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Although he may appear rough-and-tumble, Jiro Azuma’s compassionate side emerges when it comes to the furry critters he can communicate with. But Jiro's soft spot for animals gets him in major trouble when a suspicious stray cat fuses with him, granting him exceptional power but also dragging him into humanity's hidden battle against powerful Japanese spirits, mononoke. -- VIZ Media
There’s a new squad at the Bureau of Espionage—code name: Black Torch. The squad, run by Shiba, consists of Jiro, Ichika, Hana and one more rookie named Reiji. However, Reiji refuses to work with a guy who has fused with a demon and almost immediately comes to blows with Jiro! Will this squad ever be able to work together? -- VIZ Media
Inside the illustion generated by Fuyo, Jiro and Rago face off against a giant mononoke named Amagi. In the Edo period, Amagi attempted to recruit allies to fight back against the newly formed Oniwabanshu, but Rago refused to join him! What secrets lurk in the depths of Rago's lost memories? -- VIZ Media
It's five all-new, old-school adventures featuring your favorite web-headed hero and his pal, the walking matchstick! Follow them through the years - from high school to present day, from the Negative Zone to the Coffee Bean, from Dorrie Evans to Mary Jane Watson-Parker. It's all here! Collects Spider-Man/Human Torch #1-5.
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
Morihito Otogi’s family is descended from a long line of ogre familiars, and he has the inhuman strength to prove it. One day, his father comes to him with the life-changing news that he is to become the familiar of his childhood friend, the teenage witch Nico. He is to live under the same roof with her and protect her from anything and anyone that may attempt to harm her. Meanwhile, Nico is excited to get to live with the love of her life, even if her crush is one-sided—Morihito is so serious about his duties to protect her that any romance is going to be an uphill battle. But he has every reason to be serious, as Nico has a prophecy of doom hanging over her head! -- VIZ Media
In a world torn apart by an apocalypse, two lonely little girls chance upon a strange video. To their surprise and joy, a girl with long black hair named Sadako climbs out of the TV...But little do they know that Sadako is a vengeful ghost who will kill them in a week! In order to help their new friend, these two sweet, innocent girls begin a journey to the end of the world to look for more victims friends. Can their bond with Sadako help her find peace and finally break the curse? Or will this tale have a tragic ending...?
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.
In this collector's volume, the Autobots and their young friend Kenji must stand tall against the Decepticons in an interplanetary conflict! These classic stories are from the dawn of the Transformers, and this volume contains thrilling tales such as "The Great Transformer War" and "Fight! Super Robot Life-Form Transformers!"—plus an extensive art gallery! -- VIZ Media