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A beautiful lost classic of nature writing which sits alongside Tarka the Otter, Watership Down, War Horse and The Story of a Red Deer This is the story of Wulfgar, the dark-furred fox of Dartmoor, and of his nemesis, Scoble the trapper, in the seasons leading up to the pitiless winter of 1947. As breathtaking in its descriptions of the natural world as it is perceptive its portrayal of damaged humanity, it is both a portrait of place and a gripping story of survival. Uniquely straddling the worlds of animals and men, Brian Carter's A Black Fox Running is a masterpiece: lyrical, unforgiving and unforgettable.
Locating a persistent black nationalist desire - yearning for home and community - in the shows produced in the 1980s and 1990s, Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the 1960s and 1970s.
Set in 1005 AD, twins Brus and Jan go a-Viking with their father Harald Redbeard and all their household. They plan to settle in England with Danish relatives there. But, their ships are caught in a fierce gale on the North Sea, and they are taken far off course to the western shore of Scotland. Held captive by a cunning Scottish Laird, Jan and Brus must navigate the political intrigue of chieftain, clan, and king without the help of their father, who has been killed and their mother, who is believed lost at sea. They follow adventure after adventure until they earn their freedom and find a home in Scotland at last.
Amid the instability and violence of turn-of-the-century industrialization and urbanization Russians embraced a revolutionary art form to reflect the aspirations and motivations of a new class. In The Magic Mirror Denise Youngblood portrays a newly urbanized entrepreneurial middle class not the revolutionaries or imperialists of historians and the movies they made and paid to see. Upon those screens they saw their lives depicted in all their variety and uncertainty. Youngblood provides a cultural angle into an era most often viewed through a revolutionary lens. Film and the film industry illuminates and reflects the popular attitudes of the time. The Magic Mirror is a study of the ten years of native film production through the Revolutions of 1917, based almost exclusively on Russian language primary sources. Topics examined include the organization and evolution of the industry followed by description and analysis of genres, motifs, and themes as exemplified in 65 of the most important surviving films."
Tom hates having to spend the summer on a farm . . . until he discovers the midnight fox. No one asked Tom how he felt about spending two months on his Aunt Millie’s farm. For a city boy, the farm holds countless terrors—stampeding baby lambs, boy-chasing chickens, and worst of all, loneliness. But everything changes when Tom sees the midnight fox. He can spend hours watching the graceful black fox in the woods. And when her life—and that of her cub—is in danger, Tom knows exactly what he must do. “An exceptional book.”—Booklist A Library of Congress Children’s Book of the Year
A book demonstrating colors in English as well as in Cree, along with the pronunciation.
Tulla breaks the rule his town leader set down, and visits the men in strange boats from the east. They come with a message: magic has returned to the world. Tulla learns magic from the strangers, Allan and Prince George. He also learns that Allan has used magic, as “The Defender” to fight for justice. Tulla decides to do the same, starting with the arrogant and corrupt leader of his town. From then on, Tulla will travel the Mountain Kingdom as “The Black Fox,” trying to better his homeland. This collection contains five novellas, telling the tales of “The Black Fox.” If you’re already a fan of “The Defender” series, you shouldn’t miss this collection of related tales!
'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'
Black and Blue: The Redd Foxx Story tells the remarkable story of Foxx, a veteran comedian and "overnight sensation" at the age of 49 whose early life was defined by adversity and his post- Sanford and Son years by a blur of women, cocaine, endless lawsuits, financial chaos, and a losing battle with the IRS. Foxx's frank, trailblazing style as the "King of the Party Records" opened the door for a generation of African-American comedians including Dick Gregory, Bill Cosby, Richard Pryor, Eddie Murphy, and Chris Rock. Foxx took the country by storm in January 1972 as crotchety, bow-legged Watts junk dealer Fred Sanford in Sanford and Son , one of the most beloved sitcoms in television history. Fred's histrionic "heart attacks" ("It's the big one, Elizabeth! I'm comin' to join ya, honey!") and catchphrases ("You big dummy!") turned Fred Sanford into a cultural icon and Redd Foxx into a millionaire. Sanford and Son took Foxx to the pinnacle of television success but would also prove to be his downfall. Interviews with friends, confidantes, and colleagues provide a unique insight into this generous, brash, vulnerable performer a man who Norman Lear described as "inherently, innately funny in every part of his being."