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Now in paperback, this beautifully dark and enthralling YA features a mysterious disappearance in a secluded Appalachian town. For fans of House of Hollow and Wilder Girls! In rural Caball Hollow, surrounded by the vast National Forest, the James women serve up more than fried green tomatoes at the Harvest Moon diner, where the family recipes are not the only secrets. Like her sisters, Linden was born with an unusual ability. She can taste what others are feeling, but this so-called gift soured her relationship with the vexingly attractive Cole Spencer one fateful night a year ago . . . A night when Linden vanished into the depths of the Forest and returned with no memories of what happened, just a litany of questions—and a haze of nightmares that suggest there’s more to her story than simply getting lost. Now, during the hottest summer on record, another girl in town is gone, and the similarities to last year’s events are striking. Except, this time the missing girl doesn’t make it home, and when her body is discovered, the scene unmistakably spells murder. As tempers boil over, Linden enlists the help of her sisters to find what’s hiding in the forest . . . before it finds her. But as she starts digging for truth—about the Moth-Winged Man rumored to haunt the Hollow, about her bitter rift with Cole, and even about her family—she must question if some secrets are best left buried.
It is 1884 when Autumn Bridges takes a job at the Bittersweet Hollow Inn. The quaint little village becomes her new home and she quickly becomes friendly with the locals. However, her sleuthing and a secret from her past threaten to destroy her relationship with Mr. Wakefield. Will she learn to forgive herself and others? Will she use her God-given talents? (394pp. Masthof Press, 2021.)
Growing up in the town of Sleepy Hollow, the mystery and intrigue over Washington Irving's classic legend are all part of daily life for sixteen-year-old Abbey. But when her best friend, Kristen, vanishes at the bridge near Sleepy Hollow Cemetery, Abbey's world is suddenly turned upside down. While everyone is all too quick to accept that Kristen is dead, Abbey refuses to believe that she is really gone. And when Abbey meets the gorgeous, but mysterious, Caspian at Kristen's memorial she starts to feel like she has something to hold on to for the first time since Kristen's disappearance. But when Abbey finds a diary hidden in Kristen's bedroom, she begins to question everything she thought she knew about her best friend. How could Kristen have kept silent about so much? And could this secret have led to her disappearance or even her death? Hurt and angry at Kristen's betrayal, Abbey turns to Caspian for support… and uncovers a frightening truth about him that threatens both their emerging love and her sanity…
Loss and impermanence are inescapable, part of the warp and weft of our lives. They are essential to love, to growth, and to art. And yet, too often, we do not acknowledge loss, let alone honour the experience of it. Illuminating, thoughtful, and deeply necessary, Susan Cain's new book will help us to name and value the experience of loss, pointing the way toward ways of being and rituals that help us to accept it rather than bury it. Blending memoir, reportage, and social science, it will reveal that joy and loss exist in equilibrium; that vulnerability, or even a melancholy temperament, can be a strength; and that embracing our inevitable losses makes us more human and more whole.
The New York Times bestseller Shattered by the loss of her husband, Maggie struggled each day to put her grief behind her. To be there for her teenaged daughter. And to face life again. When she returned to her Wisconsin hometown, she never expected to feel a spark of longing for her old high school sweetheart. Eric’s marriage to a career-driven woman had left him childless and unhappy—he knew there had to be more to life than always wanting what you couldn’t have. Seeing Maggie again filled him with hope. Maybe the answer to his dreams had just come to town. Their memory of young love blossomed into an affair that would shake both of their lives—and would challenge everything they believed about loving each other. Could they follow a dream from the past? Or had they missed the chance of a lifetime?
After two years of brutal captivity, Portia Lamont has escaped and returned to her family's Vermont horse farm-only to find her parents gone to New York to try an experimental treatment for her mother's cancer, and her childhood friend Boone Hawke running the farm. The man Boone has become frightens her to near paralysis, but she's too traumatized and physically devastated to put up a fight. Like the rest of her family, Boone has never given up hope that Portia would return. But when she turns up battered, skinny as a twelve-year-old boy, afraid of everything and unable to talk about what happened, he does the only thing he can-try to help her heal. He summons the town doctor and Portia's parents, and sets out to put this beautiful, broken woman back together again.Through her family's love and Boone's gentle affection, Portia gradually comes back to herself, and starts to fall for her old friend in a whole new way. But one thing threatens her fragile hopes for recovery: The man who took her promised that if she ever escaped, he'd kill her. Slowly. And someone is definitely watching her...waiting to make a deadly move.
The stirring debut from the winner of the Cave Canem Poetry Prize, selected and introduced by Chris Abani Heed the Hollow introduces the work of Malcolm Tariq, whose poems explore the concept of “the bottom” across blackness, sexuality, and the American South. These lyrics of queer desire meet the voices of enslaved ancestors to reckon with a lineage of trauma that manifests as silence, pain, and haunting memories, but also as want and love. In bops, lyrics, and erasures, Heed the Hollow tells of a heritage anchored to the landscape of the coastal South, to seawalls shaped by forced labor, and to the people “marked into the bottom / of history where then now / we find no shadow of life.” From that shadow, the voices in these poems make their own brightness, reclaiming their histories from a language that evolved to exclude them.