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Bishop Robert Grosseteste and Lincoln Cathedral is an in-depth investigation of Grosseteste’s relationship to the medieval cathedral at Lincoln and the surrounding city. This book will contribute to the understanding of Gothic architecture in early thirteenth century England – most specifically, how forms and spaces were conceived in relation to the cultural, religious and political life of the period. The essays make an important contribution to our understanding of the relation between architecture, theology, politics and society during the Middle Ages, and how religious spaces were conceived and experienced.
Bishop Robert Grosseteste and Lincoln Cathedral is an in-depth investigation of Grosseteste?s relationship to the medieval cathedral at Lincoln and the surrounding city. This book will contribute to the understanding of Gothic architecture in early thirteenth century England - most specifically, how forms and spaces were conceived in relation to the cultural, religious and political life of the period. The architecture and topography of Lincoln Cathedral are examined in their cultural contexts, in relation to scholastic philosophy, science and cosmology, and medieval ideas about light and geometry, as highlighted in the writings of Robert Grosseteste - Bishop of Lincoln Cathedral (1235-53). At the same time the architecture of the cathedral is considered in relation to the roles of the clergy and masons; the policies of the bishop; matters of governance, worship and education; ecclesiastical hierarchy, church liturgy, politics and processionals. The book explores Grosseteste?s ideas in the broader context of medieval and Renaissance cosmologies, optics/perspective, natural philosophy and experimental science, and considers historical precedents in regard to religious, political and symbolic influences on church building. The contributors to this volume make an important contribution to our current understanding of the relation between architecture, theology, politics and society during the Middle Ages, and how religious spaces were conceived and experienced.
Architecture as Cosmology examines the precedents, interpretations, and influences of the architecture of one of the great buildings in the history of architecture, Lincoln Cathedral. It analyzes the origin and development of its architectural forms, which were to a great extent unprecedented and were very influential in the development of English Gothic architecture and in conceptions of architecture to the present day. Architecture as Cosmology emphasizes the relation of the architectural forms to medieval philosophy, focusing on the writings of Robert Grosseteste, Bishop of Lincoln (1235-53). The architecture is seen as a text of the philosophy, cosmology, and theology of medieval English culture. This book should be useful to anyone interested in architecture, architectural history, architectural theory, Gothic architecture, and medieval philosophy.
This 1940 book constitutes an extensive bibliographical study of the works of Robert Grosseteste, the 13th-century Bishop of Lincoln. Over 140 libraries were visited and approximately 2500 manuscripts consulted during the preparation of the text, with many manuscripts being examined without prior knowledge that they contained material by Grosseteste.
Bishop Robert Grosseteste and Lincoln Cathedral is an in-depth investigation of Grosseteste?s relationship to the medieval cathedral at Lincoln and the surrounding city. This book will contribute to the understanding of Gothic architecture in early thirteenth century England - most specifically, how forms and spaces were conceived in relation to the cultural, religious and political life of the period. The architecture and topography of Lincoln Cathedral are examined in their cultural contexts, in relation to scholastic philosophy, science and cosmology, and medieval ideas about light and geometry, as highlighted in the writings of Robert Grosseteste - Bishop of Lincoln Cathedral (1235-53). At the same time the architecture of the cathedral is considered in relation to the roles of the clergy and masons; the policies of the bishop; matters of governance, worship and education; ecclesiastical hierarchy, church liturgy, politics and processionals. The book explores Grosseteste?s ideas in the broader context of medieval and Renaissance cosmologies, optics/perspective, natural philosophy and experimental science, and considers historical precedents in regard to religious, political and symbolic influences on church building. The contributors to this volume make an important contribution to our current understanding of the relation between architecture, theology, politics and society during the Middle Ages, and how religious spaces were conceived and experienced.
`This is a highly readable and accurate translation. The very useful annotations help to orient the modern reader with respect to medieval concepts, reflecting a profound understanding of thirteenth-century institutional history and the social and legal context of medieval Christianity. An extraordinary piece of scholarship.' James Ginther, Department of Theological Studies, St Louis University Robert Grosseteste (c.1170-1253) was an English statesman, philosopher, theologian, and bishop of Lincoln, and also one of the most controversial figures in his country's episcopate. His long life coincided with the central period of institutional, intellectual, and religious consolidation in medieval Europe and his letters provide important insights into the practices and preoccupations of the English clergy and laity in the first half of the thirteenth century. This volume contains the first complete translation of Grosseteste's collected Latin letters and shows that these were most likely chosen and arranged by Grosseteste himself. Shedding light on some of the period's crucial debates on issues of theology, law, pastoral care, and episcopal authority, F.A.C. Mantello and Joseph Goering's richly annotated English translation makes his letters more accessible than ever for scholars and students, and for those interested in medieval history, religion, and culture.
In this book Philippa Hoskin offers an account of the pastoral theory and practice of Robert Grosseteste, bishop of Lincoln 1235-1253, within his diocese. Grosseteste has been considered as an eminent medieval philosopher and theologian, and as a bishop focused on pastoral care, but there has been no attempt to consider how his scholarship influenced his pastoral practice. Making use of Grosseteste’s own writings – philosophical and theological as well as pastoral and administrative – Hoskin demonstrates how Grosseteste’s famous interventions in his diocese grew from his own theory of personal obligation in pastoral care as well as how his personal involvement in his diocese could threaten well-developed clerical and lay networks.
Before the rise of universities, cathedral schools educated students in a course of studies aimed at perfecting their physical presence, their manners, and their eloquence. The formula of cathedral schools was "letters and manners" (litterae et mores), which asserts a pedagogic program as broad as the modern "letters and science." The main instrument of what C. Stephen Jaeger calls "charismatic pedagogy" was the master's personality, his physical presence radiating a transforming force to his students. In The Envy of Angels, Jaeger explores this intriguing chapter in the history of ideas and higher learning and opens a new view of intellectual and social life in eleventh- and early twelfth-century Europe.
Succumb to one churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, William Golding (recorded by Benedict Cumberbatch as an audiobook). There were three sorts of people. Those who ran, those who stayed, and those who were built in. Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and his dark angel darker, the spire rises octagon upon octagon, pinnacle by pinnacle, watched over by the gargoyles - until the stone pillars shriek, the earth beneath creeps, and the spire's shadow falls like an axe on the medieval world below ... 'Astounding ... So recklessly beautiful, so sad and so strange ... Holds such a place in my soul that it's more or less a sacred text.' Sarah Perry 'A kind of miracle ... Genius.' Guardian ' Quite simply, a marvel.' NYRB ' Superb ... A classic.' Rebecca West 'A master fabulist .. An iconoclast.' John Fowles 'A visionary ... His masterwork [of] faith, folly and desperate desire ... Golding at his best.' Benjamin Myers