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In recent years, historians have debated fervently on the reason for the decline of British Labour History as an academic discipline. Most certainly the challenge of Thatcherism to the working classes and trade unions in the 1980s, and the fragmentation of Labour history into gender studies, industrial studies and women’s history, have contributed to its apparent decline. Post-modernists’ challenges to the concept of class, culture and community have done their damage. As a result “Labour history”, in its broad-school sense, has been taught less and less in British universities. Yet it survives and there are grounds for believing that it will revive. This collection of chapters arose from a conference held at the University of Huddersfield in November 2010, held under the auspices of the Society for the Study of Labour History, where nineteen papers were presented. Ten of this disparate array of papers form the basis of this collection. The theme of community and localised struggle form the first section, ranging as it does from the newspapers’ representation of Yorkshire miners to brass bands and the development of separate culture. The second section deals with the more traditional trade unionism and varieties of industrial struggle. The third section focuses upon the political aspects of working-class activity, drawing upon the role of women, and Labour policy on steel nationalisation and defence. The fourth deals with radicalism, ranging from the failure of Chartism, the policy of working-class organisations to emigration, and the failure of the “soft” section of the British left in the 1920s and 1930s. There is no all-embracing concept here for what is a varied collection of chapters. However, what can be said is that British Labour history continues to provide new areas for research. Indeed, its death as an academic discipline has been greatly exaggerated. This collection of book chapters represents the current revival in Labour history which has emerged in a form that brings together community and culture alongside class and political representation to explore the breadth and depth of working-class identity.
Through intertwined threads of autofiction, lyric science writing, and the tale of a newly queer Hawaiian volcano, Sabrina Imbler delivers a coming out story on a geological time scale. This is a small book that tackles large, wholly human questions--what it means to live and date under white supremacy, to never know if one is loved or fetishized, how to navigate fierce desires and tectonic heartbreak through the rise and eventual eruption of a first queer love. "When two galaxies stray too near each other, the attraction between them can be so strong that the galaxies latch on and never let go. Sometimes the pull triggers head-on wrecks between stars--galactic collisions--throwing bodies out of orbit, seamlessly into space. Sometimes the attraction only creates a giant black hole, making something whole into a kind of missing." In vivid, tensile prose, Dyke (geology) subverts the flat, neutral language of scientific journals to explore what it means to understand the Earth as something queer, volatile, and disruptive.
9th edition, 2019. A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics (originally issued in book form in January 2009)
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
A heartfelt memoir from one of Hollywood's greatest icons Dick Van Dyke, indisputably one of the greats of the golden age of television, is admired and beloved by audiences the world over for his beaming smile, his physical dexterity, his impeccable comic timing, his ridiculous stunts, and his unforgettable screen roles. His trailblazing television program, The Dick Van Dyke Show (produced by Carl Reiner, who has written the foreword to this memoir), was one of the most popular sitcoms of the 1960s and introduced another major television star, Mary Tyler Moore. But Dick Van Dyke was also an enormously engaging movie star whose films, including Mary Poppins and Chitty Chitty Bang Bang, have been discovered by a new generation of fans and are as beloved today as they were when they first appeared. A colorful, loving, richly detailed look at the decades of a multilayered life, My Lucky Life In and Out of Show Business, will enthrall every generation of reader, from baby-boomers who recall when Rob Petrie became a household name, to all those still enchanted by Bert’s “Chim Chim Cher-ee.” This is a lively, heartwarming memoir of a performer who still thinks of himself as a “simple song-and-dance man,” but who is, in every sense of the word, a classic entertainer.
Lesbian Magic. The best-selling quartet that brought you Once Upon A Dyke unveils four deliciously different takes on magic in lesbian lives. Reluctant witches, tempting books, and beautiful bells--and belles--delve into the mysteries of love, lust and power. Sex Magic. Be Skyclad with Julia Watts. Do it By the Book with Therese Szymanski. Find enchantment with Barbara Johnson's Lily and lose your reason with Karin Kallmaker's Unbeliever. Woman Magic. Black cats, haunted houses, strange brews and dancing bonfires heat up the pages of this diverting quartet of erotic, imaginative tales. Curl up with a bell, a book and a dyke and let the magic be real.
Throughout its chequered history, snooker has had more than its fair share of heroes and villains, champions and chumps, rascals and rip-off artists. In the last 20 years, every sleazy scandal imaginable has attached itself to this raffish sport: corruption, match fixing, bribery, sex, recreational drugs, performance-enhancing drugs, ballot rigging, fraud, theft, domestic violence, common-or-garden violence, paranoid politicking, dirty tricks - all against a background of inept petty tsars fixated on the pursuit, retention and abuse of power. In Black Farce and Cue Ball Wizards, Clive Everton recounts the glory and despair, the dreams and disillusion, and the treachery and greed that have characterised the game since it was invented as an innocent diversion by British Army officers in India in the nineteenth century. He tells the true and unexpurgated tale of snooker's transformation into a television success story second only to football and exposes how its potential has been shamefully squandered.
With business seemingly everywhere on television, from the risks of the retail and restaurant trade to pitching for investment or competing to become the next 'apprentice', The Television Entrepreneurs draws upon popular business-oriented shows such as The Apprentice and Dragons' Den to explore the relationship between television and business. Based on extensive interviews with key industry and business figures and drawing on new empirical research into audience perceptions of business, this book examines our changing relationship with entrepreneurship and the role played by television in shaping our understanding of the world of business. The book identifies the key structural shifts in both the television industry and the wider economy that account for these changing representations, whilst examining the extent to which television's developing interest in business and entrepreneurial issues is simply a response to wider social and economic change in society. Does a more commercial and competitive television marketplace, for instance, mean that the medium itself, through a particular focus on drama, entertainment and performance, now plays a key role in re-defining how society frames its engagements with business, finance, entrepreneurship, risk and wealth creation? Mapping the narratives of entrepreneurship constructed by television and analysing the context that produces them, The Television Entrepreneurs investigates how the television audience engages with such programmes and the possible impact these may have on public understanding of the nature of business.
From I Love Lucy to Black-ish, sitcoms have often paved the way for social change. Television comedy has long been on the frontline in how America evolves on social issues. There is something about comedy that makes difficult issues more palatable—with humor an effective device for presenting ideas that lead to social change. From I Love Lucy which introduced the first television pregnancy to Will & Grace, which normalized gay characters, the situation comedy has challenged the public to revisit social mores and reshape how we think about the world in which we live. In Sitcommentary: Television Comedies That Changed America, Mark A. Robinson looks at more than three dozen programs that have tackled social issues, from the 1940s to the present. The author examines shows that frequently addressed hot-button topics throughout their runs—such as All in the Family, Maude, and Black-ish—as well as programs with special episodes that grappled with a societal concern like ageism, class, gender, race, or sexual orientation. Among the important sitcoms discussed in this volume are such beloved shows as The Brady Bunch, A Different World, The Facts of Life, The Golden Girls, Good Times, The Jeffersons, The Mary Tyler Moore Show, M*A*S*H, Modern Family, Murphy Brown, One Day at a Time, Roseanne, and Soap. Each has broken down barriers and facilitated discussion, debate, and social evolution in America. Arranged in chronological order, these TV shows have influenced the masses by tackling tough topics or shining a spotlight on taboo subjects. With discussions of some of the most popular shows of all time, Sitcommentary will appeal to fans of these shows as well as anyone interested in the cultural history of America and American television.