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In London, metal sculptor Samantha Jones investigates the death of a bank guard in a case of drugs, blackmail and murder. The probe takes her into high society, which she analyzes with an ethnologist's eye
What does it take to squeeze into a second skin you think you want? And when you find you can’t breathe, who’s going to help you peel it off? In a celebrity-obsessed culture, when media images of women ( and women themselves ) appear to be driven by unreasonable expectations and demands, how does a 29-year-old woman fill that perfect little black dress? These questions are posed and answered in Roxane Ward’s debut novel, Fits Like a Rubber Dress, a hybrid of satire, social commentary, and tragedy. It’s the story of Indigo Blackwell, a woman who tries to reinvent herself as someone glamorous, and ends up travelling innocently through the underground world of drugs, fetish parties, and sadomasochistic sex. Indigo is married to Sam, a self-absorbed wannabe novelist. She’s bored by her career in public relations. The lives her friends lead are profoundly more interesting than her own limited existence. She realizes, the afternoon of her promotion, that the time has come for change: something bigger than a haircut, less extreme than a divorce. No sooner has she made the leap from financial security to the exhilarating uncertainty of film school, than she walks in the back door of her house, video camera in hand, to find another man’s head between her husband’s naked thighs. The camera keeps rolling as Indigo’s marriage dissolves. Alone for the first time, Indigo finds herself propelled into the kind of intense, urban life she’s always wanted. She begins an affair with Jon, a toxic young artist who treats his own life and the people in it as he would a sculpture, as things to manipulate. Fast approaching thirty, Indigo discovers that her new life doesn’t have to fit so tightly after all.
Brilliant Times for Skintight Outfits Whether vinyl, PVC, or patent, rubber, spandex or latex, shiny skintight clothing has mostly been seen as slutty, whorish and vulgar. But since international stars have been sporting extravagant latex attire, skintight and shiny is now worn on the street, at the club and even in audience with royalty. Musicians are on the cutting edge of this trend. Recent out of the closet latex fans include Katy Perry and Beyonce: one dancing on stage in a candy colored pleather mini dress, the other on TV in a revealing American flag inspired latex outfit. In her latest video Christina Aguilera sprawls in a dark rubber and leather costume, and in fat-positive defiance of the current ideal of beauty, Karl Lagerfeld's sex-cracker muse Beth Ditto, squeezes herself into a shocking pink latex cat suit. But music's most recognizable ambassador of the slick and tight is surely Lady Gaga. For her audience with the Queen of England, she audaciously decided to wear an opulent red latex dress by designer Atsuko Kudo. We can happily bid adieu to the days of baggy shirts and cotton leggings. Even Burlesque's nostalgia for the square days of old is giving way to this new love of extravagance and experimentation. What only turned on goths, new wave fans and fetishists is now consumed and adapted by the mainstream for itself. Even Vogue magazine takes up the cudgel for these formerly freakish and ghettoized materials. In an online article, they write: "Be naughty and you sit in the spotlight. Times change. Trends change. The fetish-look is no longer relegated to the silent room, but with raised head (it is) carrying a lot of style and a charming wink. The fun of fashion with previously taboo material such as latex paint and leather outfits is standing in the foreground." For Latex Fashion Photography GOLIATH PUBLISHING brought together the best and most interesting latex fashion labels from across the world, drawing from the trendy, the fashionable and the erotic. On 384 pages more than 60 photographers portray the unique creations and clothes of designers such as Atsuko Kudo (designer to Lady Gaga, Eva Mendes, Kate Moss and more), and Berlin label Tres Bonjour (designer to Katy Perry). Over 30 of the most famous fetish models, among them Ulorin Vex, Eden, Bianca Beauchamp and Mosh, present themselves as latex punks, rock n roll riot girls, modern pinups, and space girls and femmes fatales. !! Continues below at Section Contributors !!!!
London. Wham! Pop, glitz and glamour. And two girls with stars in their eyes. Our friendship began one windy day in 1982, outside Finsbury Park tube. It was an instant like at first sight. We were on our way to a Wham! rehearsal. Pepsi was the new girl in the band and over a car stereo, a cassette tape and that journey to Bushey we bonded. We had no idea that we were on the first of many journeys together and that soon we'd be travelling all over Europe, Australia, America, China and Japan. Or that no matter where we went, together, we'd find a way to make every exotic destination feel like home. We'd both been teenagers during the seventies – a dreary and difficult decade, especially if you were young in London and you didn't have much money. So, in 1982, anything was possible for us – a pair of twentysomethings who hadn't been to university, who didn't have any money, who dreamt of singing and dancing, but ultimately lived for fun. Everything felt new and life was a question mark. We had no idea what was lying ahead, but we wanted to say yes. What we didn't know was that we were saying yes to a lifetime of connection that has endured whatever we've done, wherever we've been. From the side of the stage to its centre – we have many stories to tell. And it's all here, it's all in black and white.
Pioneering and interdisciplinary in nature, this bibliography constitutes a comprehensive list of regional fiction for every county of Ireland, Scotland, Wales and England over the past two centuries. In addition, other regions of a usually topographical or urban nature have been used, such as Birmingham and the Black Country; London; The Fens; the Brecklands; the Highlands; the Hebrides; or the Welsh border. Each entry lists the author, title, and date of first publication. The geographical coverage is encompassing and complete, from the Channel Islands to the Shetlands. An original introduction discusses such matters as definition, bibliographical method, popular readerships, trends in output, and the scholarly literature on regional fiction.
“Different is a brave thing to be,” a mother tells her five-year-old daughter. During the 1960s and 1970s, when things for gays and lesbians were starting to change in larger cities, in the Midwest, different was not a safe thing to be. A memorable cast of characters, a sympathetic, believable, tight-knit community of friends and rivals fill out the interconnected stories with butches, femmes, go-go dancers, and drag queens who try to find their way in an unaccepting culture by becoming a family of choice. Anyone who has ever been on the outside looking in will feel at home on “the levee.”
Reprint of the original, first published in 1869.
A novel of a father and son relationship in the West.