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Learn the ancient rites, spells, and demons of Persia with the ULTIMATE grimoire by the Lord of Darkness, Ahriman. Unlock the secrets of Kunda Alchemy to become a true Magus of the oldest known sorcery and flood your life with ancient power. * Black magician Kurtis Joseph specializes in Adversarial Ascent and the liberation of humanity through the Apocalypse or Revelation of knowledge. Discover your divine potential with Black Magick of Ahriman, available for the FIRST time ever in paperback & Kindle eBook through Become A Living God only. * View a table of contents below: "Black Magick of Ahriman brings forth a fresh perspective on Ahriman and provides a grimoire of powerful sorcery for those who dare to summon and face the Lord of Darkness himself." - Asenath Mason, Foreword, p.10 Foreword by Asenath Mason p.7 Dedication p.11 Introduction p.17 Ch.1 - The Origins of Ignorance p.43 Ch.2 - The Liberation from Enslavement p.69 Ch.3 - The Temple of Blackened Fire p.91 Ch.4 - Foundations of Practice p.159 Ch.5 - The Grimoire of Arezura p.185 Ch.6 - The Venoms of the Black Sun p.233 Ch.7 - Preparing for the Garb of Darkness p.241 Ch.8 - Lamps of Fate p.249 Ch.9 - Rites of Damnation p.261 Ch.10 - Envocation: Don the Garb of Darkness p.275 Ch.11 - The Pathways of Dark Goddess Az-Jahi p.283 Ch.12 - In Closing p.313 Bibliography p.317 Become A Living God p.319
Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.
THE ORDER OF PHOSPHORUS is an initiatory order of practitioners focused on Luciferian and Left Hand Path Magick and ideology. While traditional Cabalists and Magickans view the Qlippoth as an Unclean and perverse inversion of the Tree of Life, suggesting that those who practice Magick avoid it due to the dangers within. The 22 Scales of the Serpent are the Spheres and Tunnels of the Qlippoth which allow the Black Adept or Luciferian the ability to gain power from the depths of knowledge. Qlippothic demons and Archdemons are deep symbols of primal wisdom and possibility.
The world's top black magicians reveal their priceless secrets of magick power in the Anthology of Sorcery compendium, including Volumes 1, 2 and 3. Learn advanced black magick to ignite your ascent with over 43 authors and their favorite rites, demons, and spells that you cannot find anywhere else. Featuring E.A. Koetting, Asenath Mason, Lon Milo DuQuette, S. Connolly, Michael W. Ford, Kurtis Joseph, Andrieh Vitimus, Asbjorn Torvol, S. Ben Qayin, J.S. Garrett, and many more. Anthology of Sorcery: Initiation, Volume 1 Anthology of Sorcery: Revelations, Volume 2 Anthology of Sorcery: Spells, Volume 3
A grimoire honoring Ahriman as the "Prince of the World" and the Daevas as 'Deific Masks' of primal power, DRAUGA has been a work which has been developed and adapted from ancient texts and practical modern interpretation. DRAUGA is beautifully illustrated by Kitti Solymosi and Mitchell Nolte, the sigils and illustrations present a gateway to a rich ancient tradition of Persian demonology and modern Left Hand Path (Luciferian) magical practice invoking the primal force of darkness. The rites of the Yatuk Dinoih include adaptations from ancient Zoroastrian inversions. Drauga is centered on gaining insight, power and control over the powers of darkness, old gods and demons known as the Daevas. Yatuk Dinoih (Laws of Witchcraft) inspire the Yatus to attain pleasure, success and your potential of self-excellence.
This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.
Xerxes, Great King of the Persian Empire from 486–465 B.C., has gone down in history as an angry tyrant full of insane ambition. The stand of Leonidas and the 300 against his army at Thermopylae is a byword for courage, while the failure of Xerxes’ expedition has overshadowed all the other achievements of his twenty-two-year reign. In this lively and comprehensive new biography, Richard Stoneman shows how Xerxes, despite sympathetic treatment by the contemporary Greek writers Aeschylus and Herodotus, had his reputation destroyed by later Greek writers and by the propaganda of Alexander the Great. Stoneman draws on the latest research in Achaemenid studies and archaeology to present the ruler from the Persian perspective. This illuminating volume does not whitewash Xerxes’ failings but sets against them such triumphs as the architectural splendor of Persepolis and a consideration of Xerxes’ religious commitments. What emerges is a nuanced portrait of a man who ruled a vast and multicultural empire which the Greek communities of the West saw as the antithesis of their own values.
Maskim Hul is a complete grimoire of Tiamat-centered magick, pre-luciferian sorcery developed from authentic Mesopotamian clay tablets. Tiamat, Kingu and the 11 Chaos-Monsters created by Tiamat are explored, their functions, manifestations and how they survived and existed in the pantheon of Marduk, Ea and the other gods. The gods, demons and evil spirits of Mesopotamia are presented along with Cuneiform sigils and documentation of their use in sorcery. The extensive Invocations of the Gods, Hymns and the entire foundation of authentic Kassapu-practice of ancient Babylon is offered in a concise manner. The grimoire is founded and dedicated to the Seven Sebitti or Maskim, the "Seven Evil Gods" or rebels along with Lamashtu, Lilith are presented in a plethora of rituals and their names of calling. The Serpent Gods of fertility, Ishtar revealed as a form of Tiamat (from pantheon sources) and the rites of necromancy and the Black Flame (Melammu) is presented.
Early Iranians believed evil had to have a source outside of God, which led to the concept of an entity as powerful and utterly evil as God is potent and good. These two forces, good and evil, which have always vied for superiority, needed helpers in this struggle. According to the Zoroastrians, every entity had to take sides, from the cosmic level to the microcosmic self. One of the results of this battle was that certain humans were thought to side with evil. Who were these allies of that great Evil Spirit? Women were inordinately singled out. Male healers were forbidden to deal with female health disorders because of the fear of the polluting power of feminine blood. Female healers, midwives, and shamans were among those who were accused of collaborating with the Evil Spirit, because they healed women. Men who worked to prepare the dead were also suspected of secret evil. Evil even showed up as animals such as frogs, snakes, and bugs of all sorts, which scuttled to the command of their wicked masters. This first comprehensive study of the concept of evil in early Iran uncovers details of the Iranian struggle against witchcraft, sorcery, and other "evils," beginning with their earliest texts.