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An authoritative chronicle of the lesser-known World War II Battle of the Atlantic documents the costly battles fought by U.S., Canadian, British, and German forces for control over the Atlantic sea lanes, in an account that draws on archival research and veteran interviews to tally the casualties suffered on both sides of the conflict. Reprint. 25,000 first printing.
Examines marine ichthyology and fish classification in California, as a guide to both sport and food fishing
A fresh and invigorating survey of the sea as it appears in medieval English literature, from romance to chronicle, hagiography to autobiography. As the first cultural history of the sea in medieval English literature, this book traces premodern myths of insularity from their Old English beginnings to Shakespeare's Tempest. Beginning with a discussion of biblical, classical and pre-Conquest treatments of the sea, it investigates how such works as the Anglo-Norman Voyage of St Brendan, the Tristan romances, the chronicles of Matthew Paris, King Horn, Patience, The Book of Margery Kempe and The Libelle of Englyshe Polycye shape insular ideologies of Englishness. Whether it is Britain's privileged place in the geography of salvation or the political fiction of the idyllic island fortress, medieval English writers' myths of the sea betray their anxieties about their own insular identity; their texts call on maritime motifs to define England geographically and culturally against the presence of the sea. New insights from a range of fields, including jurisprudence, theology, the history of cartography and anthropology, are used to provide fresh readings of a wide range of both insular and continental writings.
History.
The thirteen essays and the final poem contained in this volume reflect the fundamental importance of water across the whole breadth of medieval endeavour and understanding, as both source of life, and object of scholarly fascination, whose manifestations were the source of rich symbolism and imaginings. Ranging geographically from Ireland to the Arab world and from Iceland to Byzantium and chronologically from the fourth century CE to the sixteenth, the essays explore perceptions and theories of water through a wide range of approaches. Contributors are Michael Bintley, Tom Birkett, Laura Borghetti, Rafał Borysławski, Marilina Cesario, Marusca Francini, Kelly Grovier, Deborah Hayden, Simon Karstens, Andreas Lammer, David Livingstone, Luca Loschiavo, Hugh Magennis, Colin Fitzpatrick Murtha, François Quiviger, Elisa Ramazzina, and Karl Whittington.
Dive into the world an ocean dreams of . . . ​Nothing of the ocean, its tides, or its depths, should desire happiness, yet water flows to the tune of thoughtfulness. Dreaming of its own humanity, inhabiting Venner an analyst, the ocean explores life in a city where the monotony of a desk job calls like a siren song. The idyll is fractured by those who discover his true nature. Magical forces seek to control the ocean, its impossible forces, as Venner struggles to survive and to keep out of monstrous hands--his sense of self. An Ocean Gazes Through Human Glass is a lyrical, magical journey. It explores all humans’ conflicting desires to both accept their world and consume it. With prose as beautiful as a dream and characters that defy imagination, you’ll find yourself immersed in a world of both treachery and possibility. Emily Nguyen explores wonder in her debut novel An Ocean Gazes Through Human Glass and in her daily vocation. She is a rocket engineer in southern California who makes dreams fly both in real life and on the page.
An Ocean of Wonder: The Fantastic in the Pacific brings together fifty writers and artists from across Moananuiākea working in myriad genres across media, ranging from oral narratives and traditional wonder tales to creative writing as well as visual artwork and scholarly essays. Collectively, this anthology features the fantastic as present-day Indigenous Pacific world-building that looks to the past in creating alternative futures, and in so doing reimagines relationships between peoples, environments, deities, nonhuman relatives, history, dreams, and storytelling. Wonder is activated by curiosity, humility in the face of mystery, and engagement with possibilities. We see wonder and the fantastic as general modes of expression that are not confined to realism. As such, the fantastic encompasses fantasy, science fiction, magic realism, fabulation, horror, fairy tale, utopia, dystopia, and speculative fiction. We include Black, feminist, and queer futurisms, Indigenous wonderworks, Hawaiian moʻolelo kamahaʻo and moʻolelo āiwaiwa, Sāmoan fāgogo, and other non-mimetic genres from specific cultures, because we recognize that their refusal to adopt restrictive Euro-American definitions of reality is what inspires and enables the fantastic to flourish. As artistic, intellectual, and culturally based expressions that encode and embody Indigenous knowledge, the multimodal moʻolelo in this collection upend monolithic, often exoticizing, and demeaning stereotypes of the Pacific and situate themselves in conversation with critical understandings of the global fantastic, Indigenous futurities, social justice, and decolonial and activist storytelling. In this collection, Oceanic ideas and images surround and connect to Hawaiʻi, which is for the three coeditors, a piko (center); at the same time, navigating both juxtaposition and association, the collection seeks to articulate pilina (relationships) across genres, locations, time, and media and to celebrate the multiplicity and relationality of the fantastic in Oceania.
About The Book With the revival of interest in Islam in our times, the Qur’an is also being read increasingly, especially by the intellectuals: Muslims and non-Muslims alike. However, and although its message and central theme have been stated in unambiguous terms, its translation fails to impart the same meaning with the same effect. Additionally, the Qur’an deals with every subject of human concern and gives guidelines for application to life and society. This increases its scope widely, and requires on the part of the reader's knowledge of various disciplines for proper appreciation of its message. It is specially important to know how the Qur’an was understood by those who received it first: Prophet Muhammad (SAW), on whom be Allah’s peace, and his immediate followers. Second in order of interest and importance would be to know how the scholars of Islam have understood it in every age.