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Research on fathers and fatherhood has blossomed in recent years, focusing, for the most part, on present-day fathering experiences but also beginning to uncover hidden narratives of past fatherhood. This collection aims to add something new to this expanding field by exploring the dynamic relationship between present and past fatherhoods. The popular understanding of fathers in past generations, as being detached and uninvolved in the lives of their children, can be said to play a significant part in the construction of modern fathering identities, with ideas of “new” fatherhood being played off against notions of historical fathering practices. However, research has begun to show that these popular myths often misremember the past, judging it by current standards and obscuring the diverse nature of fathering practices in the recent and distant past. A genealogical approach is able to critically examine these intergenerational constructions of fatherhood and more positively illuminate the ways in which experiences of fathering and being fathered are passed on between generations. The contributions to this collection use a genealogical approach (broadly defined) to fathering and fatherhood as a way of defamiliarizing accepted narratives and suggesting new ways of thinking about men and their relationships with their children.
Betty Jean Lifton, whose Lost and Found has become a bible to adoptees and to those who would understand the adoption experience, explores further the inner world of the adopted person. She breaks new ground as she traces the adopted child's lifelong struggle to form an authentic sense of self. And she shows how both the symbolic and the literal search for roots becomes a crucial part of the journey toward wholeness.
Strangers and Kin is the history of adoption. An adoptive mother herself, Barbara Melosh tells the story of how married couples without children sought to care for and nurture other people's children as their own. Taking this history into the early twenty-first century, Melosh offers unflinching insight to the contemporary debates that swirl around adoption: the challenges to adoption secrecy; the ethics and geopolitics of international adoption; and the conflicts over transracial adoption.
In her lifetime, African American composer Margaret Bonds was classical music's most intrepid social-justice activist. Furthermore, her Montgomery Variations (1964) and setting of W.E.B. Du Bois's iconic Civil Rights Credo (1965-67) were the musical summits of her activism. These works fell into obscurity after Bonds's death, but were recovered and published in 2020. Since widely performed, they are finally gaining a recognition long denied. This incisive book situates The Montgomery Variations and Credo in their political and biographical contexts, providing an interdisciplinary exploration that brings notables including Harry Burleigh, W.E.B. and Shirley Graham Du Bois, Martin Luther King, Jr., Abbie Mitchell, Ned Rorem, and – especially – Langston Hughes into the works' collective ambit. The resulting brief, but instructive, appraisal introduces readers to two masterworks whose recovery is a modern musical milestone – and reveals their message to be one that, though born in the mid-twentieth century, speaks directly to our own time.
"Includes research on adoption documents rarely open to historians . . . an important addition to the literature on adoption." ---Choice "Sheds new light on the roots of this complex and fascinating institution." ---Library Journal "Well-written and accessible . . . showcases the wide-ranging scholarship underway on the history of adoption." ---Adoptive Families "[T]his volume is a significant contribution to the literature and can serve as a catalyst for further research." ---Social Service Review Adoption affects an estimated 60 percent of Americans, but despite its pervasiveness, this social institution has been little examined and poorly understood. Adoption in America gathers essays on the history of adoptions and orphanages in the United States. Offering provocative interpretations of a variety of issues, including antebellum adoption and orphanages; changing conceptions of adoption in late-nineteenth-century novels; Progressive Era reform and adoptive mothers; the politics of "matching" adoptive parents with children; the radical effect of World War II on adoption practices; religion and the reform of adoption; and the construction of birth mother and adoptee identities, the essays in Adoption in America will be debated for many years to come.
Explores the obstacles and issues that adoptees, orphans, and foster children face when they have been separated from a parent or denied the right to know their origins
In this eye-opening, deeply affecting account, the authors reveal - through the words and experiences of adoptees, birthmothers, and birthfathers - that what reunion can accomplish is impressive, although its pangs are no less real than the pangs of birth
Adoption activist Jean Paton (1908–2002) fought tirelessly to reform American adoption, dedicating her life to overcoming American society’s prejudices against adult adoptees and women who give birth out of wedlock. From the 1950s until the time of her death, Paton wrote widely and passionately about the adoption experience, corresponded with policymakers as well as individual adoptees, promoted the psychological well-being of adoptees, and facilitated reunions between adoptees and their birth parents. She also led the struggle to re-open adoption records, creating a national movement that continues to this day. While “open adoption” is often now the rule for adoptions within the United States, for those in earlier eras, adopted in secrecy, the records remain sealed; many adoptees live (and die) without vital information that should be a birthright, and birth parents suffer a similar deprivation. At this writing, only seven of fifty states have open records. (Kansas and Alaska have never closed theirs.) E. Wayne Carp’s masterful biography of Jean Paton brings this neglected civil-rights pioneer and her accomplishments into the light. Paton’s ceaseless activity created the preconditions for the explosive emergence of the adoption reform movement in the 1970s. She founded the Life History Study Center and Orphan Voyage and was also instrumental in forming two of the movement’s most vital organizations, Concerned United Birthparents and the American Adoption Congress. Her unflagging efforts over five decades helped reverse social workers’ harmful policy and practice concerning adoption and sealed adoption records and change lawmakers’ enactment of laws prejudicial to adult adoptees and birth mothers, struggles that continue to this day. Read more about Jean Paton at http://jeanpaton.com/
This book provides information on adoption in United States with some focus on other countries as well.
Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.