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Teresa de Santo Domingo, born with the name Chicaba, was a slave captured in the territory known to seventeenth- and eighteenth-century Spanish and Portuguese navigators and slave traffickers as La Mina Baja del Oro, the part of West Africa that extends through present-day eastern Ghana, Togo, Benin, and western Nigeria. Upon the death of her Spanish master, Chicaba was freed to enter a convent. The Dominicans of La Penitencia in Salamanca accepted her after she had been rejected by several other monasteries because of her skin color. Even in her own religious community, race put her at a disadvantage in the highly stratified social hierarchy of monastic houses of the era. Her life story is known to us through a document entitled Compendio de la vida ejemplar de la Venerable Madre Sor Teresa Juliana de Santo Domingo, which is the foundational documentary evidence in the case for beatification of this nun, and as such it is the most significant and comprehensive source of information about her. This volume, the first English translation of the Compendio, is a hagiography, an example of a biographical genre that recounts the lives and describes the spiritual practices of saints officially canonized by the Church, respected ecclesiastical leaders, or holy people informally recognized by local devotees. The effort to have Chicaba canonized continues today, as Fra-Molinero and Houchins explore in their introduction to the volume.
The early Christian writer Tertullian first applied the epithet "bride of Christ" to the uppity virgins of Carthage as a means of enforcing female obedience. Henceforth, the virgin as Christ's spouse was expected to manifest matronly modesty and due submission, hobbling virginity's ancient capacity to destabilize gender roles. In the early Middle Ages, the focus on virginity and the attendant anxiety over its possible loss reinforced the emphasis on claustration in female religious communities, while also profoundly disparaging the nonvirginal members of a given community. With the rising importance of intentionality in determining a person's spiritual profile in the high Middle Ages, the title of bride could be applied and appropriated to laywomen who were nonvirgins as well. Such instances of democratization coincided with the rise of bridal mysticism and a progressive somatization of female spirituality. These factors helped cultivate an increasingly literal and eroticized discourse: women began to undergo mystical enactments of their union with Christ, including ecstatic consummations and vivid phantom pregnancies. Female mystics also became increasingly intimate with their confessors and other clerical confidants, who were sometimes represented as stand-ins for the celestial bridegroom. The dramatic merging of the spiritual and physical in female expressions of religiosity made church authorities fearful, an anxiety that would coalesce around the figure of the witch and her carnal induction into the Sabbath.
The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.
Ruth Tucker recounts a harrowing story of abuse at the hands of her husband—a well-educated, charming preacher no less—in hope that her story would help other women caught in a cycle of domestic violence and offer a balanced biblical approach to counter such abuse for pastors and counselors. Weaving together her shocking story, stories of other women, and powerful stories of husbands who truly have demonstrated Christ’s love to their wives, with reflection on biblical, theological, historical, and contemporary issues surrounding domestic violence, she makes a compelling case for mutuality in marriage and helps women and men become more aware of potential dangers in a doctrine of male headship.
In the secret heart of London, under the cover of endless darkness, is the Nightside. But enter at your own risk. The party animals who live here may be as inhuman as their appetites... My name is John Taylor. The Nightside is my home, and I’ve got a brand new full-time job there (in addition to my private eye work) as Walker—the Voice of the Authorities. I’m also marrying the love of my life, Suzie Shooter, the Nightside’s most fearsome bounty-hunter. But nothing comes easy here. Not life. Not death. And for certain, not happily-ever-after. Before I can say “I do,” I have one more case to solve as a private eye—and my first assignment as Walker. Both jobs would be a lot easier to accomplish if I weren’t on the run, from friends and enemies alike. And if my bride-to-be weren’t out to collect the bounty on my head...
There are books written by black authors for black people which often leave one feeling more wretched and hopeless after reading them. Written often from an analytical angle, the books tend to give a diagnosis for black people's problems but lack the impo
Right from the very beginning in eternity past, God had planned history with His Son having a bride, a companion that would co-reign with Him and enjoy Him forever. That is the eternal purpose of God in creating a bride for His Son. If you read the Scripture from cover to cover, you would discover that God teaches us in a variety of different ways. Sometimes God uses powerful word pictures, sometimes He uses symbols, sometimes He uses examples of people both good and bad. Sometimes God uses a direct word, an authoritative word, sometimes He uses examples from nature, like a tree planted by the rivers of water that will not cease to bear fruit. This book highlights how God gave us an example of an ancient Jewish wedding ceremony that correlates with Christ, the Bridegroom, and His bride the church. From the father choosing a bride for his son, paying the bridal price, the bridegroom snatching his bride and bringing her to the bridal chamber, and then finally co-reigning with him in their household with him as the head. It is absolutely amazing the correlation between the two. What was a mystery to the Jews has been revealed. The mystery was that both Jew and Gentile called the church would be the bride of Christ. The bride of Christ is describing the kind of relationship we can have with Jesus. God is seeking willing lovers, who would voluntarily seek His heart, voluntarily surrender to Him, and voluntarily love Him with all their heart, soul and mind, and strength.
Hood's unique and fascinating work probes the mythic roots of racial prejudice in Western attitudes toward color. With special attention to the history of ideas, but also to pictorial images and popular movements, Hood documents the inception and growth of the myth of black carnality, with its commingling of disdain and desire, fear and fascination.
Urban Apologetics examines the legitimate issues that Black communities have with Western Christianity and shows how the gospel of Jesus Christ—rather than popular, socioreligious alternatives—restores our identity. African Americans have long confronted the challenge of dignity destruction caused by white supremacy. While many have found meaning and restoration of dignity in the black church, others have found it in ethnocentric socioreligious groups and philosophies. These ideologies have grown and developed deep traction in the black community and beyond. Revisionist history, conspiracy theories, and misinformation about Jesus and Christianity are the order of the day. Many young African Americans are disinterested in Christianity and others are leaving the church in search of what these false religious ideas appear to offer, a spirituality more indigenous to their history and ethnicity. Edited by Dr. Eric Mason and featuring a top-notch lineup of contributors, Urban Apologetics is the first book focused entirely on cults, religious groups, and ethnocentric ideologies prevalent in the black community. The book is divided into three main parts: Discussions on the unique context for urban apologetics so that you can better understand the cultural arguments against Christianity among the Black community. Detailed information on cults, religious groups, and ethnic identity groups that many urban evangelists encounter—such as the Nation of Islam, Kemetic spirituality, African mysticism, Hebrew Israelites, Black nationalism, and atheism. Specific tools for urban apologetics and community outreach. Ultimately, Urban Apologetics applies the gospel to black identity to show that Jesus is the only one who can restore it. This is an essential resource to equip those doing the work of ministry and apology in urban communities with the best available information.
The bestselling follow-up to Jesus and the Jewish Roots of the Eucharist. Includes a reader's guide and an excerpt from Pitre's The Case for Jesus. In Jesus the Bridegroom, Brant Pitre once again taps into the wells of Jewish Scripture and tradition, and unlocks the secrets of what is arguably the most well-known symbol of the Christian faith: the cross of Christ. In this thrilling exploration, Pitre shows how the suffering and death of Jesus was far more than a tragic Roman execution. Instead, the Passion of Christ was the fulfillment of ancient Jewish prophecies of a wedding, when the God of the universe would wed himself to humankind in an everlasting nuptial covenant. To be sure, most Christians are familiar with the apostle Paul’s teaching that Christ is the ‘Bridegroom’ and the Church is the ‘Bride’. But what does this really mean? And what would ever possess Paul to compare the death of Christ to the love of a husband for his wife? If you would have been at the Crucifixion, with Jesus hanging there dying, is that how you would have described it? How could a first-century Jew like Paul, who knew how brutal Roman crucifixions were, have ever compared the execution of Jesus to a wedding? And why does he refer to this as the “great mystery” (Ephesians 5:32)? As Pitre shows, the key to unlocking this mystery can be found by going back to Jewish Scripture and tradition and seeing the entire history of salvation, from Mount Sinai to Mount Calvary, as a divine love story between Creator and creature, between God and Israel, between Christ and his bride—a story that comes to its climax on the wood of a Roman cross. In the pages of Jesus the Bridegroom, dozens of familiar passages in the Bible—the Exodus, the Song of Songs, the Wedding at Cana, the Woman at the Well, the Last Supper, the Crucifixion, and even the Second Coming at the End of Time—are suddenly transformed before our eyes. Indeed, when seen in the light of Jewish Scripture and tradition, the life of Christ is nothing less than the greatest love story ever told.