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Black Masculinity in the Obama Era provides an in-depth examination of the current state of black males and identifies the impact of living in the Obama era. In the era of the first black president, Barack H. Obama, this book gauges the status of black masculinity and provokes discourse to discover whether his election and presence has had an influential impact on black male achievement. A purposeful sample of black males was asked, what does it mean to be a black male in the 21st century? Throughout the interviews with black males, we learn that the 'Obama Effect' has not had the intended impact on black male achievement and black males continue to be plagued by structural and cultural forces that have historically burdened their plight and level of achievement.
Black Masculinity in the Obama Era provides an in-depth examination of the current state of black males and identifies the impact of living in the Obama era. In the era of the first black president, Barack H. Obama, this book gauges the status of black masculinity and provokes discourse to discover whether his election and presence has had an influential impact on black male achievement. A purposeful sample of black males was asked, what does it mean to be a black male in the 21st century? Throughout the interviews with black males, we learn that the 'Obama Effect' has not had the intended impact on black male achievement and black males continue to be plagued by structural and cultural forces that have historically burdened their plight and level of achievement.
Considers the impact of neo-racism during the Obama presidency. Neo-race Realities in the Obama Era expands the discourse about Barack Obama’s two terms as president by reflecting upon the impact of neo-racism during his tenure. Continually in conversation with Étienne Balibar’s conceptualization of neo-racism as being racism without race, the contributors examine how identities become the target of neo-racist discriminatory practices and policies in the United States. Individual chapters explore how President Obama’s multiple and intersecting identities beyond the racial binaries of Black and White were perceived, as well as how his presence impacted certain marginalized groups in our society as a result of his administration’s policies. Evidencing the hegemonic complexity of neo-racism in the United States, the contributors illustrate how the mythic post-race society that many wished for on election night in 2008 was deferred, in order to return to the uncomfortable comfort zone of the way America used to be. “Well organized and compelling, this book covers everything from perspectives on the AIDS epidemic to racial authenticity, yet the reader never forgets that he/she is on a journey through the Age of Obama and its many contested nuances.” — Ricky L. Jones, author of What’s Wrong with Obamamania? Black America, Black Leadership, and the Death of Political Imagination
This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
Written in the tradition of works by Joan Didion, bell hooks, Toni Morrison, and Eve Ensler, this “profoundly insightful and brilliantly inciting” (Dominique Morisseau, Obie Award-winning playwright) exploration of the soul of the United States—the past, the present, and the future Kevin Powell wants for us all, through the lens and lives of three major figures: his mother, Barack Obama, and Donald Trump. Ten short years ago, Barack Obama became president of the United States, and changed the course of history. Ten short years ago, our America was hailed globally as a breathtaking example of democracy, as a rainbow coalition of everyday people marching to the same drum beat. We had finally overcome. But had we? Both the presidencies of Obama and Donald Trump have produced some of the ugliest divides in history: horrific racial murders, non-stop mass shootings, the explosion of attacks on immigrants and on the LGBTQ community, the rise of anti-Semitism and Islamophobia, a massive gap between the haves and the have-nots, and legions of women stepping forth to challenge sexual violence—and men—in all forms. In this collection of thirteen powerful essays, “Kevin Powell thoughtfully weaves together the connective tissue between gender, race, sexuality, pop culture, and sports through a series of raw, incredibly personal essays” (Jemele Hill, writer and ESPN anchor). Be it politics, sports, pop culture, hip-hop music, mental health, racism, #MeToo, or his very complicated relationship with his mother, these impassioned essays are not merely a mirror of who we are, but also who and what Powell thinks we ought to be.
Neo-race Realities in the Obama Era expands the discourse about Barack Obama's two terms as president by reflecting upon the impact of neo-racism during his tenure. Continually in conversation with Étienne Balibar's conceptualization of neo-racism as being racism without race, the contributors examine how identities become the target of neo-racist discriminatory practices and policies in the United States. Individual chapters explore how President Obama's multiple and intersecting identities beyond the racial binaries of Black and White were perceived, as well as how his presence impacted certain marginalized groups in our society as a result of his administration's policies. Evidencing the hegemonic complexity of neo-racism in the United States, the contributors illustrate how the mythic post-race society that many wished for on election night in 2008 was deferred, in order to return to the uncomfortable comfort zone of the way America used to be.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
Timely, multidisciplinary analysis of Obama’s presidential campaign, its context, and its impact.
Dating back to the blackface minstrel performances of Bert Williams and the trickster figure of Uncle Julius in Charles Chesnutt’s Conjure Tales, black humorists have negotiated American racial ideologies as they reclaimed the ability to represent themselves in the changing landscape of the early 20th century. Marginalized communities routinely use humor, specifically satire, to subvert the political, social, and cultural realities of race and racism in America. Through contemporary examples in popular culture and politics, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, in Played Out: The Race Man in 21st Century Satire author Brandon J. Manning examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. In focusing on vulnerability these satirists attend to America’s most basic assumptions about Black men. Contemporary Black satire is a highly visible and celebrated site of black masculine self-expression. Black satirists leverage this visibility to trouble discourses on race and gender in the Post-Civil Rights era. More specifically, contemporary Black satire uses laughter to decenter Black men from the socio-political tradition of the Race Man.
Addressing the challenges facing adolescent black males, this book analyses and stresses the importance of identity development. It helps educators and parents understand the importance of cultivating a positive black male identity and how this overlooked aspect of childhood development impacts young adults. Solutions for finding a balance between academics and social activities are also provided.