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A bewitching memoir about the lures, torments, and rewards of making and performing music in the indie rock world Dean Wareham's seminal bands Galaxie 500 and Luna have long been adored by a devoted cult following and extolled by rock critics. Now he brings us the blunt, heartbreaking, and wickedly charismatic account of his personal journey through the music world-the artistry and the hustle, the effortless success and the high living, as well as the bitter pills and self-inflicted wounds. It captures, unsparingly, what has happened to the entire ecosystem of popular music over a time of radical change, when categories such as "indie" and "alternative" meant nothing to those creating the music, but everything to the major labels willing to pay for it. Black Postcards is a must-have for Wareham's many fans, anyone who has ever been in a band, or the listeners who have taken an interest in the indie rock scene over the last twenty years.
Poetry. About McGriff's BLACK POSTCARDS, poet John Witte writes "these poems transpire in moonlight, bending but not breaking. Rarely has a writer so thoroughly described the abrasion of his spirit. Childhood, the homeplace, even the lover's body are drawn relentlessly into a maelstrom of injury and loss. And yet the poet is paradoxically astonished by the beauty and grandeur of this damaging life. Verging on dream, McGriff's poems in BLACK POSTCARDS achieve an authentic rural American Surrealism."
A collection of 100 postcards, each featuring a different and iconic Penguin book jacket. From classics to crime, here are over seventy years of quintessentially British design in one box. In 1935 Allen Lane stood on a platform at Exeter railway station, looking for a good book for the journey to London. His disappointment at the poor range of paperbacks on offer led him to found Penguin Books. The quality paperback had arrived. Declaring that 'good design is no more expensive than bad', Lane was adamant that his Penguin paperbacks should cost no more than a packet of cigarettes, but that they should always look distinctive. Ever since then, from their original - now world-famous - look featuring three bold horizontal stripes, through many different stylish, inventive and iconic cover designs, Penguin's paperback jackets have been a constantly evolving part of Britain's culture. And whether they're for classics, crime, reference or prize-winning novels, they still follow Allen Lane's original design mantra. Sometimes, you definitely should judge a book by its cover.
A unique insight into the friendship between the members of the Beatles through postcards sent to Ringo from John, Paul and George. Sensationally presented, this book features 53 postcards sent by John Lennon, George Harrison and Paul McCartney to Ringo Starr. The superb facsimile reproductions of the cards, complete with the occasional drawing, depict both the spontaneous wit and art of the Beatles. The reproduction of the postcards is supplemented by revealing text from Ringo explaining the meaning behind the cards and documenting the corresponding moments in his life. This visually stunning and intriguing book is, quite simply, a must-have for anyone interested in the story of the Beatles phenomenon.
Intended for collectors of African-American cards and ephemera, this guide provides a brief, uninsightful history of the occasionally positive but more often profoundly insulting depictions of African-Americans on US postcards. A discussion of card condition, valuation and other collecting issues follows, with the bulk of the book listing cards by type, publisher, card number, card title, and date. Numerous bandw photographs. Published by Colonial House, PO Box 609, Enka, NC 28728. Annotation copyright by Book News, Inc., Portland, OR
Author Cuyler Black provides a refreshing selection of cartoons that provide a biblically-inspired take on the lighter side of faith. From Adam and Eve in the garden through Old and New Testament Bible stories, each cartoon stands alone as a clever laugh to anyone who needs an inspirational chuckle. Each of the four titles in the series includes 30 postcards that can be torn out and mailed.
In this wickedly honest and unsparing account of a journey through the music world, "Black Postcards" captures what has happened, for good and ill, to the entire ecosystem of popular music from someone who's been there.
In the early 20th century, postcards were one of the most important and popular expressions of holiday sentiment in American culture. Millions of such postcards circulated among networks of community and kin as part of a larger American postcard craze. However, their uses and meanings were far from universal. This book argues that holiday postcards circulated primarily among rural and small town, Northern, white women with Anglo-Saxon and Germanic heritages. Through analysis of a broad range of sources, Daniel Gifford recreates the history of postcards to account for these specific audiences, and reconsiders the postcard phenomenon as an image-based conversation among exclusive groups of Americans. A variety of narratives are thus revealed: the debates generated by the Country Life Movement; the empowering manifestations of the New Woman; the civic privileges of whiteness; and the role of emerging technologies. From Santa Claus to Easter bunnies, flag-waving turkeys to gun-toting cupids, holiday postcards at first seem to be amusing expressions of a halcyon past. Yet with knowledge of audience and historical conflicts, this book demonstrates how the postcard images reveal deep divides at the height of the Progressive Era.