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This comprehensive analysis of the complex relationship of black political thought identifies which political ideologies are supported by blacks, then traces their historical roots and examines their effects on black public opinion.
THE INSTANT NEW YORK TIMES BESTSELLER. From Kahran and Regis Bethencourt, the dynamite husband and wife duo behind CreativeSoul Photography, comes GLORY, a photography book that shatters the conventional standards of beauty for Black children. Featuring a foreword by Amanda Seales With stunning images of natural hair and gorgeous, inventive visual storytelling, GLORY puts Black beauty front and center with more than 100 breathtaking photographs and a collection of powerful essays about the children. At its heart, it is a recognition and celebration of the versatility and innate beauty of black hair, and black beauty. The glorious coffee-table book pays homage to the story of our royal past, celebrates the glory of the here and now, and even dares to forecast the future. It brings to life past, present, and future visions of black culture and showcases the power and beauty of recognizing and celebrating oneself. Beauty as an expression of who you are is power. When we define our own standards of beauty, we take back that power. GLORY encourages children around the world to feel that power and harness it.
Since at least the high point of the civil rights movement, African American Christianity has been widely recognized as a potent force for social change. Most attention to the political significance of Black churches, however, focuses on domestic protest and electoral politics. Yet some Black churches take a deep interest in the global issue of Israel and Palestine. Why would African American Christians get involved—and even take sides—in Palestine and Israel, and what does that reveal about the political significance of “the Black Church” today? This book examines African American Christian involvement in Israel and Palestine to show how competing visions of “the Black Church” are changing through transnational political engagement. Considering cases ranging from African American Christian Zionists to Palestinian solidarity activists, Roger Baumann traces how Black religious politics transcend domestic arenas and enter global spaces. These cases, he argues, illuminate how the meaning of the ostensibly singular and unifying category of “the Black Church”—spanning its history, identity, culture, and mission—is deeply contested at every turn. Black Visions of the Holy Land offers new insights into how Black churches understand their political role and social significance; the ways race, religion, and politics both converge and diverge; and why the meaning of overlapping racial and religious identities shifts when moving from national to global contexts.
This collection launches the second part of a special two volume series of exciting stories taking place in the world of Jeff Lemire (Sweet Tooth, Moon Knight) and Dean Ormston’s (Neil Gaiman's The Sandman, Books of Magick: Life During Wartime) Eisner Award–winning Black Hammer superhero comics. Creators such as Kelly Thompson, Cullen Bunn, Cecil Castellucci, Scott Snyder and many more of comics’ top talents take on some of the greatest heroes and villains of Spiral City! This graphic novel collects Black Hammer: Visions #5-8 and also features a sketchbook section and pinups by Yuko Shimizu, Veronica Fish, Dan Brereton, Annie Wu, Brian Hurtt, and more! Featuring tales of the cult heroes and villains of Spiral City such as the Horseless Rider, Ms. Moonbeam, Cthu-Lou, and Skulldigger!
Visions of the Black Belt offers a rich cultural overview of the emblematic core of Alabama known for its prairie soils, plantation manors, civil rights history, gothic churches, traditional foodways, and resilient and gracious people.
Uncovering a whole generation of militant Black characters onscreen long before Shaft or Sweetback, Militant Visions examines the depiction of African American soldiers in films from the 1940s to the 1970s. In the process, it reveals how the image of the proud and powerful African American soldier was crafted by an unexpected alliance of government propagandists, activists, and Black filmmakers.
VISIONS OF A SKYLARK DRESSED IN BLACK is composed of 2 works of short fiction and 52 poems. It was first written and published as the global community not only came to grips with the reality of the attacks on 9/11 in 2001 but as a number of catastrophes shook humanity to its collective core throughout the first decade of the new century. People during that time on the one hand found themselves often reeling from the manmade horrors of war and terrorism. On the other, they also had to cope with the seemingly increasing fury of nature in the form of hurricanes, earthquakes, and tsunamis. Yet these external challenges frequently intensified individuals' inner resolve and moved them to confront physical world chaos with a persistent kind of grace and startled integrity.
This work examines slave emancipation and opposition to it as a far-reaching, national event with profound social, political, and cultural consequences. The author analyzes multiple views of the African American child to demonstrate how Americans contested and defended slavery and its abolition.