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Basic skills for making splint baskets from scratch.
Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.0Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.00Exhibition: Grand Rapids Art Museum, Grand Rapids, USA (29.01-01.05.2022) / Tampa Museum of Art, Tampa, USA (21.07-23.10.2022) / Seattle Art Museum, Seattle, USA (19.11.2022-18.01.2023) / The Getty Museum, L.A., USA (04.2023-07.2023)
Basketry explores in depth the techniques and materials used to construct baskets around the world, demystifying basketry and giving a basis for understanding, appreciating and identifying the baskets of the world. Copious colour photographs, diagrams and archive photography of international basketry provide a rich source of comparison and reference.
After hearing some men call his father and him hillbillies on his first trip into the nearby town of Hudson, a young boy is not so sure he still wants to become a basket maker.
Uses the colors in an Easter basket to explain the story of Easter.