takes teachers and students back into the mentor text to deepen their understanding of the selected craft move. A step-by-step guide demonstrates how to analyze a picture book for multiple craft moves. Using picture books as mentor texts will help your students not only read as writers and write with joy but also become writers who can effectively communicate meaning, structure their writing, write with detail, and give their writing their own unique voice.
The Maximus Poems is one of the high achievements of twentieth-century American letters and an essential poem in the postmodern canon. It stands out, in Hayden Carruth's words, as "a huge and truly angelic effort," matching the dimensions of its hero's name and returning poetry to its Homeric and Hesiodic scope. This complete edition of The Maximus Poems brings together the three volumes of Charles Olson's long poem (originally published in 1960, 1968, and 1975, and long out of print) in an authoritative version edited according to the highest standards of textual criticism. Errors in the previous editions have been corrected, twenty-nine new poems added, and the sequence of the final poems modified in the light of the editor's research among the poet's papers. --University of California Press.
Anguish Language: Writing & Crisis considers language as a core aspect of the present social crisis. Initiated in a week-long workshop in Berlin in 2013, the Anguish Language Project surveys and develops the variety of forms of self-publishing, poetry, criticism, experimental writing, declamation and political speech that arose in the wake of the 20072008 financial crisis as a form of social struggle in response to crisis. The amply illustrated softcover publication includes workshop discussions, practices of crisis literature in seminars, presentations, walks, poetry, readings, drawing, writing experiments and performance. Contributors include Sean Bonney, Pier Paolo Pasolini, Lisa Robertson, Anne Boyer, Anke Hennig, Karolin Meunier & Mattin, Jacob Bard-Rosenberg, Frere Dupont, Amy DeAth, Catherine Wanger, Neinsager, Danny Hayward, Martin Hause, Wealth of Negations, and the Anguish Language Berlin and Copenhagen Groups. Edited by London-based writer/researcher John Cunningham, fiction and critical theory writer Anthony Iles, and writers Mira Mattar and Marina Vishmidt.
#1 NEW YORK TIMES BESTSELLER • “The Uninhabitable Earth hits you like a comet, with an overflow of insanely lyrical prose about our pending Armageddon.”—Andrew Solomon, author of The Noonday Demon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • The New York Times Book Review • Time • NPR • The Economist • The Paris Review • Toronto Star • GQ • The Times Literary Supplement • The New York Public Library • Kirkus Reviews It is worse, much worse, than you think. If your anxiety about global warming is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible—food shortages, refugee emergencies, climate wars and economic devastation. An “epoch-defining book” (The Guardian) and “this generation’s Silent Spring” (The Washington Post), The Uninhabitable Earth is both a travelogue of the near future and a meditation on how that future will look to those living through it—the ways that warming promises to transform global politics, the meaning of technology and nature in the modern world, the sustainability of capitalism and the trajectory of human progress. The Uninhabitable Earth is also an impassioned call to action. For just as the world was brought to the brink of catastrophe within the span of a lifetime, the responsibility to avoid it now belongs to a single generation—today’s. LONGLISTED FOR THE PEN/E.O. WILSON LITERARY SCIENCE WRITING AWARD “The Uninhabitable Earth is the most terrifying book I have ever read. Its subject is climate change, and its method is scientific, but its mode is Old Testament. The book is a meticulously documented, white-knuckled tour through the cascading catastrophes that will soon engulf our warming planet.”—Farhad Manjoo, The New York Times “Riveting. . . . Some readers will find Mr. Wallace-Wells’s outline of possible futures alarmist. He is indeed alarmed. You should be, too.”—The Economist “Potent and evocative. . . . Wallace-Wells has resolved to offer something other than the standard narrative of climate change. . . . He avoids the ‘eerily banal language of climatology’ in favor of lush, rolling prose.”—Jennifer Szalai, The New York Times “The book has potential to be this generation’s Silent Spring.”—The Washington Post “The Uninhabitable Earth, which has become a best seller, taps into the underlying emotion of the day: fear. . . . I encourage people to read this book.”—Alan Weisman, The New York Review of Books