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Winner of the 2017 PEN Center USA Award for Fiction Meet Boo, a wild-hearted boy from the bayou land of Louisiana. Misfit, outcast, loner. Call him anything but a victim. Sissy, fairy, Jenny Woman. Son of a mixed-race Holy Ghost mother and a Cajun French phantom father. In a series of tough and tender stories, he encounters gender outlaws, drag queen renegades, and a rogues gallery of sex-starved priests, perverted teachers, and murderous bar owners. To escape his haunted history, Boo must shed his old skin and make a new self. As he does, his story rises from dark and murk, from moss and mud, to reach a new light and a new brand of fairy tale. Cajun legends, queer fantasies, and universal myths converge into a powerful work of counter-realism.Black Sheep Boy is a song of passion and a novel of defiance.
Here, in his own words, is the true story of America's wildest flying hero, of his extraordinary heroism, and of his greatest battle of all—the fight to survive. The World War II air war in the Pacific needed tough men like Colonel Pappy Boyington and his Black Sheep Squadron. The legendary Marine Corps officer and his bunch of misfits, outcasts, and daredevils gave new definition to “hell-raising”—on the ground and in the skies. Pappy himself was a living legend—he personally shot down twenty-eight Japanese planes, and won the Congressional Medal of Honor and the Navy Cross. He broke every rule in the book doing so, but when he fell into the hands of the vengeful Japanese his real ordeal began.
If We Were Electric’s twelve stories celebrate New Orleans in all of its beautiful peculiarities: macabre and magical, muddy and exquisite, sensual and spiritual. The stunning debut collection finds its characters in moments of desire and despair, often stuck on the verge of a great metamorphosis, but burdened by some unreasonable love. These are stories about missed opportunities, about people on the outside who don’t fit in, about the consequences of not mustering enough courage to overcome the binds. In “Feux Follet,” an old man’s grief attracts supernatural lights in the dark Louisiana swamps. An exploding transformer’s raw, unnerving energy in the title story matches the strange, ferocious temper of an unlucky hustler. “Blackout” sets the profound numbness of a young man physically abused by his mentally unstable partner beside the meaningful beauty of an unexpected moment of joy with someone else. The teenage narrator in “Before Las Blancas” is so overwhelmed by his sexuality that he abandons everything and everyone he’s known to live in a happy illusion . . . in Mexico. And “Where It Takes Us” is a poignant, understated snapshot of a gay man who accompanies his straight, HIV-positive brother to the race track to bond again.
With their renowned squadron leader Greg “Pappy” Boyington, Marine Fighting Squadron (VMF) 214 was one of the best-known and most colorful combat units of World War II. The popular television series Baa Baa Black Sheep added to their legend—while obscuring the truly remarkable combat record of the Black Sheep and Boyington. A retired naval flight officer and former historian for the Naval Aviation Museum Foundation, Bruce Gamble provides a highly readable account that serves to both correct and extend the record of this premier fighting force.
Dwayne, 16, meets high-flying, uni-bound Misha, and sparks fly. To Misha it feels like true love, but her mum is adamant that Dwayne is bad news and forbids her to see him. When Misha decides to follow her heart, the web of secrets and lies begins to tighten…. For Dwayne is not quite who he says he is. And as he struggles to turn his life around while hiding his darker side from Misha, his ties with Trigger, Jukkie and the rest of his boys draw him deeper and deeper into gang violence, more serious and bloody than any he has ever seen. One night, Dwayne’s two lives collide, with devastating consequences.
With their renowned squadron leader Greg “Pappy” Boyington, Marine Fighting Squadron (VMF) 214 was one of the best-known and most colorful combat units of World War II. The popular television series Baa Baa Black Sheep added to their legend—while obscuring the truly remarkable combat record of the Black Sheep and Boyington. A retired naval flight officer and former historian for the Naval Aviation Museum Foundation, Bruce Gamble provides a highly readable account that serves to both correct and extend the record of this premier fighting force.
A captivating memoir of a biracial boy growing up in Washington, D.C., abandoned by his birth parents, and lovingly raised by a woman with deep emotional scars from her upbringing in the segregated South. The unforgettable memoir Black Sheep opens with a middle-aged Ray Studevent returning to Washington, D.C., to his “momma,” Lemell Studevent. She didn’t give birth to him, but she is the woman who raised him. She is the woman who stood by him through thick and thin. She is the woman who saved his life. But now in her late 80s, Lemell is lost to her Alzheimer’s disease. On most days, she has no idea who she is, no recollection of the remarkable life she has lived. Every once in a while, she remembers small fragments of people, places, and things but she doesn’t know how all of these pieces fit together. At night, she is often haunted by nightmares of growing up in the segregated South, of evil men with blue eyes peering through slits in their hooded robes. Frightened by Ray, this stranger, this white man with his piercing blue eyes, she threatens to shoot him. Trying not to get swept up in his own buried, decades-old feelings of abandonment, Ray knows he must work to regain her trust as he thinks back to how far they both have come. Ray Studevent grew up between two worlds. Born to a white, heroin-addicted mother and a black, violent, alcoholic father, the odds were stacked against him from day one. When his parents abandoned him at the age of five, after living in a world no child should experience, he was saved from the foster-care system by his father’s uncle Calvin, who offered him stability and a loving home. When Calvin tragically died two years later, it was up to his widow Lemell to raise Ray. But this was no easy task. Lemell grew up in the brutality of segregated Mississippi, emotionally scarred and justifiably resenting white people. Now, she must confront these demons as she raises a mixed-race child—white on the outside, black on the inside—on the eastern side of the Anacostia River, the blackest part of the blackest city in America. This is a time of heightened racial tension, not long after the assassination of Dr. Martin Luther King Jr. and the D.C. race riots. There are guidelines if you are black, different rules if you are white, but only mixed messages for mixed-race children who must fight for acceptance as they struggle to find their identity. As Dr. My Haley, the widow of Roots author Alex Haley, wrote in the Foreword for Black Sheep, “Ray’s pathway to manhood came not through the people who taught him what to do, but through the woman who taught him how to be, even as she learned for herself how to be.” At a time when we are all reexamining the complex issues of race, identity, disenfranchisement, and belonging, this compelling true story shows us what is possible when we trust our hearts and follow the path of love.
We at Penguin Putnam mourn the death of Pauline Kael, a singularly unique voice in American letters. She will be sorely missed.In her decades-long career, Pauline Kael established herself as the most renowned and respected movie reviewer in the field. The breadth of her knowledge of film history and technique, her insight into the arts of acting and directing, and her unfailing wit and candor endeared her to movie lovers everywhere.For Keeps offers the best of Kael's reviews and other writings on movies from the collections that have marked her matchless career, starting with I Lost it at the Movies (1965), through Kiss Kiss Bang Bang, Deeper into Movies (a National Book Award winner), The Citizen Kane Book ("Raising Kane", the full text on the making of the movie, is included here), and all the others in a glorious run concluding with Movie Love in 1991. Once Kael retired from regular reviewing, her reputation only increased, and for the inimitable real thing, readers must turn to this volume to sample her perspicacity, fluency, and style. More than 275 reviews are arranged chronologically -in effect, a history of 30 years of movies. This ultimate compendium from America's most eloquent, passionate, and provocative critic is a boon to serious moviegoers and an indispensible companion to film in the age of technological and pop culture overload.
From New York Times bestselling author Meghan March comes a story of untold truths and one man’s redemption in the Dirty Mafia Duet. Every family has a black sheep. In the infamous Casso crime family, that black sheep is me—Cannon Freeman. Except I’m not a free man. I’ve never been free. Not since the day I was born. I owe my loyalty to my father, Dominic Casso, even if he won’t publicly acknowledge me as his blood. I’ve never had a reason to go against his wishes… until I met her. Drew Carson turned my world upside when she walked into my club looking for a job. Now, my honor and my life are on the line. Going against my father’s wishes might buy me a bullet straight from his gun, but black sheep or not, it’s time to make my stand. She's worth the fallout.