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Welcome to Black Sheep: Unique Tales of Terror and Wonder, an extraordinary anthology magazine that transcends the boundaries of science-fiction, fantasy, and horror. Prepare to embark on a thrilling journey through the darkest corners of the human imagination, where the ordinary becomes extraordinary, and the mundane transforms into a realm of unspeakable terror and awe-inspiring wonder. Within these pages, you'll discover a collection of captivating stories carefully curated to transport you to realms beyond the mundane. Each issue presents an array of unique tales crafted by talented visionaries, both established and emerging, who dare to defy conventions and push the boundaries of speculative fiction. Whether you're a seasoned lover of the fantastic or just curious to explore new frontiers, Black Sheep: Unique Tales of Terror and Wonder will be your guide through the realms of the extraordinary. Prepare to be enthralled, enchanted, haunted. So put on your dark sunglasses … and unleash your inner Black Sheep. In this issue: CLEAN-UP IN AISLE FOUR-MILLION LIGHT YEARS FROM EARTH DC Merryweather THE DONKEY TREE Robert Pettus MONEY PROBLEMS: A LEVEL HEAD STORY Nicholas Woods RETURN TO THE PLANET OF THE JEWS Philip Graubart DEATH GRADER Wayne Kyle Spitzer ROT M.D. Baker TARRAGON J.E.M. Miller THE NUMBERS Robert Delilah THE SURVIVALIST MANIFESTO Shahbaz Khayambashi UNDER A STRANGE SKY Paul Stansbury
A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE "A modern masterpiece." —The New York Times Book Review "Supple, sparkling and original." —The Wall Street Journal "Mesmerizing." —TODAY.com "This book could change the world." —BookPage "Like nothing else you've read or ever will read." —Linda Sue Park "It hooks you right from the opening line." —NPR SEVEN STARRED REVIEWS ★ "A modern epic." —Kirkus Reviews, starred review ★ "A rare treasure of a book." —Publishers Weekly, starred review ★ "A story that soars." —The Bulletin, starred review ★ "At once beautiful and painful." —School Library Journal, starred review ★ "Raises the literary bar in children's lit." —Booklist, starred review ★ "Poignant and powerful." —Foreword Reviews, starred review ★ "One of the most extraordinary books of the year." —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.
Double, double toil and trouble... Shakespeare began the tense apprehension with his melodic yet warning phrase. Ray Bradbury continued the dark and ominous foreboding that oozes between the words. Now, it has come to the North American Old West, a world with its severe terrain and hardened residents. The rules were harsher out here, the ethics and morals changed, the fight for life and liberty quite different than anything these pioneers, these outlaws, these six-shooters and rebel rousers, these unquestionably brave men and women had bargained for. For them, something wicked certainly rode. Like a hell-broth boil and bubble... In this anthology, we explore the Old West with a skewed view, showcasing the weird western genre through stories that explore the peculiar and the fantastic, the wicked that was and could have been. You'll experience spiritual nightmares, mythical monsters, cosmic outlaws, discerning gods, and science run amok. Even the North Pole Security division isn't immune to the supernatural strangeness that stalks the late 1800s. In the tradition of the pulp and western stories of a bygone era, these are thirty tales to intrigue, amaze, and perhaps down right spook you right out of your boots. So brew up some coffee, head out to the rocking chair on the porch, and tilt your hat to shade your eyes so you can read real close. Just be sure you keep one eye on the horizon and one hand near your holster. For... With dark intentions and creatures astride, Something wicked this way rides. Enjoy stories from these talented authors Gustavo Bondoni - Marilyn "Mattie" Brahen - Kenneth Bykerk - Dwain Campbell - Gregg Chamberlain - Vonnie Winslow Crist - Stuart Croskell - Lawrence Dagstine - J.B. Dane - Kevin M. Folliard - John A. Frochio - Steve Gladwin - L.L. Hill - Adrian Ludens - Stefan Markos - Jonathon Mast - Jason J. McCuiston - Gregory L. Norris - Q Parker - Peter Prellwitz - John B. Rosenman - Alistair Rey - Darrell Schweitzer - Bradley H. Sinor - Matias Travieso-Diaz - Charles Wilkinson - Martin Zeigler
Alice in Wonderland (also known as Alice's Adventures in Wonderland), from 1865, is the peculiar and imaginative tale of a girl who falls down a rabbit-hole into a bizarre world of eccentric and unusual creatures. Lewis Carroll's prominent example of the genre of "literary nonsense" has endured in popularity with its clever way of playing with logic and a narrative structure that has influence generations of fiction writing.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
An international bestseller! From the New York Times bestselling author of Sorcery of Thorns and An Enchantment of Ravens comes a thrilling, “dark coming-of-age adventure” (Culturess) about a teen girl with mythic abilities who must defend her world against restless spirits of the dead. The spirits of the dead do not rest. Artemisia is training to be a Gray Sister, a nun who cleanses the bodies of the deceased so that their souls can pass on; otherwise, they will rise as ravenous, hungry spirits. She would rather deal with the dead than the living, who whisper about her scarred hands and troubled past. When her convent is attacked by possessed soldiers, Artemisia defends it by awakening an ancient spirit bound to a saint’s relic. It is a revenant, a malevolent being whose extraordinary power almost consumes her—but death has come, and only a vespertine, a priestess trained to wield a high relic, has any chance of stopping it. With all knowledge of vespertines lost to time, Artemisia turns to the last remaining expert for help: the revenant itself. As she unravels a sinister mystery of saints, secrets, and dark magic, Artemisia discovers that facing this hidden evil might require her to betray everything she believes—if the revenant doesn’t betray her first.
“The woman who emerges from these pages is as riveting as her books” (The Wall Street Journal) in this compelling celebration of the famously private V.C. Andrews—featuring family photos, personal letters, a partial manuscript for an unpublished novel, and more. Best known for her internationally, multi-million-copy bestselling novel Flowers in the Attic, Cleo Virginia Andrews lived a fascinating life. Born to modest means, she came of age in the American South during the Great Depression and faced a series of increasingly challenging health issues. Yet, once she rose to international literary fame, she prided herself on her intense privacy. Now, The Woman Beyond the Attic aims to connect her personal life with the public novels for which she was famous. Based on Virginia’s own letters, and interviews with her dearest family members, her long-term ghostwriter Andrew Neiderman tells Virginia’s full story for the first time. Perfect for anyone hoping to learn more about the enigmatic woman behind one of the most important novels of the 20th century, The Woman Beyond the Attic will have you “transfixed” (Publishers Weekly) from the first page.
This devastating book illuminates America's gun culture -- its manufacturers, dealers, buffs, and propagandists -- but also offers concrete solutions to our national epidemic of death by firearm. "Touches on all aspects of the gun issue in this country. Gives great voice to that feeling...that something real must be done." --San Diego Union-Tribune "One of the most readable anti-gun treatises in years." --Washington Post Book World It begins with an account of a crime that is by now almost commonplace: on December 16, 1988, sixteen-year-old Nicholas Elliot walked into his Virginia high school with a Cobray M-11/9 and several hundred rounds of ammunition tucked in his backpack. By day's end, he had killed one teacher and severely wounded another. In Lethal Passage Erik Larson shows us how a disturbed teenager was able to buy a weapon advertised as "the gun that made the eighties roar." The result is a book that can -- and should -- save lives, and that has already become an essential text in the gun-control debate.
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut. In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.