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Every exciting, adventure-filled issue of Volume 2 can be found here in one place! The only thing of any worth to Hanna amongst the wreckage of an unlucky vessel is its sole survivor, who tells the captain about a secret treasure only he knows how to obtain. But he has reasons of his own to employ her aide. And with zombies, threatening weather, and the ever-gaining Captain Purloin, it's going to be a difficult task for the crew to even get off the island.
Trapped on the island with her crew and cornered by a vengeful sea god, Hanna will have to use all of her wits to escape. Add to this the fact that Captain Purloin has finally caught up with her. Can she survive what is about to come down upon her? Was her trusting of the young island survivor Robbie Buckle her undoing even if it had led her to more treasure than she had ever seen?
Trapped on the island with her crew and cornered by a vengeful sea god, Hanna will have to use all of her wits to escape. Add to this the fact that Captain Purloin has finally caught up with her. Can she survive what is about to come down upon her? Was her trusting of the young island survivor Robbie Buckle her undoing even if it had led her to more treasure than she had ever seen?
This 368-page volume covers Hellboy's adventures from 1961 to 1993, leading up to Seed of Destruction. It includes stories from the Hellboy collections The Troll Witch, The Chained Coffin, The Bride of Hell, The Right Hand of Doom, and The Crooked Man, including "Heads," "Buster Oakley Gets His Wish," and "A Christmas Underground With over 100 pages drawn by Mignola himself, The Complete Short Stories Vol. 2 features an incredible roster of artists! The two Short Stories volumes, along with the four-volume Hellboy Omnibus series, collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience. Unaware of his role as Beast of the Apocalypse, Hellboy travels the world to find his first brushes with the royalty of Hell and the otherworldly Ogdru Hem, while shooting out the Baba Yaga's eye and getting a glimpse of his possible fate in the epic African adventure "Makoma."
"We are here with you today." With those few words in August 1973, Sarah Chambers, her husband Richard, and their good friends Alice and Dick started a journey that took them far beyond anything they could possibly imagine. They explored the unseen realm of the spiritual world with their teacher "Michael." Along with good friend Eugene Trout, they created a new spiritual teaching - based in love - that helps people become more of who they truly are. The group kept transcripts of their meetings and those transcripts were copied and passed around to their friends and coworkers, then copied and passed to many others over the years. Volume 2 contains compilations, drawings, charts, information about the group members and a history of the Michael Teachings. . . . "Why am I here?" someone asked one night. Michael answered, "To hear the words you didn't hear 2,000 years ago. Maybe this time, you will listen."
Come along on a great pirate adventure with hand-picked literary classics and true stories about the legendary outlaws: History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) The Book of Buried Treasure The Pirates' Own Book Treasure Island (R. L. Stevenson) Captain Blood (Rafael Sabatini) Sea Hawk (Sabatini) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Captain Singleton (Defoe) Gold-Bug (Edgar Allan Poe) Hearts of Three (Jack London) The Dark Frigate (C. B. Hawes) Isle of Pirate's Doom (Robert E. Howard) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Black Vulmea (Howard) Afloat and Ashore (James F. Cooper) Homeward Bound (Cooper) Red Rover (Cooper) Facing the Flag (Jules Verne) Pirate Gow (Daniel Defoe) The King of Pirates (Defoe) The Pirate (Walter Scott) Rose of Paradise (Howard Pyle) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) The Offshore Pirate (F. Scott Fitzgerald) Martin Conisby's Vengeance (J. Farnol) Coral Island (Ballantyne) Pirate of Panama (W. M. Raine) Under the Waves (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Captain Boldheart (Dickens) The Ways of the Buccaneers (J. Masefield) Master Key (L. Frank Baum) Black Bartlemy's Treasure (J. Farnol) A Man to His Mate (J. Allan Dunn) Tales of the Fish Patrol (Jack London) Barbarossa—King of the Corsairs (E. H. Currey) Robinson Crusoe (Defoe) Jim Davis (J. Masefield) Peter Pan and Wendy (J. M. Barrie) Mysterious Island (Jules Verne) Count of Monte Cristo (Dumas) Ghost Pirates (W. H. Hodgson) The Pagan Madonna (H. MacGrath) A Pirate of the Caribbees (H. Collingwood) The Pirate Island (H. Collingwood) The Devil's Admiral (F. F. Moore) The Pirate of the Mediterranean (W. H. G. Kingston) The Black Buccaneer (Stephen W. Meader) The Third Officer (P. Westerman) Narrative of the Capture of the Ship Derby...
Life-writing is a vital part of the history of archaeology, and a growing field of scholarship within the discipline. The lives of archaeologists are entangled with histories of museums and collections, developments in science and scholarship, and narratives of nationalism and colonialism into the present. In recent years life-writing has played an important role in the surge of new research in the history of archaeology, including ground-breaking studies of discipline formation, institutionalisation, and social and intellectual networks. Sources such as diaries, wills, film, and the growing body of digital records are powerful tools for highlighting the contributions of hitherto marginalised archaeological lives including many pioneering women, hired labourers and other ‘hidden hands’. This book brings together critical perspectives on life-writing in the history of archaeology from leading figures in the field. These include studies of archive formation and use, the concept of ‘dig-writing’ as a distinctive genre of archaeological creativity, and reviews of new sources for already well-known lives. Several chapters reflect on the experience of life-writing, review the historiography of the field, and assess the intellectual value and significance of life-writing as a genre. Together, they work to problematise underlying assumptions about this genre, foregrounding methodology, social theory, ethics and other practice-focused frameworks in conscious tension with previous practices.