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Black Theology as Mass Movemen t is a call to current and future theologians to stretch the boundaries of Black Liberation Theology from what has become primarily an academic subfield into a full fledge liberation movement beyond the walls of the academy.
Black Theology as Mass Movemen t is a call to current and future theologians to stretch the boundaries of Black Liberation Theology from what has become primarily an academic subfield into a full fledge liberation movement beyond the walls of the academy.
This book critiques the colonial foundations of capitalism and supplants them with intellectual resources from the Black Panther Party. By highlighting The Panthers' praxis, Joshua S. Bartholomew asserts the need for anti-colonial economic models of social justice that can build upon visions of collective liberation and racial equality.
This work is concerned with the way Black Christian formation, because of the acceptance of universal, absolute, and exclusive Christian doctrines, seems to justify and even encourage anti-African sentiment.
When Cone wrote Black Theology and Black Power, he signaled to the world that the American black faith tradition would no longer recognize the confines of the church walls as the extent of its purview in society. Cone liberated the Gospel of Christ from its institutionalized forms, unhinging it from oppressive and racist power structures in American society and releasing it to do its work in the public sphere. Black Faith and Public Talk continues Cone's theme of power in the public realm and examines the economic, political, cultural, gender, and theological implications of black faith and black theology.
An accessible introduction to Black Theology, helping readers understand the inherited legacy of 'race', ethnicity, difference and racism, as well as the diversity and vibrancy of this movement.
An accessible introduction to Black Theology, helping readers understand the inherited legacy of ‘race’, ethnicity, difference and racism, as well as the diversity and vibrancy of this movement.
It is rarely the case that an intellectual movement can point to an individual figure as its founder. Yet James Cone has been heralded as the acknowledged genius and the creator of black theology. In nearly 50 years of published work, James Cone redefined the intent of academic theology and defined a whole new movement in intellectual thought. In Introducing James H. Cone Anthony Reddie offers us an accessible and engaging assessment of Cone’s legacy, from his first book Black Theology and Black Power in 1969 through to his final intellectual autobiography I Said I wasn’t Gonna Tell Nobody in 2018. It is an indispensable field guide to perhaps the greatest black theologian of recent times.
This essential introduction to contemporary constructive theology charts the most important disciplinary trends of the moment. It gives a historical overview of the field and discusses key hermeneutical and methodological concerns. The contributors apply a constructive perspective to a wide range of approaches, ranging from biblical hermeneutics and postcolonial studies to comparative, political, and black theology. What is Constructive Theology? shows how diverse and interdisciplinary constructive theology can be by exploring key themes in the field. The contributors explore the porous boundaries between Christianity and other religions, reflect on contextual, liberation and constructive theologies from Africa and from Black British perspectives, explore the connection between embodiment, epistemology and hermeneutics, and take a constructive approach to the dangerous memories and theologies of colonial histories in Belgium and Native Americans in the United States. This sampler of the field will help you rethink theologies and find constructive alternatives.
Can the gospel message of the Atonement have a liberative message for black Christians? Is there, indeed, "power in the blood of Jesus"? This study of the meaning of the cross in the African American religious experience is both comprehensive and powerful: comprehensive because it explores the meaning of the cross -- symbol of suffering and sacrifice -- from the early beginnings of Christianity through modern times, and powerful because it is written by a black woman who has experienced abuse and the oppression of field-work.