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The guide provides Research Publications' fiche and reel numbers, with their contents, for City directories of the United States in microform; segment 1 (pre 1860), segment 2 (1861-1881) and segment 3 (1882-1901).
The image of Old West saloons as sites of violence and raucous entertainment has been perpetuated by film and legend, but the true story of such establishments is far more complex. In Boomtown Saloons, archaeologist Kelly J. Dixon recounts the excavation of four historic saloon sites in Nevada’s Virginia City, one of the West’s most important boomtowns, and shows how the physical traces of this handful of disparate drinking places offer a new perspective on authentic life in the mining West. During the second half of the nineteenth century, the Comstock Lode’s mineral wealth attracted people from all over the world. At its peak, Virginia City had a cosmopolitan population of over 20,000 people. Like people everywhere, they sought to pass their leisure time in congenial company, often in one or another of the four saloons studied here. Dixon’s account of the role these four establishments played in the social and economic life of Virginia City offers keen insight into the businesses and people who made up the backdrop of a mining boomtown. The saloons in this study were quieter than legend would have us believe; they served relatively distinct groups and offered their customers a place of refuge, solidarity, and social contact with peers in a city where few people had longtime ties or initially any close contacts. Boomtown Saloons also offers an equally vivid portrait of the modern historical archaeologist who combines time-honored digging, reconstruction, and analysis methods with such cutting-edge technology as DNA analysis of saliva traces on a 150-year-old pipestem and chemical analysis of the residue in discarded condiment bottles. The book is illustrated with historical photographs and maps, as well as photographs of artifacts uncovered during the excavations of the four sites. Dixon’s sparkling text and thoughtful interpretation of evidence reveal an unknown aspect of daily life in one of the West’s most storied boomtowns and demonstrate that, contrary to legend, the traditional western saloon served an vital and complex social role in its community.Available in hardcover and paperback.
"This book pulls together records from a variety of sources, including information from county court houses, Nevada internet sites, and various lists..."--Page iv.
When it comes to Nevada history, men get most of the ink. Comstock Women is a collection of 14 historical studies that helps to rectify that reality. The authors of these essays, who include some of Nevada’s most prominent historians, demographers, and archaeologists, explore such topics as women and politics, jobs, and ethnic groups. Their work goes far in refuting the exaggerated popular images of women in early mining towns as dance hall girls or prostitutes. Relying primarily on newspapers, court decisions, census records, as well as sparse personal diaries and records left by the woman, the essayists have resurrected the lives of the women who lived on the Comstock during the boom years.
This book examines the life of the Townsend family and the events that occurred during the period of 1856–1926 that shaped an expanding American West. Bryant and Julia (Riley) Townsend and their three children were born into an age of rapid change and competing cultures. Witnesses to a century of events that shaped a nation, their lives define the complexities and challenges of incomers who arrived in an expanding American West. From the Gold Rush to the California oil boom, from slavery to female suffrage, from Indian Wars to World Wars, the Townsends lived through violent upheavals, outlasting cities, societal beliefs and entire ways of life. Married in a mining camp in Nevada and relocating frequently, the couple embraced the momentary riches, shattering losses and personal disasters faced by a vast number of immigrants, foreign and domestic, striving to survive in an often-hostile landscape. Their lives and those of their three children, Minnie Edith, Bryant and Persia, form the architecture supporting an examination of multiple facets of the Western experience and are exemplars of the different populations that merged to form the American identity. This volume will be of value to students and scholars interested in American history, social and cultural history and modern history.
"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2018 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.
Nevada’s Comstock Mining District has been the focus of legend since it first burst into international prominence in the late 1850s, and its principal settlement, Virginia City, endures in the popular mind as the West’s quintessential mining camp. But the authentic history of the Comstock is far more complex and interesting than its colorful image. Contrary to legend, Virginia City spent only its first few years as a ramshackle mining camp. The mining boom quickly turned it into a thriving urban center, at its peak one of the largest cities west of the Mississippi, replete with most of the amenities of any large city of its time. The lure of the area’s fabulous wealth attracted a remarkably heterogenous population from around the world and offered employment to dozens of trades and thousands of people, both men and women, representing every one of the region’s diverse ethnic groups. Ronald James’s brilliant account of the Comstock’s long and eventful history—the first comprehensive study of the subject in over a century—examines every aspect of the region and employs information gleaned from hundreds of written sources, interviews, archeological research, computer analysis, folklore, gender studies, physical geography, and architectural and art history, as well as over fifty rare photographs, many of them previously unpublished.