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Explore a story of resilience, self-discovery, and the intricate balance between past and present in Black Crow. Tom Joseph, a young Indigenous airline pilot, skillfully lands a damaged aircraft on a remote frozen mountain lake and wakes up in an intensive care facility facing a frightening new reality. His only memories are of his life as Black Crow, living on the plains before European migration adversely impacted his ancestral lands. Facing profound disorientation and struggling to comprehend the modern world, Tom is visited by spiritual figures from his old life who play a crucial role in helping him come to terms with his surreal situation. They communicate in his native language, narrating the story of his new existence and his mission that has yet to be fulfilled. Supported by friends from both past and present, Tom reluctantly faces challenges and risks to complete the mission given to him in his vision quest two centuries ago. To undertake his quest, Tom now faces dangers as real as the gun-carrying soldiers from his previous life. Realizing he can’t return to the yearned-for past, Tom grapples with the necessity of forging ahead in his current life. Embarking on a quest transcending time and culture, he adjusts to his newfound fame, wrestles with his identity, and strives to fulfill his destiny.
Combining unfussy, gently rhyming language with vibrant, airy illustrations, Caldecott Medalist Chris Raschka has created a book that will inspire in young readers the wonder of wondering. A little boy wonders about a crow’s life—from the simple “Where do you go in the cold white snow?” to the not-so-simple “Do you ever worry when you hop and you hurry? Are you ever afraid of mistakes you made? Are you never afraid?” All of life is touched on in simple words and spare, elegant artwork. Little Black Crow is not to be missed.
Christopher is a twelve-year-old boy who has always had a fascination with Native American Indians. His obsession haunts him with visions and dreams of the past. A sudden freak accident takes him on a Vision Quest, An unbelievable journey back in time were he discovers he was once an Indian named Yuma. Christopher as Yuma learns about Native American concept of the Circle, and how all living things are connected. Yuma is also becoming a man, torn between his responsibility as a tribe leader and his passion as a healer. His special gift of visions leads him into an encounter with strangers and forbidden love with a woman named Rose. But when he foresees an attack on his village and images of Rose falling to her death, Yuma must find the courage to save his people And The woman he loves.
Spirituals originated among enslaved Africans in America during the colonial era. They resonate throughout African American history from that time to the civil rights movement, from the cotton fields to the concert stage, and influenced everything from gospel music to blues and rap. They have offered solace in times of suffering, served as clandestine signals on the Underground Railroad, and been a source of celebration and religious inspiration. Spirituals are born from the womb of African American experience, yet they transcend national, disciplinary, and linguistic boundaries as they connect music, theology, literature and poetry, history, society, and education. In doing so, they reach every aspect of human experience. To make sense of the immense impact spirituals have made on music, culture, and society, this bibliography cites writings from a multidisciplinary perspective. This annotated bibliography documents articles, books, and dissertations published since 1902. Of those, 150 are books; 80 are chapters within books; 615 are journal articles, and 150 are dissertations, along with a selection of highly significant items published before 1920. The most recent publications included date from early 2014. Disciplines researched include music, literature and poetry, American history, religion, and African American Studies. Items included in the annotated bibliography are limited to English-language sources that were published in the United States and focus on African American spirituals in the United States, but there are a few select citations that focus on spirituals outside of the United States. Of the one thousand annotations, they are divided, roughly evenly, between: general studies and geographical studies; information about early spirituals; use of spirituals in art music, church music, and popular music; composers who based music on spirituals; performers of spirituals (ensembles and individuals); Bible, theology, and religious education; literature and poetry; pedagogical considerations, including the teaching of spirituals as well as prominent educators; reference works and a list of resources that were unavailable for review but are potentially useful. This book also offers considerable depth on particular topics such as the Fisk Jubilee Singers and William Grant Still with over thirty citations devoted to each. At the same time, materials included are quite diverse, with topics such as spirituals in Zora Neale Hurston’s novels; bible studies based on spirituals; enriching the teaching of geography through spirituals; Marian Anderson’s historic concert at the Lincoln Memorial; spiritual roots of rap; teaching dialect to singers; expressing African American religion in spirituals; Samuel Coleridge-Taylor’s music; slave tradition of singing among the Gullah. The book contains indices by author, subject, and spiritual title. Additionally, an appendix of spirituals by biblical reference, listing both spiritual title to scriptural reference as well as scripture to spiritual title is included. T. L. Collins, Christian educator, compiled the appendix.
The two-time Newbery medalist has crafted “a loving representation of a relationship between parent and child” in post-WWII America (Publishers Weekly, starred review). This is the story of young Liz, her father, and their strained relationship. Dad has been away at WWII for longer than she can remember, and they begin their journey of reconnection through a hunting shirt, cherry pie, tender conversation, and the crow call. This allegorical story shows how, like the birds gathering above, the relationship between the girl and her father is graced with the chance to fly. “The memory of a treasured day spent with a special person will resonate with readers everywhere.” —School Library Journal (starred review) “Beautifully written, the piece reads much like a traditional short story . . . the details of [Ibatoulline’s] renderings gracefully capture a moment in time that was lost. Relevant for families whose parents are returning from war, the text is also ripe for classroom discussion and for advanced readers.” —Kirkus Reviews
Text and photographs detail the lives and art of contemporary Native American artists working in painting, sculpture, pottery, jewelry, and clothing.
NOW OPTIONED BY Sony Pictures TV FOR A LIVE-ACTION SERIES ADAPTATION: produced by Freida Pinto and Gabrielle Union "A perfect time to look at the ethos of black hair in America — and the perfect person to do it is Tanisha Ford" —Changing America "Everyone from the shopaholic to the clearance rack queen will see themselves in [Ford's] pages." —Essence "Takes you not only into the closet, but the inner sanctum of an ordinary extraordinary Black girl who discovered herself through clothes." —Michaela Angela Davis, Image Activist and Writer "[A] delightful style story." —The Philadelphia Inquirer From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.
The story of Carrie and her family continues in this third book of the Captive Hearts series. Gray Cloud returns to the Comanche tribe as he promised his father Eagle years ago when he was forced as a child to leave with his mother and brother. Now Gray Cloud is a lawyer and ready to fight for his people's rights in a court of law. As he visits the Comanche reservation to reacquaint himself with his father's best friend True Arrow, Gray Cloud finds the woman he wants to marry. But she is promised to Black Crow. Can Gray Cloud convince her to break her engagement and marry him? What will Carrie find when she and her family travel to the reservation to visit her old friend Deer?
I am as brown as brown can be, And my eyes as black as sloe; I am as brisk as brisk can be, And wild as forest doe. (The Child Ballads, 295) So begins a beautiful tale of love, loss and revenge. Following the seasons, A Pocketful of Crows balances youth and age, wisdom and passion and draws on nature and folklore to weave a stunning modern mythology around a nameless wild girl. Only love could draw her into the world of named, tamed things. And it seems only revenge will be powerful enough to let her escape. Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.