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First published in 1998, this book describes the surviving medieval remains there and the far more numerous manor houses and castles owned by the bishops, as well as their London houses. Apart from royal residences these are far the largest group of medieval domestic buildings of a single type that we have. The author describes how these buildings relate to the way of life of the bishops in relation to their duties and their income and how in particular the dramatic social changes of the later middle ages influenced their form. The work of the great bishop castle-builders of the 12th century is discussed, as are the general history of the medieval house with its early influence from the Continent, the changes in style of hall and chamber (still controversial) and its climax in the great courtyard houses of Cardinal Wolsey, Archbishop of York. The book includes over a hundred plans, sections and photographs of the surviving parts of bishops’ residences, with a survey of 1647 of the Archbishop’s palace at Canterbury before demolition.
An illuminating new biography of one of the greatest American poets of the twentieth century, Elizabeth Bishop "Love Unknown points movingly to the many relationships that moored Bishop, keeping her together even as life—and her own self-destructive tendencies—threatened to split her apart.” —The Wall Street Journal Elizabeth Bishop's friend James Merrill once observed that "Elizabeth had more talent for life—and for poetry—than anyone else I've known." This new biography reveals just how she learned to marry her talent for life with her talent for writing in order to create a brilliant array of poems, prose, and letters—a remarkable body of work that would make her one of America's most beloved and celebrated poets. In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life. Bishop moved through extraordinary mid-twentieth century worlds with relationships among an extensive international array of literati, visual artists, musicians, scholars, and politicians—along with a cosmopolitan gay underground that was then nearly invisible to the dominant culture. Drawing on fresh interviews and newly discovered manuscript materials, Travisano illuminates that the "art of losing" that Bishop celebrated with such poignant irony in her poem, "One Art," perhaps her most famous, was linked in equal part to an "art of finding," that Bishop's art and life was devoted to the sort of encounters and epiphanies that so often appear in her work.
"This selection of twenty of Texas' proudest architectural achievements is a tiny sampling of the state's rich, but little-heralded, architectural heritage. The visual presentation of these buildings in Richard Payne's insightful photographs is evidence enough to any student of Texas culture that there are deep and meaningful tracks of our civilization in the state's built environment. . . . In the stones of the Alamo and the steel and glass of our downtown skyscrapers lie the silent embodiment of who we are and where we have been." —from the Introduction Texas architecture has never been, nor is it likely to be in the future, an easily digested whole. This collection, drawn from the 1983 Texas Society of Architects' exhibit "Creating Tomorrow's Heritage," provides a look at twenty of the most interesting responses to the challenges posed by Texas history and geography. It reveals that what Texas architecture lacks in cohesiveness, it more than compensates for in vitality. Variations in circumstance and background, coupled with the kind of freedom which heterogeneity breeds, have produced a lively climate for architectural development in Texas—a place where, in the absence of pat answers, intriguing questions have been raised. The same freedom which has produced a dearth of cohesion has encouraged exploration and invention. The same disparities which have made tidy categorization of historical movements or periods difficult have led to some evocative hybrids—new and telling syntheses which are genuinely of their place. Of interest to anyone who has strolled the Paseo del Rio in San Antonio or admired the dramatically lit State Capitol at night, Landmarks of Texas Architecture is a book to be looked at and enjoyed, a place to start in creating one's own list of architectural favorites. Part of the growing interest in Texas history and culture, Landmarks adds to our understanding of the forces which shaped the Texas of yesterday and will build the Texas of tomorrow.
the battle reaches its stunning conclusion in this final volume of the tir Alainn trilogy. With the eastern barons under his control and a growing army of black-cloaked torturers, Adolfo is headed toward the Mother's Hills - the wellspring of magic in Sylvalan, as well as home to the reclusive witches of the House of Gaian. As the battle to end all battles looms closer, normal humans and witches are forced to join ranks with the Fae, the beautiful, powerful, and arrogant race that inhabits the magical realm of tir Alainn.But the witches are faced with a crisis: if they are to fight the Black Coats, they'll have to break their sacred creed of 'Do No Harm'. And to make matters worse, the Master Inquisitor has a host of nasty surprises in store, including a new way to create a limitless army of nighthunters, virtually unstoppable soul-eating creatures of darkness.
People of African descent were some of Galveston's earliest residents, and although they came to the island enslaved, they retained mastery of their culinary traditions. As Galveston's port prospered and became the "Wall Street of the South," better job opportunities were available for African Americans who lived in Galveston and for those who migrated to the island city after emancipation, with owner-operated restaurants being one of the most popular enterprises. Staples like Fease's Jambalaya Café, Rose's Confectionery and the Squeeze Inn anchored the island community and elevated its cuisine. From Gus Allen's business savvy to Eliza Gipson's oxtail artistry, the Galveston Historical Foundation's African American Heritage Committee has gathered together the stories and recipes that preserve this culinary history for the enjoyment and enrichment of generations, and kitchens, to come.
Grade Level 6.2, Book# 385, Points 7.
In the predominantly mormon city of Draper, Utah, some seemingly perfect families have deadly secrets. Linda Wallheim is a devout Mormon, mother of five boys and wife of a bishop. But Linda’s daily routine of church-going, Relief Society meetings, and visiting church ward members is turned upside down as a disturbing situation takes shape in her seemingly idyllic neighborhood. Young wife and mother Carrie Helm has disappeared. Carrie’s husband, Jared, claims that she has abandoned the family, but Linda doesn’t trust him. As she snoops, trying to learn more about the Helms’ circumstances, Linda becomes convinced Jared murdered his wife and painted himself as a wronged husband. Inspired by a chilling true crime and written by a practicing Mormon, The Bishop’s Wife is both a fascinating peek into the lives of modern Mormons and a grim and cunningly twisted mystery.
This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal claims to secular power. As bishops lost temporal authority in their cities to emerging communal governments, they compensated architecturally and competed with the communes for visual and spatial dominance in the urban center. This rivalry left indelible marks on the layout and character of Italian cities.Moreover, Miller contends, this struggle for power had highly significant, but mixed, results for western Christianity. On the one hand, as bishops lost direct governing authority in their cities, they devised ways to retain status, influence, and power through cultural practices. This response to loss was highly creative. On the other hand, their loss of secular control led bishops to emphasize their spiritual powers and to use them to obtain temporal ends. The coercive use of spiritual authority contributed to the emergence of a "persecuting society" in the central Middle Ages.
Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.