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Intended for collectors of African-American cards and ephemera, this guide provides a brief, uninsightful history of the occasionally positive but more often profoundly insulting depictions of African-Americans on US postcards. A discussion of card condition, valuation and other collecting issues follows, with the bulk of the book listing cards by type, publisher, card number, card title, and date. Numerous bandw photographs. Published by Colonial House, PO Box 609, Enka, NC 28728. Annotation copyright by Book News, Inc., Portland, OR
Completely unique to the marketplace, this price guide offers comprehensive histories and prices for American flags, milk bottles, posters, postcards, Uncle Sam items, and many other American collectibles. 140 illustrations.
An antiques price guide for more than 50,000 items, with detailed descriptions.
An illustrated guide to collectibles, including collecting hints, histories, references, clubs and museums.
This book will serve generations to come as the definitive book on buying and collecting the beautiful, 1930s to 1950s era large letter linen postcards. Over 2,300 large letter postcards are documented, with a carefully researched value for each card. This will assist dealers to fairly price their postcards and protect the collector from overpaying. There is a detailed history of the postcards and information about the designers and manufacturers. Graphic artists will find inspiration for new approaches to art and advertising. A wide assortment of colorful cards was selected to be shown big, making this a wonderful coffee table book, with crossover appeal in collecting, advertising, graphic design, historical research, and arts and crafts.
In the early 20th century, postcards were one of the most important and popular expressions of holiday sentiment in American culture. Millions of such postcards circulated among networks of community and kin as part of a larger American postcard craze. However, their uses and meanings were far from universal. This book argues that holiday postcards circulated primarily among rural and small town, Northern, white women with Anglo-Saxon and Germanic heritages. Through analysis of a broad range of sources, Daniel Gifford recreates the history of postcards to account for these specific audiences, and reconsiders the postcard phenomenon as an image-based conversation among exclusive groups of Americans. A variety of narratives are thus revealed: the debates generated by the Country Life Movement; the empowering manifestations of the New Woman; the civic privileges of whiteness; and the role of emerging technologies. From Santa Claus to Easter bunnies, flag-waving turkeys to gun-toting cupids, holiday postcards at first seem to be amusing expressions of a halcyon past. Yet with knowledge of audience and historical conflicts, this book demonstrates how the postcard images reveal deep divides at the height of the Progressive Era.
The Real Photo Postcard Guide is an informative, comprehensive, and practical treatment of this wildly popular American phenomenon that dominated the United States photographic market during the first third of the twentieth century. Robert Bogdan and Todd Weseloh draw on extensive research and observation to address all aspects of the photo postcard from its history, origin, and cultural significance to practical matters like dating, purchasing, condition, and preservation. Illustrated with over 350 exceptional photo postcards taken from archives and private collections across the country, the scope of the Real Photo Postcard Guide spans technical considerations of production, characteristics of superior images, collecting categories, and methods of research for dating photo postcards and investigating their photographers. In a broader sense, the authors show how "real photo postcards" document the social history of America. From family outings and workplace awards to lynchings and natural disasters, every image captures a moment of American cultural history from the society that generated them. Bogdan and Weseloh’s book provides an admirable integration of informative text and compelling photographic illustrations. Collectors, archivists, photographers, photo historians, social scientists, and anyone interested in the visual documentation of America will find the Real Photo Postcard Guide indispensable.
This volume contains a lot of variety, an eclectic mix of Florida literature and history by scholars from across the state representing every kind of institution of higher learning. The first section, Pedagogy, highlights essays about employing service learning, blogging, and primary archival research into the classroom, among other techniques. The Old Florida section includes essays exploring the following topics as diverse as the first black general in Florida (1791), poet Wallace Stevens, and the memoirs of colonial Florida women. The next section—Contemporary Florida—contains essays on EPCOT theme park, Florida newspapers, the rhetoric of Carl Haissen, and the stereotyped poor white Southerner. Jim Morrison’s use of Floridian imagery is the topic of the essay in Natural Florida, and the poem “Pineapple Grill” falls into the category Creative Showcase.
Today, no one seriously doubts the value, both aesthetic and historic, of the ubiquitous American photographic postcard. This was the medium that really brought photography to the masses; these cards were affordable, they were topical, and they could be sent for a penny anywhere in the country. The variety of imagery, much of it developed anonymously in small studios, much of it taken by inspired amateurs (these were the days when anyone could, and many folks did, own a camera) displays America in all its variety and vitality. Most postcards were mass produced and printed in ink by the collotype or halftone process. But a few were original photographic prints, exposed directly from glass plates or film negatives. Known as real photos these were real photographs, aristocrats of the genre and spectacular examples of vernacular photography. In this charming and scholarly book, Vaule selects the best of them, from all over the country, addressing their social and historical contexts, explaining the mysteries of their manufacture and dissemination, and describing the characteristics and identities of their makers, many of whose names and studios are listed in the book. But without doubt, it is the images themselves that still hold us: storefronts and townships, frisky children and sober adults, air ships and barn raisings. Over one hundred are reproduced here, each in fine-line duotone, each as fascinating and compelling today as when first fixed on paper.