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A journalist's gritty portrait of a year on the rodeo circuit tells the story of modern cowboys traveling the country chasing a dangerous eight-second dream of fame and fortune on the back of a wild horse or a bull. 17,500 first printing. Tour.
Jaz Parks has enough trouble in her personal life. What she doesn't need is more trouble with her vampire boss and another mission. This time she has to retrieve a vital piece of biotechnology by killing the maniac who stole it: an ancient Chinese vamp. Their cover in this mission: professional entertainers at the Corpus Christi's Winter Festival. The crew's all here: a psychic, a techno-wizard, a singing vampire, a juggling PI, and Jaz. Holy crap in a bottomless well, Jaz is going to bellydance. It's definitely, probably, quite possibly going to be the end of the world as we know it.
Examines the history and sociology of housework, using research, interviews, and analyses of characters from television, literature, and advertising to explore how, why, and who does the cleaning.
I'm Jaz Parks. My boss is Vayl, born in Romania in 1744. Died there too, at the hand of his vampire wife, Liliana. But that's ancient history. For the moment Vayl works for the C.I.A. doing what he does best -- assassination. And I help. You could say I'm an Assistant Assassin. But then I'd have to kick your ass. Our current assignment seemed easy. Get close to a Miami plastic surgeon named Assan, a charmer with ties to terrorism that run deeper than a buried body. Find out what he's meeting with that can help him and his comrades bring America to her knees. And then close his beady little eyes forever. Why is it that nothing's ever as easy as it seems?
Jaz Parks here. I. Am. Pissed. Just as Vayl and I arrive in Morocco to secure an ancient artifact, he wakes up calling me by another woman's name. And it's not even a good one. But since any form of argument transforms him into an unholy terror, I'm forced to play along until the gang and I can figure out what kind of power has so vastly altered his perceptions. So it's time for me to do what any well-trained assassin in my position might do. I attack. What follows is a hair-raising, breath-taking bullet train ride to the finish as the crew battles on multiple fronts. I now know what I have to do -- I must return to hell one last time.
Has more than 600 phrases, sayings, and expressions and contains explanations.
A powerful post-nuclear holocaust novel described by the author as, 'my cry against the monstrous weapons men have made'. Everyone thought, when the alarm bell rang, that it was just another fire practice. But the first bombs had fallen on Hamburg and Leningrad, the headmaster said, and a full-scale nuclear attack was imminent . . . It's a real-life nightmare. Sarah and her family have to stay cooped up in the tightly-sealed kitchen for days on end, dreading the inevitable radioactive fall-out and the subsequent slow, torturous death, which seems almost preferable to surviving in a grey, dead world, choked by dust. But then, from out of the dust and the ruins and the desolation, comes new life, a new future, and a whole brave new world...
I'm Lucille Robinson (aka Jaz Parks). This is a mission unlike anything my vampire boss, Vayl, and I have ever been on. It's not our usual take them out and run; it's an undercover mission that needs the whole gang: a psychic, an interpreter, and a weapons specialist. We're joining a Special Ops team to nail the Wizard, a major terrorist thorn in the military's side. We've never gone in with such heavy artillery before, but the more the merrier, right? Um . . . nope. At least not since Vayl and I learned part of our job is to ferret out a mole concealed in our unit. To add to our problems, we're being harried by a pack of reavers bent on revenge, and targeted by a Seer who wants to share Vayl's power -- at any cost. Oh yeah, and let's not forget the army of demonic, soul-sucking parasites either. This is going to be a blast.
Today in the United States, laws exist at all levels of government that exacerbate problems such as food waste, hunger, inhumane livestock conditions, and disappearing fish stocks. Baylen Linnekin argues that government rules often handcuff America's most sustainable farmers, producers, sellers, and consumers, while rewarding those whose practices are anything but sustainable. Biting the Hands that Feed Us introduces readers to the perverse consequences of many food rules, from crippling organic farms to subsidizing monocrops. Linnekin also explores what makes for a good law--often, he explains, these emphasize good outcomes over rigid processes. But he urges readers to reconsider efforts to regulate our way to a greener food system, calling instead for empowerment of those working to feed us--and themselves--sustainably.
This important book immediately draws the reader into the world of those struggling with anorexia/bulimia (a/b), whose stories, poems, and first-person accounts expose the 'voice' of these deadly problems. The authors' decade-and-a-half collaboration with 'insiders' has yielded fresh answers to these life and death questions: How does a/b seduce and terrorize girls and women? Why is a/b successful in encouraging girls and women to unwittingly embrace their would-be murderer? How can such a murderer be exposed and thwarted? Biting the Hand that Starves You details a unique way of thinking and speaking about anorexia/bulimia. By having conversations with insiders in which the problem is viewed as an external influence rather than a part of the person, these therapists show how to bring the tactics of a/b into the open, expose its deceptions, break its spell, and encourage defiance of its tyrannical rule. These innovations enable insiders, professionals, and loved ones to unite against anorexia/bulimia rather than allowing a/b to pit a professional or loved one against an insider, and the insider against herself. Coercion is sidestepped in favor of practices that are collaborative, accountable and spirit-nurturing. The groundbreaking discoveries outlined in this book will provide new options, inspiration and hope, not only for those who suffer at anorexia's hands, but also for their loved ones and healthcare professionals. The first section of the book illuminates the means by which anorexia/bulimia insinuates itself into the lives of women and confines them to its prison. The second section focuses on how therapists and other helpers assist them to break the spell of a/b, creating possibilities for resisting and defying it. The third section of the book details a two-pronged strategy for reclaiming one's life from a/b. One method involves unmasking a/b by directly engaging with it through critique. The other method involves disengaging from anorexia in order fashion an 'anti-a/b' lifestyle guided by their own values and passions, even while they fear forsaking the promises of anorexia. Finally, the last section of the book addresses ways in which parents and other loved ones can 'team up' with insiders to fight against these lethal problems. This section includes a first-person account of a mother and father's harrowing but ultimately triumphant effort to free their daughter from anorexia's prison. Biting the Hand that Starves You draws to an unprecedented degree on the anti-anorexic/bulimic knowledge of 'insider' clients/collaborators to provide fresh insights into the workings of a/b and the means to overcome it. The knowledge of these authors and their insider collaborators, who speak poignantly and passionately on their own behalf, is sure to benefit all those affected by a/b.