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"Extraordinary Machine" uncovers the past of the Bitches' secret weapon Meiko Maki, how she went from promising engineer to killer-and the ace up her sleeve. From KELLY SUE DeCONNICK (PRETTY DEADLY, Captain Marvel) with guest pencils by TAKI SOMA (Takio, The Victories).
Eleanor's gambit: The "PRESIDENT BITCH" arc concludes. BITCH PLANET will return in August.
2014 Best Writer Eisner Award nominee KELLY SUE DeCONNICK (PRETTY DEADLY, Captain Marvel) and VALENTINE DE LANDRO (X-Factor) team up for the very third time to bring you the premiere issue of BITCH PLANET, their highly-anticipated womenin- prison sci-fi exploitation riff. Think Margaret Atwood meets Inglourious Basterds.
DeCONNICK and DE LANDRO PRESENT: The Triple Feature! Patriarchy is the disease. We are the cure. Join the resistance with tales of appropriation, erasure, and feminist grannies...all with a healthy dose of backmatter. 100% Grade-A satire. Doctor approved, patient demanded.
DECONNICK and DE LANDRO PRESENT: The Triple Feature! Patriarchy bewareÉthis sci-fi kidney punch can't be stopped! Return to BITCH PLANET for more tales from a world gone upside downÉthat might just be around the corner Plus all the backmatter you can handle! 100 percent Grade A satire. Tell your friends. Tell your enemies.
The next novel in the international publishing phenomenon the Ice Planet Barbarians series, now in a special print edition with a bonus novella! Josie has always dreamed of finding The One, but the hunter chosen for her is nothing like what she expected (or wanted)—but he might be exactly what she needs. “Resonance” is supposed to be a dream—that’s when your soulmate is chosen for you. And every woman on the ice planet has hooked up with a big, hunky soulmate of their own—except me. So do I want a mate? Heck yeah. More than anything, all I’ve ever wanted is to be loved by someone. But the soulmate chosen for me? My least favorite person on the darn ice planet. Haeden’s the most cranky, disapproving, unpleasant, overbearing male alien . . . so why is it that my body sings when he gets close? Why is he working so hard to prove to me that he’s not as awful as I think he is? I hate him . . . don’t I?
The Bitches enter the arena for their very first deathsport match. From 2014 Best Writer Eisner nominee KELLY SUE DeCONNICK (PRETTY DEADLY, Captain Marvel) and VALENTINE De LANDRO (X-Factor) with colorist CRIS PETER (CASANOVA) and letterer CLAYTON COWLES (THE WICKED + THE DIVINE).
A “completely original and inventive” epic fantasy set in a land of blood mages and sentiment plants, dark magic, and warfare on a scale that spans worlds (Locus) Loyalties are tested when worlds collide… Every two thousand years, the dark star Oma appears in the sky, bringing with it a tide of death and destruction. And those who survive must contend with friends and enemies newly imbued with violent powers. The kingdom of Saiduan already lies in ruin, decimated by invaders from another world who share the faces of those they seek to destroy. Now the nation of Dhai is under siege by the same force. Their only hope for survival lies in the hands of an illegitimate ruler and a scullery maid with a powerful—but unpredictable—magic. As the foreign Empire spreads across the world like a disease, one of their former allies takes up her Empress’s sword again to unseat them, and two enslaved scholars begin a treacherous journey home with a long-lost secret that they hope is the key to the Empire’s undoing. But when the enemy shares your own face, who can be trusted? As the convergence between the two worlds strengthens, alliances are made and broken, magic and mayhem abound—and before it’s all done, at least one world will be shattered and broken.
Makoto arrives on Bitch Planet. Whitney has to answer for Meiko's death.
Contributions by Dorian L. Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott-Johnson, Philip Smith, and Maite Ucaregui The explosive popularity of San Diego’s Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix’s Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015’s Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts—both in the creation of superhero media and in their critical and reader reception—need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.