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BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.
BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.
How good was Negro League Baseball (1920-1948)? Some experts maintain that the quality of play was equal to that of the American and National Leagues. Some believe the Negro Leagues should be part of Major League Baseball's official record and that more Negro League players should be in the Hall of Fame. Skeptics contend that while many players could be rated highly, NL organizations were minor league at best. Drawing on the most comprehensive data available, including stats from more than 2,000 interracial games, this study finds that black baseball was very good indeed. Negro leaguers beat the big leaguers more than half the time in head-to-head contests, demonstrated stronger metrics within their own leagues and excelled when finally allowed into the majors. The authors document the often duplicitous manner in which MLB has dealt with the legacy of the Negro Leagues, and an appendix includes the scores and statistics from every known contest between Negro League and Major League teams.
Since 1971, 35 Negro League baseball players and executives have been admitted to the Hall of Fame. The Negro League Hall of Fame admissions process, which has now been conducted in four phases over a 50-year period, can be characterized as idiosyncratic at best. Drawing on baseball analytics and surveys of both Negro League historians and veterans, this book presents an historical overview of NLHOF voting, with an evaluation of whether the 35 NL players selected were the best choices. Using modern metrics such as Wins Above Replacement (WAR), 24 additional Negro Leaguers are identified who have Hall of Fame qualifications. Brief biographies are included for HOF-quality players and executives who have been passed over, along with reasons why they may have been excluded. A proposal is set forth for a consistent and orderly HOF voting process for the Negro Leagues.
Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the “cultural turn” in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.
Hugh Casey was one of the most colorful members of the iconic Brooklyn Dodgers of the 1940s, a team that took part in four great pennant races, the first National League playoff series, and two exciting World Series over the course of Casey’s career. That famed team included many outsized personalities, including executives Larry MacPhail and Branch Rickey, manager Leo Durocher, and players like Jackie Robinson, Pee Wee Reese, Dixie Walker, Joe Medwick, and Pete Reiser. In Hugh Casey: The Triumphs and Tragedies of a Brooklyn Dodger, Lyle Spatz details Casey’s life and career, from his birth in Atlanta to his suicide in that same city thirty-seven years later. Spatz includes such moments as Casey’s famous “pitch that got away” in Game Four of the 1941 World Series, the numerous brawls and beanball wars in which Casey was frequently involved, and the Southern-born Casey’s reaction to Jackie Robinson joining the Dodgers. Spatz also reveals how Casey helped to redefine the role of the relief pitcher, twice leading the National League in saves and twice finishing second—if saves had been an official statistic during his lifetime. While this book focuses on Casey’s baseball career in Brooklyn, Spatz also covers Casey’s often-tragic personal life. He not only ran into trouble with the IRS, he also got into a fistfight with Ernest Hemingway and was charged in a paternity suit that was decided against him. Featuring personal interviews with Casey’s son and with former teammate Carl Erskine, this bookwill fascinate and inform fans of the Brooklyn Dodgers and baseball historians alike.
How faith sustained Jackie Robinson—both as an athlete and as an activist. The integration of Major League Baseball in 1947 was a triumph. But it was also a fight. As the first Black major leaguer since the 1880s, Jackie Robinson knew he was not going to be welcomed into America’s pastime with open arms. Anticipating hostility, he promised Brooklyn Dodgers general manager Branch Rickey that he would “turn the other cheek” during his first years in the league, despite his fiercely competitive disposition. Robinson later said that his faith in God had sustained him—giving him the strength he needed to play the game he loved at the highest level without retaliating against the abuse inflicted upon him by opposing players and fans. Faith was a key component of Robinson’s life, but not in the way we see it with many prominent Christian athletes today. Whereas the Tim Tebows and Clayton Kershaws of the sports world emphasize personal spirituality, Robinson found inspiration in the Bible’s teachings on human dignity and social justice. He grew up a devout Methodist (a heritage he shared with Branch Rickey) and identified with the theological convictions and social concerns of many of his fellow mainline Protestants—especially those of the Black church. While he humbly stated that he could not claim to be a deeply religious man, he spoke frequently in African American congregations and described a special affinity he and other Black Christians felt for the biblical character Job, who had also kept faith despite suffering and injustice. In his eulogy for Robinson, Jesse Jackson described Robinson as a “co-partner of God,” who lived out his faith in his civil rights activism, both during and after his baseball career. Robinson’s faith will resonate with many Christians who believe, as he did, that “a person can be quite religious and at the same time militant in the defense of his ideals.” This religious biography of Robinson chronicles the important role of faith in his life, from his childhood to his groundbreaking baseball career through his transformative civil rights work, and, in the process, helps to humanize the man who has become a mythic figure in both sports history and American culture.
“We are the ship; all else the sea.”—Rube Foster, founder of the Negro National League The story of Negro League baseball is the story of gifted athletes and determined owners; of racial discrimination and international sportsmanship; of fortunes won and lost; of triumphs and defeats on and off the field. It is a perfect mirror for the social and political history of black America in the first half of the twentieth century. But most of all, the story of the Negro Leagues is about hundreds of unsung heroes who overcame segregation, hatred, terrible conditions, and low pay to do the one thing they loved more than anything else in the world: play ball. Using an “Everyman” player as his narrator, Kadir Nelson tells the story of Negro League baseball from its beginnings in the 1920s through its decline after Jackie Robinson crossed over to the majors in 1947. The voice is so authentic, you will feel as if you are sitting on dusty bleachers listening intently to the memories of a man who has known the great ballplayers of that time and shared their experiences. But what makes this book so outstanding are the dozens of full-page and double-page oil paintings—breathtaking in their perspectives, rich in emotion, and created with understanding and affection for these lost heroes of our national game. We Are the Ship is a tour de force for baseball lovers of all ages.
Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts.
The story behind the mainstream press’s efforts to preserve baseball’s color line and the efforts of Black and communist newspapers to end it.