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Between 1927 and 1934, the Philadelphia Royal Giants embarked on several goodwill tours across the Pacific-to Japan, Korea, the Philippines and the Hawaiian Territories. As African-Americans, they were relegated to second-class citizenship in the U.S., but abroad they were treated like kings. Unlike the previous tours of major league stars who ridiculed their opponents through embarrassing defeats, the Royal Giants made the games competitive, dignified and enjoyable for opposing players. In Gentle Black Giants: A History of Negro Leaguers in Japan, Kazuo Sayama and Bill Staples, Jr. chronicle the tours of the Royal Giants and demonstrate that without the skill and humanity displayed by the Negro Leaguers, Japanese ballplayers might have become discouraged and lost their love for the game. Instead, the experience of sharing the field with these "gentle, black giants" kept their spirits high and nurtured the seeds for professional baseball to flourish in Japan.
This volume of essays by renowned Civil War historians provides a comprehensive history of the legendary Iron Brigade and its service to the Union. Fighting in the Civil War for the Union Army of the Potomac, Brigadier General Rufus King’s Wisconsin Brigade was the only all-Western Brigade to fight for the Eastern armies of the Union. Known as "The Black Hat Brigade" because the soldiers wore the regular army’s dress black hat instead of the more typical blue cap, they were renowned for their discipline and valor in combat. From Brawner Farm and Second Bull Run to Chancellorsville and Gettysburg, the Western soldiers were giants of the battlefield, earning their reputation as “The Iron Brigade.” And when the war was over, the records showed that it led all federal brigades in percentage of deaths in battle. These essays, by some of the most renowned Civil War historians and experts on the brigade, spotlight significant moments in the history of this celebrated unit. "Editors Alan Nolan and Sharon Eggleston Vipond's insightful essays provide fresh perspectives on the Iron Brigade's exploits, detailing military and political events in the words of actual combatants."—Military Review
Consists of interviews with, and essays about Black jazz musicians ; originally published as articles in Jazz & pop magazine.
The Page Fence Giants, an all-star black baseball club sponsored by a woven-wire fence company in Adrian, Michigan, graced the diamond in the 1890s. Formed through a partnership between black and white boosters, the team's respectable four-year run was an early integration success--before integration was phased out decades ahead of Jackie Robinson's 1947 debut, and the growing Jim Crow sentiment blocked the Page Fence Giant's best talent from the major leagues. This book tells the the story of a long-ignored team at the close of the 19th century, whose Hall of Famer second baseman Sol White was but one of their best players.
The Giants' accomplishments took place against an historical backdrop of a change in the African-American experience. The original players from Jacksonville, Florida, joined the northward black migration during World War I. The team was named after Harry Bacharach--an Atlantic City politician running for mayor--as a way to keep his name before the city's black community. The Giants were immediately successful, and soon played the best semi-professional teams in their region, as well as the top black teams from the East and Midwest. They entered the first Negro league on the East Coast in 1923, and won the league championship twice before the decade ended. This book chronicles the Giants' pivotal role in the development of black baseball in Prohibition Era Atlantic City, and the careers of the men who made it possible.
Celebrate the 20th anniversary of the #1 New York Times bestselling Spiderwick Chronicles and get ready for the series soon to be streaming on Disney+ with this seventh installment in the fantastical adventures featuring updated text. A Giant Problem was previously published under the series title Beyond the Spiderwick Chronicles. After his last tangle with the magical creatures in his stepsister’s field guide, Nick is looking forward to kicking back and beating Laura at video games. But when even more fire-breathing giants begin to wake up, it’s out of the frying pan and into the fire for the two siblings. Can they stop the giants before they destroy all of Florida?
This is a fascinating portrait of Ethiopian writers of fiction of the 20th century and an in-depth analysis of the history of the development of Amharic literature and those who have shaped it. The range of writers covered varies from the aristocrats, educators and pioneers to the latest revolutionary writers. A vivid picture of the personal development and progress of these writers is given, as well as the impact these writers have had on Ethiopian society at large in changing old ideas, contributing towards the modernization of the country and revolutionizing the educational, social and political systems. All in all, this volume presents the portraits and sketches of thirty-two Ethiopian writers, including such notable literary giants as Hiruy Welde-Sillase, Girmacchew Tekle-Hawariyat, Kebede Mikael, Haddis Alemayehu, Abbe Gubennya, Mammo Widdneh, Tsegaye Gebre-Medhin, Mengistu Lemma, Dannyachew Werqu, Birhanu Zerihun, and last but not least Be'alu Girma.
"I am immensely impressed . . . this particular Brigade needed a book of its own and now it has one which is definitely first-rate. . . . A fine book." —Bruce Catton "One of the '100 best books ever written on the Civil War.'" —Civil War Times Illustrated " . . . remains one of the best unit histories of the Union Army during the Civil War." —Southern Historian ". . . The Iron Brigade is the title for anyone desiring complete information on this military unit . . ." —Spring Creek Packet, Chuck Hamsa This is the story of the most famous unit in the Union Army, the only all-Western brigade in the Eastern armies of the Union—made up of troops from Indiana, Wisconsin, and Michigan.
The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement • Examines the letters of Prince Hall, legendary founder of the first black lodge • Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole • Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter. Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian Cécile Révauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from “African Lodges” to “Prince Hall Lodges” in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others. Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, Révauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.