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Take an exciting ride as Stan Long tells the true story of a wild and outrageous life of sex, drugs, women, and high-end crime. Black Bird Medley begins with his fairly innocent childhood but digresses to a life of drug dealing on the mean streets of Washington, DC, where he grew up quickly. At the age of nine, he learned how to use a gun; by twelve he began having sexual encounters with women twice his age. This is a true tale of personal growth that is sure to motivate and inspire. Black Bird Medley is a powerful memoir and cautionary tale written by Stan Long in order to reach out to people that may find themselves in similar situations. He has purposely exposed his life to help show all of the possibilities of change. Our youth today are lost and misguided, so he feels that by allowing his life to be a literal open book, perhaps his life endeavors will assist in the positive transformation of others. The intent of writing Black Bird Medley was not to glorify nor condone his former lifestyle: however, writing Black Bird Medley has been therapeutic to this authors transformation. He hopes his experiences can help to inspire all who are dealing with personal struggles and can inevitably find a way towards greatness.
Nominated for an NAACP Image Award A Publishers Weekly Top 10 History Title for the season Booklist's Top 10 Diverse Nonfiction titles for the year BookRiot's "50 Must-Read Poetry Collections" Most Anticipated Books of the Year--The Rumpus, Nylon A revelatory work in the tradition of Claudia Rankine's Citizen, DaMaris Hill's searing and powerful narrative-in-verse bears witness to American women of color burdened by incarceration. “It is costly to stay free and appear / sane.” From Harriet Tubman to Assata Shakur, Ida B. Wells to Sandra Bland and Black Lives Matter, black women freedom fighters have braved violence, scorn, despair, and isolation in order to lodge their protests. In A Bound Woman Is a Dangerous Thing, DaMaris Hill honors their experiences with at times harrowing, at times hopeful responses to her heroes, illustrated with black-and-white photographs throughout. For black American women, the experience of being bound has taken many forms: from the bondage of slavery to the Reconstruction-era criminalization of women; from the brutal constraints of Jim Crow to our own era's prison industrial complex, where between 1980 and 2014, the number of incarcerated women increased by 700%.* For those women who lived and died resisting the dehumanization of confinement--physical, social, intellectual--the threat of being bound was real, constant, and lethal. In A Bound Woman Is a Dangerous Thing, Hill presents bitter, unflinching history that artfully captures the personas of these captivating, bound yet unbridled African-American women. Hill's passionate odes to Zora Neale Hurston, Lucille Clifton, Fannie Lou Hamer, Grace Jones, Eartha Kitt, and others also celebrate the modern-day inheritors of their load and light, binding history, author, and reader in an essential legacy of struggle. *The Sentencing Project
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
On a lovely autumn day in a quiet neighbourhood village, Feathers Territory is formed after some garden birds discover that seeds and nuts have been set out for them in most of the back gardens. This is a welcoming sight for the birds as they are aware that winter is approaching. The winter is very harsh. The garden birds soon learn they have to survive and occupy themselves in the very cold and snowy weather. Their life is never boring. They make use of all the facilities in the gardens and learn how to fend off their unwelcoming enemies. How do the garden birds manage to survive the winter?