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From the author of the "wonderfully ingenious" (Marilyn Stasio, The New York Times Book Review) novel After the Crash, a thrilling tale of a murder that takes place in Claude Monet's garden and the mystery that surrounds it. Giverny, France. During the day, the town is the home of the famous artist Claude Monet and the gardens where he painted his Water Lilies. But once the tourists have gone, there is a darker side to the peaceful French village. This is the story of thirteen days that begin with one murder and end with another. Jéme Morval, a man whose passion for art was matched only by his passion for women, has been found dead in the stream that runs through the gardens. In his pocket is a postcard of Monet's Water Lilies with the words: Eleven years old. Happy Birthday. Entangled in the mystery are three women: a young painting prodigy, the seductive village schoolteacher, and an old widow who watches over the village from a mill by the stream. All three of them share a secret. But what do they know about the discovery of Jéme Morval's corpse? And what is the connection to the mysterious, rumored painting of Black Water Lilies?
When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index.
Michael M. Hughes’s Blackwater Lights combines the eldritch horror of H. P. Lovecraft with the supernatural thrills of Dean Koontz. When Ray Simon receives a desperate call from his childhood friend Kevin, begging him to come visit, Ray can’t say no. Kevin promises to clue him in on shocking discoveries he has made about weird, half-forgotten events in their past—events associated with a summer camp near Kevin’s home in the small town of Blackwater, West Virginia. But when Ray arrives, Kevin is nowhere to be found. So Ray does some investigating of his own, only to find that no records exist of the camp. Yet he is not alone in looking for information. There are Lily, a beautiful redhead with uncanny seductive powers; Crawford, a wealthy collector of art and people; and Micah, the mysterious leader of the Church of the Open Door. All of them are seeking information about the rumored camp. And they are all interested—very interested—in Ray. Then a midnight encounter with strange floating lights sparks a return of old memories—vivid but fractured images that haunt Ray’s waking hours with intimations of terror and cruelty. Something dreadful happened at that camp long ago. Something was awakened there. Now, with the help of his new friend Ellen, a waitress at the local diner, Ray must navigate a path through madness and murder—a path that leads inexorably to an all-but-forgotten night in his childhood . . . and to a future of unimaginable horror. Praise for Blackwater Lights “Michael M. Hughes’s highly intelligent debut novel, Blackwater Lights, weaves a stunning tale of intrigue, ritual, and dark magic. It’s brilliantly paced and beautifully written, and once the journey has begun, it’s impossible to put down. Luckily for those of us hooked on Hughes, Blackwater Lights is but the first work in his forthcoming trilogy.”—Lisa Mannetti, Bram Stoker Award–winning author of The Gentling Box “Disturbing, surreal, and spooky as hell, Blackwater Lights is a brilliantly written debut, marking Michael M. Hughes as a talent to watch.”—Tim Lebbon, author of Coldbrook and the Toxic City trilogy “Blackwater Lights is a paranoid thrill-ride that deftly combines mystery, sci-fi, and horror elements into a modern-day conspiracy tale. An impressive debut that builds to a satisfying, action-filled conclusion.”—Cemetery Dance magazine “Blackwater Lights has action, adventure, sex, love, designer drugs, and violent death, all woven into a globe-spanning paranormal conspiracy. I mean, really, what’s not to like? Consider this my official request for a sequel.”—F. Paul Wilson, author of the Repairman Jack novels and The Adversary Cycle “A harrowing and riveting thrill ride. Hughes is a welcome addition to the dark-fiction ranks.”—Scott Nicholson, author of The Red Church
"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ...entirely devoted to the study of MAN - the Indian - in all spheres ... " -- introduction to facsimile volumes, published 1985.
From the author of The Master and Brooklyn, Colm Tóibín weaves together the lives of three generations of estranged women as they reunite to witness and mourn the death of a brother, a son, and a grandson. It is Ireland in the early 1990s. Helen, her mother, Lily, and her grandmother, Dora, have come together to tend to Helen's brother, Declan, who is dying of AIDS. With Declan's two friends, the six of them are forced to plumb the shoals of their own histories and to come to terms with each other.​ Shortlisted for the Booker Prize, The Blackwater Lightship is a deeply resonant story about three generations of an estranged family reuniting to mourn an untimely death. In spare, luminous prose, Colm Tóibín explores the nature of love and the complex emotions inside a family at war with itself. Hailed as "a genuine work of art" (Chicago Tribune), this is a novel about the capacity of stories to heal the deepest wounds.